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Brett Whiteley Australia, 1939-92
Number of Works: 3,439, Results Page: 1
Preliminary For 'River At Carcoar', 1977
Ink on paper, signed lower right: brett whiteley dated and inscribed lower left: Preliminary for 'River at Carcoar' 16/4/77 stamped lower right with artist's monogram, 90.5 x 56 cm
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The Wren, 1978
Oil on canvas, signed lower right: brett whiteley, 168 x 153 cm
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Bather On The Sand, 1975 – 76
Oil on canvas, signed and dated lower right: brett whiteley 75?76, 122 x 90 cm
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Swinging Monkey 2, 1965
Screenprint, ed.1/10, signed lower right, editioned lower left, titled in plate lower left, 75.5 x 54.5 cm
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Doves on the Balcony, Lavender Bay 1979
Oil on canvas, signed and dated 'brett whiteley 79' lower centre, 91 x 61 cm
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Study for Portrait of Wendy I 1985
Charcoal on paper on board, signed and dated 'brett whiteley 85' lower right; signed with monogram 'B/W' upper right; signed, dated and inscribed '"Study For / Portrait of W." / 1985 / brett whiteley' verso, 177 x 152.4 cm
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Young Baboon 1977
Sugarlift aquatint, ed. A/P, signed lower right brett whiteley, editioned lower left, 49.5 x 49 cm
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Figures on an Ochre Background 1961
Screenprint, ed. 59/75, signed lower right Brett Whiteley, editioned lower left, 65 x 50 cm
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Hyena 1965
Screenprint, ed. 48/70, signed lower right Brett Whiteley, editioned lower left, titled in plate lower left, 78 x 59 cm
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Fruit Dove 1980
Linocut, ed. A/P, signed lower right Brett Whiteley, editioned lower left, 30 x 30 cm
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Sydney Cove, 1958
Watercolour and gouache on paper, signed and dated lower right Brett Whiteley 58, bears inscription on backing verso: Brett Whiteley/ Sydney Cove/ 1958, 10 x 17.5 cm
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The Heroin Clock 2 1981
Two clocks mounted in a Perspex box, signed dated and inscribed verso: especially reproduced for Clive Evatt, 'The Heroin Clock 2' 1981 brett whiteley/ 24/october 1981/ (19th Century Hands)/ about the authorship of idea of this art object.../ it would aesthetically be wrong to add even a studio signature stamp to the front. even initials./ it should be checked that the red second hands are in exact sinc [sic] all the time or the picture is false./ 'The Heroin Clock 2' is not a moral statement, a discription [sic] of destruction a glimpse of evil or any of that sort of thing./ it is more like a scientific matter of fact - a visual equasion [sic], a comparasion [sic] if you like, of addiction to non-addition [sic]. (But it should be noted that this object should produce a feeling of anxiety.), stamped verso with artist's monogram, 27.5 x 46.5 x 6.5 cm
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Moreton Bay Fig, 1977
Pen, brush, ink and ink wash on paper, signed lower right Brett Whiteley, 34.5 x 26 cm
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Lindfield Garden
Colour screenprint with offset lithography, signed and editioned lower right and left: Brett Whiteley / Ap, studio stamp lower left, 81 x 115 cm
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The Garden in Sanur, Bali, 1980
Screenprint with offset lithography on paper edition: 81/100, numbered and signed below image '81/100, Brett Whiteley', 55 x 77 cm (unframed)
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Lovers, 1975
Screenprint, edition 13 of 70, signed and editioned lower right: 'Brett Whiteley 13/70', 52 x 66 cm
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Young Musician With Cello, c.1957
Oil on board, signed lower left: Brett Whiteley, 37 x 29.5 cm
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Sons of the Sun (from Another way of looking at Vincent Van Gogh 1888 - 1889)
Etching on Japanese paper, ed. A/P (AF), signed lower right, 26.5 x 20 cm
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The Back 1977
Sepia etching, edition: 23/60, signed lower right, 60 x 45 cm
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The River at Yass, NSW 1977
Ink on paper, signed, dated and inscribed lower left: the river at Yass/ N.S.W./ brett whiteley 77, 61 x 91 cm
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Leighton Lane, West Lithgow 1957
Pen, ink and gouache on card, signed, dated and inscribed lower right: Brett Whiteley 1957./ Leighton Lane West Lithgow, 15.5 x 20.5 cm
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The Divided Unity 1974
Colour screenprint, edition: 9/70, signed lower right: brett whiteley, numbered, titled and dated lower left: 9/70 'the Divided Unity' 74, stamped lower right with artist's monogram, 76.5 x 105 cm (sheet)
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The Hill c1960
Oil, gouache and pencil on card on board, signed and inscribed verso: "The Hill"/ for S.A./ Brett Whiteley, 37 x 51.5 cm
