Frank Jeffrey (Jeff) Edson Smart Australia, Europe, 1921-2013

Number of Works: 1,060, Results Page: 1

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The Guiding Spheres II

Digital giclee print on paper edition: 10/999, numbered and signed below image '10/999, Jeffrey Smart', 42 x 50 cm
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Port River

Watercolour, signed lower right, dated 40, 28 x 36 cm
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Portrait of Geoff Wheaton 1947

Pastel on paper, signed lower right, 37 x 28.5 cm
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Cape Dombey 1947

Archival giclee print, 46.4 x 54.6 cm
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The artists grandfather A.G. Edson

Pencil and watercolour on paper, signed lower left, dated 36/37, 34 x 25 cm
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Mr and Mrs A. E. 1959

Oil and hessian on board, signed lower right: Jeffrey Smart, portrait study of a boy on verso, inscribed: Lawrence Beck, Lauraine Diggins Fine Art, Melbourne, label attached verso (stock no.200549), 47 x 30 cm
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The last train 1989

Lithograph, ed. 7/65, signed lower right: Jeffrey Smart, titled lower centre, editioned lower left, 48.5 x 49 cm
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Derelict Farmhouse 1945

Oil on hessian, signed and dated lower right: Jeffsmart 45, 62 x 71 cm
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First Study for 'Conversation Piece' 1997

Oil and pastel on canvas, signed lower right: Jeffrey Smart, titled and dated on gallery label verso, 13.5 x 45.5 cm
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The '04 Adelaide Ring

Etching 25/200, signed lower right, 25 x 17 cm
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Sketch Plan for Hyde Park Regained

Pen on paper, signed lower right: Jeffrey Smart, 29 x 20.5 cm
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Pietro, 1958

Ink and watercolour, titled lower right: 'Pietro' inscribed, signed and dated upper right: 'To Gordon, / Jeffrey Smart 1958', 45 x 29.5 cm
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First Study for The Construction Fence (1978)

Oil on canvas, signed 'Jeffrey Smart' lower right, 28 x 75 cm
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'George O'Dea in the Sun,' 1945

Oil on canvas, 35.5 x 27 cm
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The '04 Adelaide Ring

Etching 25/200, signed lower right, 25 x 17 cm
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The Last Train 1989

Lithograph, ed. 7/65, signed lower right: Jeffrey Smart, titled lower centre, editioned lower left, 48.5 x 49 cm
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The Bather, Bondi, 1962

Oil on board, signed lower left Jeffrey Smart, 49 x 72 cm
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Untitled (Ruins), 1947

Gouache, ink and watercolour on card, signed and dated lower left Jeff Smart/ 47, bears inscription verso: Murray South/ [illeg], 27.5 x 32.5 cm
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Drawing Study for The Waiting Bus c.1986

Pencil on paper, signed, with dedication lower right For Neil with / immense gratitude & affection, / Jeffrey Smart, 18 x 24 cm
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Study for 'Waiting for the Hovercraft' 1985

Watercolour, charcoal and ink on paper, signed lower right Jeffrey Smart, 33.5 x 27 cm
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The Cable Coils

Aquatint etching, editioned lower left 41/80, signed and dated lower right Jeffrey Smart '01, 40 x 64 cm
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Untitled (Male Nude Study)

Ink on paper, signed lower right 'For Beatrice with love, Jeffrey Smart', 19 x 26 cm
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The Waiting Bus

Lithograph in colour, signed, titled and editioned in margin, 60 x 73 cm
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The Blue Boat 1949-1950

Ink, gouache & watercolour on paper, inscribed with artist's name & 'title' verso, not the artist's hand, Macquarie Galleries, Bligh Street, Sydney, label verso, 22. x 26.5 cm
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Second Study For House At Intersection, 1977

Oil on canvas on composition board, signed lower right: Jeffrey Smart, 27.5 x 37.5 cm
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Study Hide and Seek III (1969-1970)

Oil on canvas, signed 'Jeffrey Smart' lower right, 30 x 45 cm
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Woolloomooloo Squash

