Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
White, Robin
Harbour ConeGraphite on paper, c. 1972, 43.5 x 29.5 cm |
*** | *** | |
2 |
Driver, Donald Sinclair (Don)
For a Taranaki DayPerspex, canvas, wood, acrylic paint, industrial paint and plastic balls, 1968, inscribed 'For a Taranaki Day' by Don Driver No. 10A Govett Ave, New Plymouth, New Zealand and perspex, canvas, wood, acrylic paint, industrial paint and plastic. balls and dated 19/6/68 verso, 106.5 x 140 cm |
*** | *** | |
3 |
Killeen, Richard John
Concretionary Structures No. 1Alkyd on aluminium, 12 pieces, original wooden case, 1982, signed Killeen and dated 1982 on each of the twelve pieces verso, signed Killeen and inscribed Concretionary Structures No. 1 and alkyd on aluminium, inside original case, artist's stamp on original wooden travelling case, 165 x 265 cm |
*** | *** | |
4 |
Hanly, James Patrick (Pat)
Jinger GirlIndian ink on paper, 1976, signed Hanly, dated '76 and inscribed Jinger Girl in Indian ink lower left, 55 x 54 cm |
*** | *** | |
5 |
Reynolds, John
UntitledOil pastel on board and stretched linen, diptych, 1987, 80 x 165 cm(overall) |
*** | *** | |
6 |
Lewer, Richard
The Mummy HalfMixed media on formica table top, 2004, signed R. Lewer in brushpoint, 81 x 102.5 cm |
*** | *** | |
7 |
Brown, Nigel Roderick
Gains + Losses (Version A)Acrylic on canvas, 1979, signed and dated Aug '79 in brushpoint lower left, signed N. Brown and inscribed Gains + Losses Version (A) 1979 verso, original Manawatu Art Gallery Touring Exhibition label affixed verso, 78.5 x 61 cm |
*** | *** | |
8 |
Clairmont, Philip
Cartoon Sketch for an Imagined Altarpiece at the End of a Lengthy NaveInk, acrylic and pastel on paper, 1973, signed P. Clairmont '73 in marker pen lower right, inscribed Cartoon Sketch for an Imagined Altarpiece at the End of a Lengthy Nave, drawing of a large imaginary painting to decorate altar or as a focal point for a large room in verso in artist's hand and inscribed to the backing board in Warwick Brown's hand, 56 x 38 cm |
*** | *** | |
9 |
Killeen, Richard John
Deep ContainerAcrylic, ink, collage and pastel on paper, 1988, signed Killeen, dated June 17 1988 and inscribed Deep Container in ink lower centre, 57.6 x 76.2 cm |
*** | *** | |
10 |
Hanly, James Patrick (Pat)
Massacre of the InnocentsAcrylic and graphite on brown paper, 1962, signed P. Hanly and dated '62 in graphite lower right, inscribed Massacre of the Innocents and dated '62 in graphite upper left, 40.5 x 49 cm |
*** | *** | |
11 |
Hanly, James Patrick (Pat)
Figure in LightRelief print, edition 6/10, 1968, signed Hanly, dated '68 and editioned 6/10 in graphite upper right, inscribed Figure in Light in graphite upper left, original Peter Webb Galleries, label affixed verso, 40 x 50 cm |
*** | *** | |
12 |
Harris, Jeffrey Alan
Figure Near the Sea, 1985Oil pastel, acrylic and graphite on paper, 1995, signed Jeffrey Harris and dated 1995 in pencil lower right, 121 x 80 cm |
*** | *** | |
13 |
Maddox, Allen
Untitled (Grid)Oil pastel on steinbach paper, 1977, signed AM, dated 5.10.77 in graphite lower centre, 73 x 109 cm |
*** | *** | |
14 |
Maddox, Allen
Untitled (Grid)Pastel on paper, 58.5 x 81 cm |
*** | *** | |
15 |
Clairmont, Philip
Still Life with Palette, Brushes + ObjectsLinocut, handprinted on arches 600 gram paper, edition AP 3/5, 1980, signed Clairmont and dated 1980 in coloured pencil lower right, inscribed Artist's Proof 3/5, Still Life with Palette, Brushes + Objects in coloured pencil lower left, inscribed on the plate Clairmont 1980, 103 x 77 cm |
*** | *** | |
16 |
Walters, Gordon
TamaScreenprint, 1977, signed Gordon Walters and dated 1977 in graphite lower right, title inscribed in graphite lower left, 67 x 47 cm |
*** | *** | |
17 |
Killeen, Richard John
Stack - Months & DaysMixed media on paper, 1989, signed Killeen, dated Nov 8 1989 and inscribed Stack - months & days in graphite lower right, original Portfolio Gallery label affixed verso, 38 x 57 cm |
