Prior Years Archive:
<p>John Peter Russell, Australia&rsquo;s master impressionist on location in 1890s France, left <em>Cruach en Mahr, Matin, Belle-Ile-en Mer </em>(lot 11) to posterity, a painting that shines with the intoxicating blue-violet sparkle of an opal. It surpassed modest estimates of $1,500,000 to $2,000,000 to equal the artist&rsquo;s record with a hammer price of $3,200,000 in Deutscher and Hackett&rsquo;s Autumn auction of <em>Important Australian and International Contemporary Art</em> in Melbourne.</p>
By Peter James Smith on 26-Apr-2024 Exclusive to the AASD

Auction Review: Important Australian and International Contemporary Art, Deutscher & Hackett, Melbourne 24 April 2024

In a market where economic impacts post covid have made it harder to sell paintings, Deutscher & Hackett trimmed their catalogue to only 55 lots, bolstered by (multi) million dollar paintings and key items with impeccable provenance such as those from the collection of Joan and Peter Clemenger. This proved to be a successful approach, as the total results on the night by lot were more than $3,000,000 above the total low estimates.

<p>Covering 12 pages of the catalogue, <em>Sunlight at the Camp</em>, 1894 (lot 22), is one of the most significant paintings by Arthur Streeton to appear on the market in recent times. It sold at the high estimate of $1.5 million.</p>
By David Hulme & Brigitte Banziger on 18-Apr-2024 Exclusive to the AASD

Auction Review: “Sunlight” and “Sun” Shine Brightly in Smith & Singer’s Important Australian Art Auction

In their autumn sale in Sydney, Smith and Singer set new auction records for two contemporary Australian artists. Most notably, Bronwyn Oliver’s Sun (lot 8) sold for $700,000, doubling the previous artist’s record. Three sales above one million dollars were achieved: perhaps not surprisingly for works by Brett Whiteley, Fred Williams and Arthur Streeton. All of these artists are not in just one, but two top ten lists: of highest prices achieved at auction and in the top ten traded artists at auction.

<p>Of note in Gibson&#39;s Auctions | Australian &amp; International auction to be held on 21 April 2024 is a small observational study of an Eastern market scene by Mortimer Menpes (1855-1938).&nbsp; Estimated at $30,000 &ndash; 40,000, <em>The Street Vendor </em>(Lot 5) is housed in the original frame, ordered by Menpes from Japan.</p>
Supplied, 17 April 2024 Exclusive to the AASD

Auction Preview: Gibson's Auctions | Australian & International Art, Melbourne, 21 April 2024

Gibson's Auctions' Australian & International Art auction will be held in Melbourne from noon on Sunday, April 21st, 2024. The offering of 259 lots features three single-owner collections combined with a large contingent of varied genres from private collections.

<p>Notable works included in the Theodore Bruce Auctioneers &amp; Valuers, Fine Art | Australian &amp; International sale on 29 April 2024 include an elegant watercolour by Arthur Streeton, <em>Still Life, Bearded Iris in a Glass Vase</em> (Lot 6035), estimated at $6,000-8,000.</p>
Supplied, 16 April 2024 Exclusive to the AASD

Auction Preview: Theodore Bruce Auctioneers & Valuers, Fine Art | Australian & International, 29 April 2024

The April Fine Art auction at Theodore Bruce Auctioneers features Australian artworld stalwarts including Arthur Streeton, David Boyd and Llloyd Rees, plus photography, works on paper and objects. Among the highlights is an impressive collection of portraits by Portia Geach Memorial Award winner and Archibald Prize finalist, Dorothea (Dora) Toovey.

 

<p>A standout among the paintings included in Theodore Bruce Auctioneers &amp; Valuers Fine Aboriginal Art sale in Sydney on 23 April 2024 is the monumental <em>Tingari</em> 2018 (Lot 9042) by Warlimpirrnga Tjapaltjarri, measuring 208 x 293 cm. A favourite amongst international collectors since his first solo show in New York in 2015, Tjapaltjarri&rsquo;s striking canvases illustrate the dreamtime in designs reminiscent of aerial topography, with Tingari the story of ancestral men&rsquo;s travels across the landscape.</p>
Supplied, 15 April 2024 Exclusive to the AASD

Auction Preview: Theodore Bruce Auctioneers & Valuers, Fine Aboriginal Art, Sydney, 23 April 2024

Whilst smaller than previous outings, the newest Fine Aboriginal Art auction from Theodore Bruce Auctioneers & Valuers has an impressive selection of paintings from leading and mid career artists, as well as an interesting series of wooden artefacts including finely crafted boomerangs and clubs.

