By John Perry in Auckland, on 07-Apr-2016

The extensive media coverage prior to last nights auction (6 April, 2016) at the International Art Centre's Important and Rare 130 lot auction meant a good crowd was assured. The 200 seats were all occupied and a large crowd of people were jostling for standing space, with a heavy media presence at the rear of the room. The assembled multitudes had come to witness Charles Frederick Goldie's last dated painting go under the hammer. In New Zealand, the  ''big ticket'' art auction is becoming a spectator sport.

The International Art Centre's Important and Rare 130 lot sale on 6 April, 2016 took an hour to reach the lot that had created all the pre-sale publicity, Goldie's portrait of Maori chieftain, Wharekauri Tahuna, dated 1941. Bidding started at $600,000 and quickly rose, with a round of applause from the crowd at the $1 million mark. The hammer finally fell at $1,175,000 to more applause. Art history had been made as this was the first painting to crack the ''million dollar mark'' at auction in New Zealand.

The sale got off to a good start but the pace was quite slow,as it took an hour to get to the lot that had created all the publicity, lot 45, Goldie's A Noble Relic Of A Noble Race, Wharekauri Tahuna Aged 102, Chieftain Of The Arawa Tribe (Lot 45 ) and dated 1941.

Estimated at $800,000 to $1,200,000, bidding started at $600,000 and quickly rose to $980,000. There was a round of applause from the crowd when the $1 million mark was reached and  the bidding continued until the hammer finally fell at $1,175,000 to more applause.

Art history had been made as this was the first painting ever to crack the ''million dollar mark'' at auction. A red letter day for the secondary market and all that sail with it here in New Zealand

For the international reader not familiar with the New Zealand art world, this cultural segment has grown slowly and is relatively ''pint sized'' and conservative compared to the much larger and complex Australian art market, where  the million dollar mark has the been broken many times for both historical and contemporary art works at auction. It raises the question as to when a contemporary New Zealand artwork will break that barrier.

Records continued to be broken when a Goldie drawing 31 lots later was sold for another record price of $80,000. The small post card sized pencil study was of Anaha (Lot 66 ), the highly regarded Te Arawa master carver Anana Te Rahui who died in 1913. This Goldie drawing was very photographic and was dedicated to his wife Olive and dated 1931 so it was not a study from life. Did anybody really care, as Charles F. Goldie is often seen as GILT [GUILT] EDGED investment art in capital letters and as demand exceeds supply, prices continue to rise and reach these dizzy heights. Both of the Goldies came from the same collection and had spent a considerable time in Australia, as after Goldie's death in 1947 his widow Olive settled in Australia and these two important works were originally part of her estate.

In all, the 130 lot auction sold just over $2 million worth of art on the night and once the after-sale offers have gone through, the auctioneer Richard Thomson expects that final sale results will be in the $2.5 million zone

Some other good prices recorded on the night were $92,500 for Don Binney's Tomtit. Cornwallis, (Lot 43 ) John Barr Clarke Hoyte's watercolour of the Pink Terrace Rotomahana (Lot 46 ) for $57,500 and $62,500 for Colin McCahon's Small Landscape (Lot 38 ) from 1964

All prices are in $NZ.

Sale Referenced:

About The Author

John Perry is known locally as a collector / consultant / curator/ educator and artist and is a former director of the Rotorua Museum of Art and History. For the last 20 years has worked as an antique dealer specializing in ''man made and natural curiosities'' from an old art deco cinema on the outskirts of Auckland. Over the last 16 years he has developed a multi million dollar collection of 19th and 20th century artworks for the Rotorua Energy Charitable Trust. He recently donated 120 artworks from his collection in various media to the East Southland Art Gallery in Gore. A committed ''art o holic'' he continues to develop collections of New Zealand and International fine art / folk art / ceramics and photography for future usage in a private/public ARTMUSEEUM of NEWSEELAND, not to be confused with Te Papa Museum of New Zealand.

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