*** | *** | |
18 |
Binney, Donald
La Chute D'lcare, Pureora: Last Flight of the KokakoOil on board, 1979, original Barry Lett Galleries, Auckland, label affixed verso, inscribed NY/NW/79 No. 32 Don Binney La Chute d'lcare, Pureora: Last Flight of the Kokako, 211 x 91 cm |
*** | *** | |
19 |
Shelton, Ann
Frederick B Butler Collection, Puke Ariki, New Plymouth, Scrapbooks From: Families Volume 1200 to New Zealand 1939 May 1Type C print, edition of 3, 2006, 136.5 x 96.5 cm |
*** | *** | |
20 |
Clairmont, Philip
Self PortraitPencil, gouache and watercolour on paper, 1975, inscribed Self - Look again in brushpoint lower centre, signed 'Clairmont '75' lower right in pen, 45 x 30 cm |
*** | *** | |
21 |
Hanly, James Patrick (Pat)
Molecular ManScreenprint, edition 1/5, 1968, titled inscrbed, signed and dated '68, 54 x 43 cm |
*** | *** | |
22 |
Maddox, Allen
Jack Sprat Grey GhostAcrylic on vinyl, 1979, signed AM, dated '79, inscribed Jack Sprat Grey Ghost in brushpoint lower left, 50.5 x 40 cm |
*** | *** | |
23 |
Frizzell, Richard John (Dick)
MillingOil on stretched canvas, 1987, signed and dated Frizzell 14/9/87 and inscribed Milling in brushpoint lower left, 150 x 195 cm |
*** | *** | |
24 |
Fomison, Anthony Leslie (Tony)
Lucifer Evil FlowerOil on jute canvas on board, 1979 - 1980, signed and dated Fomison 1979 - 1980 and inscribed Lucifer Evil Flower in brushpoint centre right and Lucifer in pencil, top right, verso, original Fomison What Shall We Tell Them? City Gallery touring exhibition label affixed verso, inscribed No. 60 Crate No. 2, 77.5 x 91 cm |
*** | *** | |
25 |
McCahon, Colin John
Rocks in the Sky, Series 2, No. 4: Seagulls. RainSynthetic polymer paint on Steinbach paper, 1976, signed C.McC, dated '76 and inscribed Rocks In The Sky. Series 2 No. 4. Seagulls in brushpoint lower left, inscribed Rain in brushpoint lower centre, 72.5 x 109.5 cm |
*** | *** | |
26 |
Woollaston, Mountford Tosswill (Toss)
Nelson Hills and Nelson Hills VersoWatercolour on paper (primary image), gouache on paper (secondary image), double sided work, signed Woollaston in brushpoint lower right on one side, 38 x 56 cm |
*** | *** | |
27 |
Gimblett, Maxwell Harold (Max)
Sengai - EggsAcrylic polymer on Belgium linen on three shaped stretchers triptych, 1985 - 1986, inscribed Sengai - Eggs, signed Max Gimblett and dated 1985/6 verso on first panel, numbered '2' and '3' in marker pen on last two panels verso |
*** | *** | |
28 |
Clairmont, Philip
Invitation Two!Collage and ink on paper, 1974, signed P C. T in pen lower left and dated 1974 in pen lower right, inscribed 1974 collage-mixed 'Invitation Two!' in ball point verso, 27 x 18.5 cm |
*** | *** | |
29 |
White, Robin
Sam's Place Bottle CreekScreenprint, edition AP, 1971, signed Robin White and dated 1971 in graphite lower right, inscribed Sam's Place Bottle Creak lower left, 52.5 x 35 cm |
*** | *** | |
30 |
Brown, Nigel Roderick
Such a Perfect Yellow: from the Lemon Tree SeriesAcrylic and ink on paper, 1977, signed N. Brown, dated '77, inscribed Titirangi in brushpoint right side, signed N R Brown '77 in graphite verso, 30 x 45 cm |
*** | *** | |
31 |
Brown, Nigel Roderick
Got to Get AwayOil on board, 1978, signed Nigel Brown and dated July '78 lower centre in brushpoint, signed N R Brown Titirangi verso, dated 1978 and inscribed Got To Get Away verso, 118.5 x 199.5 cm |
*** | *** | |
32 |
Hight, Michael
Lake HeronAcrylic on stretched canvas, 2004, signed Hight, dated 04 and inscribed Lake Heron in brushpoint lower right, 101 x 2,80 cm |
*** | *** | |
33 |
Ellis, Robert
Rakaumangamanga 27 Noema 1988Acrylic on stretched canvas, 1988, signed Robert Ellis, dated '88 and inscribed **** 27 Noema '84 in brushpoint upper right, 166 x 227 cm |
*** | *** | |
34 |
Scott, Ian Christopher