<p>Expected to sell for over $2 million in Deutscher and Hackett&rsquo;s upcoming auction on 24 April 2024, Brett Whiteley&rsquo;s masterpiece <em>The Wren</em>, 1978 elegantly captures the artist&rsquo;s hallmark sensual line, luminous colour and enduring connection with the landscape of the central west of New South Wales during the blaze of an Australian summer.</p>
Supplied, 11 April 2024 Exclusive to the AASD

Auction Preview: Deutscher and Hackett, Important Australian + International Fine Art Auction, 24 April 2024

Paying homage to the landscape of his boyhood where his journey as a painter first began, Brett Whiteley’s serenely lyrical The Wren, 1978 (lot 6) is expected to achieve over $2 million in Deutscher and Hackett’s Important Australian + International Fine Art Auction to be held in Melbourne on Wednesday 24 April 2024 at 7pm.

<p>Menzies <em>Important Australian and International Art,</em> held in Melbourne on 27 March 2024 achieved a sales total of $4.0 million including buyer&rsquo;s premium, selling 84% by volume and 122% by value.&nbsp;Fierce bidding on Bronwyn Oliver&rsquo;s <em>Acorn,</em> 2005 (lot 48) a sculpture from the Rod Menzies Estate created in the final year of the late artist&rsquo;s life, predictably saw prices fly far beyond the very modest estimates of $60,000 - 80,000 to settle at a hammer price of $190,000 ($237,500 inc. BP) to a bidder online, via the third-party Invaluable.com platform.</p>
By Lucie Reeves-Smith on 01-Apr-2024 Exclusive to the AASD

Auction Review: Menzies, Important Australian and International Art, Melbourne, 27 March 2024

Works by female artists and contemporary indigenous painters continue to surpass expectations while savvy buyers present in the room (and those poised for action remotely) were rewarded with surprise steals at Menzies’ first major sale for 2024. Presenting a relatively modest offering, in comparison to previous years - 125 lots with a total low-end estimate of $3,292,0000 - Menzies’ auction on the 27th of March was the first of the seasonal mixed vendor fine art auctions for 2024 (although both Cooee Art Leven and Deutscher and Hackett have held recent mixed-vendor Indigenous sales). Taking place in their newly renovated rooms in South Yarra for the first time since last March - Menzies’ last three major sales were all held in Sydney - Melbourne audiences were overdue for a some in-person auction theatrics.

<p>Four paintings by the iconic Emily Kame Kngwarreye featured among the top 10 results at Deutscher and Hackett&rsquo;s Important Australian Indigenous Art auction on March 26 in Melbourne &ndash; led by Untitled (Endunga) 1990 (lot 7) which topped the sale at $331,364 (including buyer&rsquo;s premium), well over its $150,000-$250,000 catalogue estimate. The Deutscher and Hackett auction realised $2,358,204 where 86 per cent of the paintings sold at 131 per cent of their estimated value.</p>
By Richard Brewster on 28-Mar-2024 Exclusive to the AASD

Auction Review: Deutscher and Hackett, Important Australian Indigenous Art, Melbourne, March 26, 2024,

Collectors of Australian indigenous art wanting to ensure their investment is safe and increasing in value need not look further than the iconic Emily Kame Kngwarreye (c1910-1996) – one of Australia’s greatest Aboriginal artists.

Four of her paintings featured among the top 10 results at Deutscher and Hackett’s Important Australian Indigenous Art auction on March 26 in Melbourne – led by Untitled (Endunga) 1990 (lot 7) which topped the sale at $331,364 (including buyer’s premium), well over its $150,000-$250,000 catalogue estimate.

<p>Smith &amp; Singer&#39;s sale of Important Australian Art to be held in Sydney on 17 April 2024 presents a selection of extraordinary moments in Australian art history, along with ground-breaking paintings, sculptures and works on paper by the most influential artistic innovators of historical, modern, and contemporary Australian Art.&nbsp;&nbsp; Among the highlights of the sale is Fred Williams&rsquo;s major composition, <em>Landscape</em> (1976-1977) (Lot 21), which carries a catalogue estimate of $1,400,000&ndash;1,800,000.</p>
Supplied, 27 March 2024 Exclusive to the AASD

Auction Preview: Smith & Singer, Sydney, Important Australian Art, 17 April 2024

Arthur Streeton’s masterpiece Sunlight at the Camp 1894 (Lot 22) makes its auction debut after one hundred and thirty years hidden from public view, along with numerous major works that make their auction debut in Smith & Singer’s forthcoming sale of Important Australian Art to be held in Sydney on Wednesday, 17 April 2024 at 6:30pm.