Oil on board, signed lower right, 50 x 60 cm
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First Study for Waiting for the Hovercraft, Boulogne, 1986-87

Oil on paper on canvas, signed lower right: Jeffrey Smart, 33 x 45 cm
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Study for The Petrol Station, 1975

Oil on canvas on board, signed lower left: Jeffrey Smart, 34.5 x 39.5 cm
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Bus by the Tiber, 1977-78

Oil on canvas, signed lower right: Jeffrey Smart, inscribed verso: Yellow Bus By The Tiber, 66 x 84 cm
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Study for The Port of Adelaide, 1946

Pencil and watercolour on paper, signed and dated lower right: Jeffrey Smart/ 46, 20.5 x 27 cm
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Second Study For Madras Airport, 1979

Oil on canvas on board, signed lower left Jeffrey Smart, 29 x 39 cm
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Study of Ermes de Zan, 2007; Study for Painting (double-sided)

Sepia ink on paper (unframed), signed lower right with dedication 'For dear Janet', with accompanying letter, 18 x 24 cm
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Study I for bus terminus, 1972-73

Synthetic polymer paint and oil on canvas-board, signed lower right Jeffrey Smart, inscribed verso: study I for bus terminus, 57 x 48.5 cm
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Ticket boxes, Catania, 1964

Oil on canvas, signed and dated lower right Jeffrey Smart 64, inscribed verso: ticket boxes, Catania/ by Jeffrey Smart./ ticket boxes Catania, 55.5 x 77 cm
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The Waiting Bus 1986

Lithograph, ed. of 80, signed lower right Jeffrey Smart, inscribed X/X lower left, titled lower centre, 60 x 73 cm
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The '04 Adelaide Ring 2004

Etching, ed. 2/200, signed lower right Jeffrey Smart, monogramed in plate, editioned lower left, titled lower left, 23 x 16 cm
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The Cable Coils 2001

Aquatint etching, ed. 41/80, signed and dated lower right Jeffrey Smart '01, editioned lower left, titled lower centre, 40 x 64 cm
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Lips Study for 'Drive in Cinema' (2004)

Pencil on paper, signed 'Jeffrey Smart' lower centre left, 19 x 27 cm
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Study for the Reservoir, Centennial Park (1988)

Oil on canvas on board, signed 'Jeffrey Smart' lower left, 27 x 43.5 cm
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The Last Train, 1989

Lithograph, edition: Artist's Proof (coloured edition of 65), signed and dated lower right Jeffrey Smart '89, numbered lower left A/P, titled lower centre The Last Train, 47.5 x 49 cm (image)
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The Dome, 1978-79

Colour aquatint with gouache highlights, edition: Trial Proof (edition of 100), bears inscription lower left Ultima Prova, 44.5 x 43.5 cm (image)
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Containers at Pisa Airport, 1998

Etching, edition: 30/40, signed lower right Jeffrey Smart, numbered lower left 30/40, titled lower centre Containers at Pisa Airport, 16 x 23.5 cm (image)
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The Cable Coils, 2001

Etching and aquatint, edition: 74/80, signed and dated lower right Jeffrey Smart '01, numbered lower left 74/80, titled lower centre The Cable Coils, 40 x 63.5 cm (image)
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The Waiting Bus, 1986

Lithograph, edition: print er's Proof (edition of 80, signed lower right Jeffrey Smart. numbered lower left P/P. titled lower centre The Waiting Bus , printed by Neil Leveson, Melbourne, published by Victorian Print Workshop, Melbourne (blindstamp lower right), 60 x 73 cm (image)
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Study For Evening on the Esplanade, 1988

Oil on canvas on composition board, signed lower left Jeffrey Smart, bears inscription on gallery label verso: Study for Evening on / the Esplanade, 1988, 25 x 48 cm
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Portrait of Germaine Greer, 1984

Oil and synthetic polymer paint on canvas, signed lower left Jeffrey Smart, 96 x 120 cm
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Man with Bouquet, 1982

Etching and aquatint edition: 36/100, titled and numbered lower left 'Man with Bouquet 36/100' signed lower right 'Jeffrey Smart', 24 x 19 cm
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