Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Ashton, John William (Will)
(Cattle by the Watering Hole)Oil on canvas, signed lower right Will Ashton, bears original 'W. Barlow' framing label verso, 61 x 82 cm |
*** | *** | |
2 |
Boyd, Theodore Penleigh
(Mornington Peninsula), 1911Oil on canvas, signed and dated lower right Penleigh Boyd /11, 51 x 61 cm |
*** | *** | |
3 |
Wilson, Dora Lynell
Collins Street, MelbourneOil on canvas on board, signed lower right Dora L Wilson, 51 x 41 cm |
*** | *** | |
4 |
Cumbrae-Stewart, Janet Agnes
(The Letter)Pastel, signed lower right Cumbrae Stewart, bears title and artists name on plaque: The Letter / Cumbrae Stewart, 54 x 75 cm |
*** | *** | |
5 |
Lindsay, Norman Alfred William
Portrait of MitziOil on canvas on board, signed upper right Norman Lindsay, 41.5 x 31 cm |
*** | *** | |
6 |
O'Brien, Justin Maurice
Study of Still Life on a TerraceInk and pencil on paper, signed upper right O'Brien, 45.5 x 33.5 cm |
*** | *** | |
7 |
O'Brien, Justin Maurice
Study for Venus on a TerraceInk and pencil on paper, signed upper right O'Brien, 32 x 28 cm |
*** | *** | |
8 |
Dickerson, Robert Henry (Bob)
(Portrait of a Lady in Red)Pastel on paper, signed lower right Dickerson, 75 x 55 cm |
*** | *** | |
9 |
Canning, Criss
Posy ReflectedOil on canvas, signed lower left Criss Canning., 81 x 51 cm |
*** | *** | |
10 |
Olsen, John Henry
Study for Paella, 1981Watercolour and mixed media, titled, inscribed, signed and dated to margin: 'The Paella' design for a tapestry 12' x 5' / John Olsen 81, 38 x 91 cm (image size) 60 x 103 cm (sheet size) |
*** | *** | |
11 |
Storrier, Timothy Austin (Tim)
Evening EmbersOil on paper, signed lower right Storrier, 102 x 151 cm |
*** | *** | |
12 |
French, Leonard William
The WorkshopOil on board, signed lower right French, 152 x 181 cm |
*** | *** | |
13 |
Olley, Margaret Hannah
The Kitchen Window, 1990Oil on board, signed lower left Olley, 66.5 x 89.5 cm |
*** | *** | |
14 |
Storrier, Timothy Austin (Tim)
Will (Arm), 1984Acrylic and rope on canvas, titled, signed and dated lower right Will (Will/ Arm) / Storrier / 10 12 84, 180 x 305 cm |
*** | *** | |
15 |
Coburn, John
Carnival, 1984Oil on canvas, signed and dated lower right Coburn. 84, 168 x 244 cm |
*** | *** | |
16 |
Crooke, Ray Austin
Still Life with MandarinsOil on canvas, signed lower left R. Crooke, 41 x 51 cm |
*** | *** | |
17 |
Byrne, Samuel Michael (Sam)
Broken Hill Line of Lode, 1893Oil on canvas, signed, titled, dated and inscribed to lower margin: Sam Byrne / Broken Hill line of lode 1893. From Left. North Mine. Junction North. Junction. British. Block 14. B. H. P. Mine, Smelter's & Viaduct. Block 10 Mine. Sulphide Corp? & South / (Central Mine) Mine., 60 x 150 cm |
*** | *** | |
18 |
Brack, Cecil John (John)
Shop Still Life with Self-Portrait, (Circa 1964)Conté on paper, 43 x 32 cm |
*** | *** | |
19 |
Onus, Lin
Four Fish in ReedsGouache on board, signed lower left Lin Onus, 49 x 37 cm |
*** | *** | |
20 |
Conder, Charles Edward
Morning in the Park (Possibly The Serpentine, Hyde Park, London) (Circa 1902-4)Oil on canvas, signed lower left Conder, 71.5 x 91.5 cm |
*** | *** | |
21 |
Shead, Garry
E.r., 1994Oil on board, signed and dated lower right Garry Shead 94, 75.5 x 60.5 cm |
*** | *** | |
22 |
Canning, Criss
The Artist's Studio, (Circa 1983)Oil on canvas, signed lower left Criss Canning, titled verso: 'The Artists [sic] Studio, 76 x 86 cm |
*** | *** | |
23 |
Hong, Fu
Corner InteriorOil on canvas, signed lower left Fu Hong, 101.5 x 101.5 cm |
*** | *** | |
24 |
Scheltema, Jan Hendrik
Tailing the HorsesOil on canvas, signed lower right J.H.Scheltema, 61 x 104.5 cm |
*** | *** | |
25 |
Campbell, Robert Richmond
(On the Seine)Oil on board, signed lower left Robert Campbell, 25 x 35 cm |
*** | *** | |
26 |
Turner, James Alfred
Tree FallingOil on canvas, signed lower left J A Turner, 31 x 47 cm |