 

<p>Gary Shead&rsquo;s <em>The Visitors (</em>Lot 519) is one of a series of paintings from the D H Lawrences series painted in the early 90s and will be offered in Lawson&rsquo;s Fine Art Sale in Sydney on 21 March 2024.&nbsp; Based on Lawrence&rsquo;s novel Kangaroo and inspired by Lawrences&rsquo; stay in the township of Thirroul along the the southern coast of NSW, the paintings are semi-autobiographical. The work was purchased from Kenthurst Galleries in the early 2000s and has remained within a private collection since.</p>
Supplied, 20 March 2024 Exclusive to the AASD

Auction Preview: Fine Art, Lawson's Sydney, 21 March 2024

Among the recognisable catalogue of artists, the Lawson’s March Fine Art auction is predominantly lead by Australian modernists. Featured among the selection is Arthur Boyd, Ray Crooke, Lin Onus, Clifton Pugh and Jean Appleton.

Gary Shead’s The Visitors (Lot 519) is one of a series of paintings from the D H Lawrences series painted in the early 90s. Based on Lawrence’s novel Kangaroo and inspired by Lawrences’ stay in town township of Thirroul along the the southern coast of NSW, the paintings are semi-autobiographical. Purchased from Kenthurst Galleries in the early 2000s and has remained within a private collection since.

<p>Deutscher and Hackett&rsquo;s major sale of Important Australian Indigenous Art on March 26 in its Melbourne rooms includes five Mirdidingkingathi Juwarnda Sally Gabori (c1924-2015) paintings on offer beginning with Lot 1, <em>Dibirdibi Country</em>, 2009 above. Although she did not begin her art career until age 85, Gabori&rsquo;s paintings &ndash; a tribute to the country on Bentinck island, a small, sparsely vegetated island in the Gulf of Carpentaria &ndash; are so revered that Melbourne&rsquo;s Ian Potter Centre (part of the National Gallery of Victoria) in 2016-17 held a retrospective survey and celebration of her life and work</p>

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By Richard Brewster on 18-Mar-2024 Exclusive to the AASD

Auction Preview: Important Australian Indigenous Art, Deutscher and Hackett, Melbourne 26 March 2024.

Ever the optimist, head of Aboriginal art at Deutscher and Hackett Crispin Gutteridge is confident the auction house’s forthcoming major sale of Important Australian Indigenous Art – from 7pm Tuesday March 26 in its Melbourne office at 105 Commercial Road, South Yarra – will at least be as successful as those of the previous two years.
“Both of those auctions achieved over the high-end estimate of $3 million,” he said. “This one’s top estimate is $2.5 million and we hope to achieve that again.”
Crispin has good reason to be upbeat about the auction. For starters, there are five Mirdidingkingathi Juwarnda Sally Gabori (c1924-2015) paintings on offer beginning with Lot 1, Dibirdibi Country, 2009.
Although she did not begin her art career until age 85, Gabori’s paintings – a tribute to the country on Bentinck island, a small, sparsely vegetated island in the Gulf of Carpentaria – are so revered that Melbourne’s Ian Potter Centre (part of the National Gallery of Victoria) in 2016-17 held a retrospective survey and celebration of her life and work.

 

<p>With no million-dollar estimate paintings at its March 27 Melbourne auction, Menzies is relying on the pulling power of iconic Australian artists Charles Blackman (1928-2018) and Brett Whiteley (1939-1992) to bring buyers through the doors of its recently renovated South Yarra premises. Blackman&rsquo;s Day Dream 1958 (lot 33) carries the auction&rsquo;s highest catalogue estimate of $200,000-$250,000.&nbsp; The painting is a key element of the artist&rsquo;s Faces and Flowers series, completed at a time when he was at the peak of his early recognition and held in the same private collection since being acquired from Brisbane&rsquo;s Johnstone Gallery more than 60 years ago.</p>
By Richard Brewster on 15-Mar-2024 Exclusive to the AASD

Auction Preview: Menzies, Australian and International Works of Art, 27 March 2024

With no million-dollar estimate paintings at its March 27 Melbourne auction, Menzies is relying on the pulling power of iconic Australian artists Charles Blackman (1928-2018) and Brett Whiteley (1939-1992) to bring buyers through the doors of its recently renovated 1 Darling Street, South Yarra premises for a 6.30pm start.