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Putting on Lipstick 1981
Charcoal, oil-stick and collage on paper, signed lower right: brett whiteley, stamped twice lower right with artist's monogram, 65 x 93.5 cm
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Feeding Lavender Bay Doves 1979
Oil on canvas on board, signed lower left: brett whiteley, signed, dated and inscribed verso: 'Feeding Lavender Bay Doves' 79/ brett whiteley/ oil on canvas, 92 x 60.5 cm
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(The Orange) Fruit Dove in Clark Park 1980
Colour screenprint, edition: Artist's Proof (edition of 30), signed lower right: Brett Whiteley, numbered and inscribed lower left: the fruit dove in Clark Park/ A/P, stamped lower left with artist's monogram, 76 x 53 cm (image); 105.5 x 75.5 cm (sheet)
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'Inside a Moreton Bay Fig Tree,' 1975
Ink on paper, title inscribed in pencil lower left. also signed and dated '75. Studio stamp upper left. monogram lower right, 98 x 75 cm
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Bird On A Branch, 1977
Sugarlift aquatint on paper, signed and numbered below image stamped with studio stamp lower right: Bw, 43 x 75 cm (image)
68.5 x 78.5 cm (sheet)
68.5 x 78.5 cm (sheet)
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Max Lake's Vineyard, hunter valley
Crayon, ink and watercolour on paper, signed, titled and dated '76 at lower right, 50 x 76 cm
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Towards sculpture, 1977
Print - cover sheet, signed by the artists and numbered 'AP5/5' verso, 91 x 63.5 cm (sheet)
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Lavender Bay in the Rain, 1981
Archival pigment print, edition: 25/250, numbered and stamped with Artist's Estate Blind stamp below image '25/250', 84 x 82.5 cm
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Francis Bacon 1971
Screenprint with additions in black ink on rice paper, unique state, signed lower right: brett whiteley, 92 x 63 cm
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Another Way of looking at Vincent van Gogh 1888-1889
Etching (3), ed. 14/100, each signed lower right, each editioned lower left
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Palm tree 3 1975
Screenprint, ed. 1/50, signed lower right: brett whiteley, editioned lower left, monogram stamp lower left, 81 x 59.5 cm
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Lavender Bay in The Rain, 1987
Colour screenprint, signed and numbered below image, 100.5 x 74.5 cm (image)
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Sydney Harbour Bridge, 1977
Etching on paper, signed and numbered below image, 60.5 x 45 cm (image)
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Yellow 1975
Oil on canvas, signed and dated 'brett whiteley / 1975' lower left, 208 x 190 cm
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Hullo (Cockatoo), 1980
Etching on Japanese paper, edition: 22/80, numbered and signed below image '22/80, Brett Whiteley', 28 x 22.5 cm
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Back View
Etching on paper, edition: 58/60, numbered and signed below image '58/60, Brett Whiteley', 60 x 44 cm
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Torajaland (Celebes), 1974
Screenprint on paper, edition: 38/50, numbered, signed and dated below image '38/50, Brett Whiteley' stamped lower left corner with artist's monogram, 68.5 x 57.5 cm
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Kingo (Portrait of Peter Kingston), 1991
Etching on paper, signed lower right corner 'Brett', 20 x 20 cm
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Young Baboon, 1977
Sugarlift aquatint on paper, edition: 2/60, numbered, titled and signed below image '2/60, Young Baboon, Brett Whiteley', 50 x 50 cm
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Portraits and Other Emergencies
Offset lithograph, inscribed 'For Kingo Love XX from Brett', 52 x 50 cm
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Platypus: Melbourne Exhibition Poster, 1970
Poster, signed lower right: Brett Whiteley, 76 x 51 cm
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Self Portrait At 36, Comedown, 1975, Verso: Seed Pods and The Tide Coming in
brush and ink on torn reassembled paper, signed lower right: brett whiteley inscribed with title lower left: Self portrait at (36) comedown bears artist's stamp lower right signed, stamped and inscribed with title verso: 'seed pods and the tide coming in', 78 x 59.5 cm
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The Cat 1980
Offset lithograph, edition: 83/100, signed indistinctly lower right: brett whiteley numbered and titled indistinctly lower left: 83/100 'the cat' stamped lower right with artist's monogram, 84 x 82 cm (image)
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Lavender Bay in the Rain 1987
Screenprint, edition: 58/75, signed lower right: brett whiteley numbered lower left: 58/75, 100 x 75 cm (image)
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Sydney Harbour Bridge 1977
Etching and aquatint, edition: 43/60, signed lower right: brett whiteley numbered lower left: 43/60, 60.5 x 45 cm (image)
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