*** | *** | |
27 |
Turner, James Alfred
Abandoned Homestead and KangaroosOil on canvas, signed lower left J A Turner, 30.5 x 61 cm |
*** | *** | |
28 |
Olsen, John Henry
Young Miner, 1985Oil on canvas, signed and dated lower left John / Olsen '85, titled verso: Young Miner, 91.5 x 76 cm |
*** | *** | |
29 |
Walker, John
Form and Shield No. 4, 1988Oil on canvas, inverted inscription on image: Memory, signed and dated verso: Walker 1988, 213 x 168 cm |
*** | *** | |
30 |
Hanssen-Pigott, Gwyn
(Yellow Still Life)Limoges porcelain ((6 beakers, 2 bowls), each stamped with roundel to base, 18 cm high, 65 cm wide, 25 cm deep (overall) |
*** | *** | |
31 |
Firth-Smith, John
Is That It?, 1979Oil on canvas, titled, signed and dated verso: 'Is That It' / Firth-Smith 79, 151.5 x 305.5 cm |
*** | *** | |
32 |
Coburn, John
Study for Hosanna, 1993Acrylic and colour pencil on paper, signed lower right Coburn, titled lower centre: Study for Hosanna, 32 x 32 cm |
*** | *** | |
33 |
Gabori, Sally (Mirdidingkingathi Juwarnda)
Dibirdibi Country, 2008Acrylic on linen, 198 x 101 cm |
*** | *** | |
34 |
Klippel, Robert Edward
Opus 682, 1988Timber construction, initialled, titled and dated to base: RK. 682. 88. |
*** | *** | |
35 |
Larter, Richard Charles
Loose Shift, 1970Acrylic on board, signed and dated lower centre: R. Larter. 26.9.70., titled verso: Loose Shift, 121.5 x 183 cm |
*** | *** | |
36 |
Clarke, Peter Warren
Orange on Grey, 1974Acrylic on canvas, signed and dated lower right P. Clarke / 74, signed, dated and titled verso: P. Clarke / '74 / Orange On Grey, 198 x 228 cm |
*** | *** | |
37 |
Hammond, Stanley James
Marquette for Commerce, 1960Cast concrete with aggregate, incised to base: Stanley Hammond 1960 |
*** | *** | |
38 |
Meadmore, Clement
Hereabout, 1971Resin, edition 75/150, titled, editioned, signed and dated to base: Hereabouts / 75/150 / Meadmore / 1971 |
*** | *** | |
39 |
Last, Clifford Frank
Untitled, No. 26Bronze, incised to base: L / 11/IV, 60 cm high, 22.5 cm wide, 13,5 cm deep |
*** | *** | |
40 |
Boyd, Arthur Merric Bloomfield
River SceneOil on canvas on board, signed lower right Arthur Boyd, 63 x 54 cm |
*** | *** | |
41 |
Smart, Frank Jeffrey (Jeff) Edson
(Study for Mount Tom Price), 1966Ink and wash on paper, signed lower right Jeffrey Smart, 27.5 x 37 cm |
*** | *** | |
42 |
Friend, Donald Stuart Leslie
The Barracks, 1944Watercolour and ink on paper, signed upper left Donald Friend 44/ The Barracks, 34 x 40 cm |
*** | *** | |
43 |
Gleeson, James Timothy
Aphrodite Landing at Low TideOil on board, signed lower right Gleeson, 25.5 x 29.5 cm |
*** | *** | |
44 |
Drysdale, George Russell (Russell)
(Study of a Young Woman), 1963Ink on paper, inscribed, dated and initialled to margin: For Karel from Tass / Xmas 1963. Russell Drysdale, 38 x 27.5 cm (sheet size) |
*** | *** | |
45 |
Boyd, Arthur Merric Bloomfield
Prodigal Son with Mother and Child, 1966-68Ink on paper, signed lower right Arthur Boyd, 61 x 49 cm |
*** | *** | |
46 |
Drysdale, George Russell (Russell)
I) (Portrait of an Aboriginal in Landscape), 1963; II) (Head), 1963Ink on paper (double-sided), inscribed and dated lower left For Karel from Tass / 1963, initialled lower right R.D., 27.5 x 38 cm (sheet size) |
*** | *** | |
47 |
Drysdale, George Russell (Russell)
Res Publica, 1963Ink on paper, inscribed, dated, titled and initialled to margin: For Karel / from Tass 1963. ' Res Publica' R.D., 22 x 13 cm (sheet size) |
*** | *** | |
48 |
Whiteley, Brett
Another Way of Looking at Vincent Van Gogh 1888-1889, 1983 (Suite Of 3)Suite of 3 etchings, each editioned 32/100 |
*** | *** | |
49 |
Lindsay, Norman Alfred William
(Preliminary Study for Merchandise)Pencil on paper, initialled lower centre: N. L, 40 x 32 cm |
*** | *** | |
50 |
Amor, Rick
The Runner, 2006Lithograph, edition 20/20, editioned, titled, signed and dated to margin, 43 x 63 cm |
*** | *** |