Blackman’s Day Dream 1958 (lot 33) carries the auction’s highest catalogue estimate of $200,000-$250,000.  

The painting is a key element of the artist’s Faces and Flowers series, completed at a time when he was at the peak of his early recognition and held in the same private collection since being acquired from Brisbane’s Johnstone Gallery more than 60 years ago.

 

<p>Elder Fine Art&rsquo;s sale of the Mackley Estate Collection Part II will be held Live Online from 11am AEST Sunday March 17th 2024. The auction includes Pro Hart&rsquo;s <em>Still Life with Flannels</em> (Lot 50) with an auction estimate of $6,000-9,000</p>
Supplied, 11 March 2024 Exclusive to the AASD

Auction Preview: Mackley Estate Collection Part II, Elder Fine Art 17th March 2024

The sale of the Mackley Estate Collection Part II will be offered this coming weekend via a live online Auction by Elder Fine Art in conjunction with Phillip Caldwell Auctions, Melbourne.

Evan Mackley, well known restauranteur, artist and collector was a local identity in Horsham and known for his vision, unique restaurant and warm hospitality throughout the Wimmera. His collection, amassed over 50 years, was a compliment to his taste with a particular love for Australian paintings, antiques and anything weird and wonderful that caught his eye. He was a great supporter of Australian artists, avidly collecting works by Charles Blackman, Robert Dickerson, William Ricketts, David Boyd, Pro Hart and Sidney Nolan, all of which are well represented in this estate collection.

<p>Gibson&#39;s will present their periodic <em>Summer Art Online</em> Auction featuring the Jan Courtin and Marshall Harris Collection in their Armadale rooms on 13 February 2024.&nbsp; The 409 lot auction encompasses paintings, sculptures and works on paper by Australian, Indigenous and international artists such as Tony Tuckson, Ray Crooke, David Larwill, Pro Hart, Johnny Warangkula Tjupurrula and Major Riley Tjangala. Above: <em>Howdy</em>, 2008 by David Larwill (1956-2011) estimated at $4,000 - $6,000</p>
Supplied, 6 February 2024 Exclusive to the AASD

Auction Preview: Summer Art Online, Gibsons Auctions, Melbourne, 13 February 2024

Gibson's presents their periodic Summer Art Online Auction featuring the Jan Courtin and Marshall Harris Collection.  The 409 lot auction encompasses paintings, sculptures and works on paper by Australian, Indigenous and international artists such as Tony Tuckson, Ray Crooke, David Larwill, Pro Hart, Johnny Warangkula Tjupurrula and Major Riley Tjangala.

<p>Of particular&nbsp;note in Leonard Joel&#39;s forthcoming Auction, Sidney Nolan:&nbsp;Narratives &amp; the Natural World, are the artist&#39;s Ned Kelly works, including <em>Kelly and Horse Crossing a River c.1961 </em>(lot 12), estimated at&nbsp;$6,000-8,000.&nbsp;</p>
Supplied, 2 February 2024 Exclusive to the AASD

Auction Preview: Sidney Nolan: Narratives & the Natural World, Leonard Joel, Sydney, 19 February 2023.

Painting is an extension of man's means of communication. As such, it's pure, difficult, and wonderful. (Sidney Nolan)

Not only is Sir Sidney Nolan one of Australia’s most significant modern artists but his oeuvre is among the most diverse and prolific in all modern art. Nolan’s art traversed media, technique, subject matter and visual language throughout a career over four decades long. However, what weaves together this large artistic output are the commonalities of his love of poetry, mythology and narrative, along with his knowledge and understanding of the natural world.

<p>An auction highlights of the forthcoming Theodore Bruce auction of The Peter Black Collection | Modern &amp; Contemporary Art, on 29 January 2024 is an Artists Proof silkscreen, <em>Grey Square 1969</em> by British modernist Brian Rice, (Lot 1849), estimated at $400-600.<br />
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Supplied, 24 January 2024 Exclusive to the AASD

Auction Preview: Theodore Bruce Auctioneers & Valuers, The Peter Black Collection | Modern & Contemporary Art, 29 January, 2024

Theodore Bruce is bringing to auction The Peter Black Collection, with an interesting selection of original 1960’s silkscreens, plus paintings, sculptures and photography from Australian and international artists including Tracey Moffatt, William Dobell, Colin Lanceley and Martin Sharp.

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