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The Supper
Etching, edition: 5/50, numbered, titled and signed below image, 24.5 x 32 cm
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Springwood III
Etching, edition No. 28/50, signed, titled and numbered below image, 20 x 25 cm
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Reluctant Muse
Etching, artist's proof, signed, titled and numbered below image, 30 x 25 cm
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Dancing Couple
Etching, edition No. 50/100, numbered, titled and signed below image: Garry Shead, 22.5 x 30 cm
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Ern Malley (4)
Suite of etchings, 24 x 17 cm each
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Evening on Sydney Harbour, 1981
Screenprint A/P, oval 44 cm
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Night Knighthoods, 1997
Etching, artist's proof, signed lower right: Garry Shead, 35 x 41 cm
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The Awakening, 2001
Lithograph, artist's proof, signed lower right: Garry Shead, 70 x 94 cm
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The Phantom of Luna Park, 1989
Lithograph edition No. 22/50, signed lower right: Garry Shead, 53 x 69.5 cm
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The Nativity of Australia Theatre at the Stables, 1995
Etching edition No. 7/99, signed lower right: Garry Shead, 43 x 52.5 cm
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Sacred Cow
Lithograph edition No. 2/50, signed lower right: Garry Shead, 52 x 71 cm
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Nuptial
Etching, signed, numbered and titled below image, 21.5 x 26 cm
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Studio
Etching ed: 3/7, signed, titled and dated below image, 22 x 30 cm
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Juggler
Coloured woodcut 3/100, signed 'Shead' lower right, 15.5 x 15 cm
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Evening on Sydney Harbour
Screenprint 32/40, signed 'Shead 81' lower right, diametre 44 cm
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Evening on Sydney Harbour, 1981
Screenprint A/P, diameter 44 cm
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The Awakening
Coloured screenprint No. 45/80 with letter and drawing from the artist on verso, signed lower right, 66 x 90 cm
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Tango I
Colour etching edition number 13/75, signed, numbered and titled below image, 29 x 22 cm
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Evening on Sydney Harbour, 1981
Screenprint A/P, circular 44 cm
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Sacred Cow
Colour screenprint ed: 13/40, signed, titled and numbered below image, 46 x 67 cm
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The Visitors
Etching, ed: 43/50, signed lower right; inscribed with title lower centre; numbered lower left, 24 x 32 cm
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Night Knighthoods
Etching and aquatint, ed: 4/50, numbered, titled, signed and dated below image, 30.5 x 37.5 cm
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The True Painter
Screenprint, numbered 18/18 lower left inscribed 'the true painter must be able patiently to copy a pear while surrounded by rapine and upheaval lower centre signed gary shead and dated 78 lower right below image, 67.5 x 47.5 cm
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Evening on Sydney Harbour, 1981
Screenprint A/P, diameter 44 cm
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