Six Mini SkirtsOil on strectched canvas, 1968, signed and dated Ian Scott '68 lower left in brushpoint, inscribed Six Mini Skirts, Ian Scott '68 in brushpoint verso, original typewritten artist's label inscribed (Ian Scott 51 Awara Rd Henderson Auckland Six Mini Skirts 1968, 68 inch x 68 inch oil on canvas), inscribed 126 Marsden Balmoral Auckland in marker pen on original stretcher accompanying this work. The work is now housed on a new stretcher, 172 x 171 cm |
*** | *** | |
35 |
Scott, Ian Christopher
Nine Happy Kauri Trees, April, 1773Oil on hardboard, 1968, signed Ian Scott and dated 68 in brushpoint lower right, original artist's typewritten label affixed verso, inscribed Nine Happy Kauri Trees, April, 1773. Webb's label affixed verso, 75 x 121 cm |
*** | *** | |
36 |
Hammond, William (Bill)
Slow Game Good GameAcrylic on aluminium, diptych, 1987, signed WD Hammond and dated 1987 in brushpoint centre of upper panel, inscribed Slow Game Good Game lower centre |
*** | *** | |
37 |
McCahon, Colin John
The Rich Man Will Disappear (Practical Religion Series)Conte crayon on paper, 1969, signed Colin McCahon and dated Sept '69 lower right in conte crayon, inscribed James I. Practical Religion in conte crayon lower left, 155.5 x 55 cm |
*** | *** | |
38 |
Baloghy, George
Dairy No. 5Oil on linen, 1981, initialled G.B and dated '81 in brushpoint lower right, signed G Balogy and inscribed Dairy No. 5 in ink verso, 61 x 61 cm |
*** | *** | |
39 |
Brown, Nigel Roderick
3 Crosses and Two LoversAcrylic on paper, 1979, signed N Brown and dated '79 in brushpoint lower left, inscribed 3 Crosses and two Lovers in brushpoint lower centre, 45 x 38 cm |
*** | *** | |
40 |
Brown, Nigel Roderick
Rocket Over Aroha AvenueAcrylic on paper, 1978, signed N. Brown and dated '78 lower right in brushpoint, 60 x 45 cm |
*** | *** | |
41 |
Ball, Martin
Man in a Leather JacketPencil on paper, 1975, 53.5 x 36 cm |
*** | *** | |
42 |
McIntyre, Mary
Untitled (Nude with Binney)Oil on board, 1984, signed Mary McIntyre and dated 84 in brushpoint lower left, 54.5 x 32 cm |
*** | *** | |
43 |
Frizzell, Richard John (Dick)
Black StumpOil on board, 1987, signed Frizzell, dated 20/4/87 and inscribed Black Stump in brushpoint lower left, 55 x 55 cm |
*** | *** | |
44 |
McCahon, Colin John
No. 10. Angels & BedSynthetic polymer paint on Steinbach paper, 1977, signed C.McC. '77 in brushpoint lower right, inscribed No. 10. Angels & Bed in brushpoint lower left, 72.5 x 109.5 cm |
*** | *** | |
45 |
Hotere, Ralph
Aurora WarningEnamel and lacquer on corrugated iron and wood rivets, 1980, signed Hotere, dated 80 and inscribed Hotere '80 P.C in brushpoint lower left, inscribed 13 Aurora Tce lower right, inscribed Work 1 in marker pen verso, 246 x 80 cm |
*** | *** | |
46 |
Ellis, Robert
Conjunction IIOil on stretched canvas, 1974, signed Robert Ellis and dated '74 in brushpoint lower left, signed Robert Ellis 1974 and inscribed CONJUNCTION II verso, inscribed Barry Lett Galleries 7 verso, 126 x 100 cm |
*** | *** | |
47 |
Hotere, Ralph
This Is a Black Union JackEnamel on stainless steel with original Roger Hickin frame, 1983, signed and dated Hotere '83 lower right, inscribed THIS IS A BLACK UNION JACK in stenciled enamel lower centre, inscribed dedicated to the NZRFU in paint lower left, inscribed Framing By Roger Hickin verso, 80 x 81 cm |
*** | *** | |
48 |
Mrkusich, Milan
Construction of Green (Small)Acrylic polymer, coloured pencil, crayon on hardboard, 1982, signed Mrkusich '82 in ink pen on original artist's label affixed verso, inscribed Construction in Green (Small) 1982 in pencil verso, 122 x 89.4 cm |
*** | *** | |
49 |
Scott, Ian Christopher
DaylightAcrylic and enamel on stretched canvas, 1987, signed Ian Scott, dated 1987 and inscribed Daylight verso, 172 x 223.5 cm |
*** | *** | |
50 |
Hanly, James Patrick (Pat)
BouquetEnamel on board assemblage, 1991, signed Hanly and dated '91 lower left, inscribed despite obstacles..(full description indecipherable) verso, 87 x 77 cm |
*** | *** |