By John Perry in Auckland, on 11-Dec-2018

In the first week of December the team at Webb's launched their final series of auctions in Auckland for 2018 with a large and opulent auction catalogue to cover the summer quartet of sales.

The first anniversary of the "new" Webb's is approaching, and rebuilding the brand is not going to be an easy job, but the directors and the staff are rising to the challenge, meeting it head on with zeal and vigour.

The top priced lot in Webb's December Fine Art sale was a late period oil on canvas by current auction favourite, Don Binney, featuring a gannet flying from right to left, this time just clipping the distant landscape of the Queen Charlotte Sound at the top of the South Island. Bidding on the work, 'Manunui Queen Charlotte' (above) started at $150,000, rising quickly to sell to an art consultant on the phone but in the room for $200,000, just over the high estimate of $190,000.

The week commenced with a Fine Jewels, Watches & Luxury Accessories Auction on December 3 followed the next day with an 80 lot sale of Fine Art, while on Wednesday and Thursday evenings close to 600 lots of Decorative Arts followed by Asian Arts went under the hammer.

That pre-Christmas spirit of gift giving was certainly helpful in achieving results across the suite of auctions

The top priced lot in the Fine Art sale was a late period oil on canvas by Donald Binney featuring a gannet flying from right to left, this time just clipping the distant landscape of the Queen Charlotte Sound at the top of the South Island (Te Wai Pounamu).

With the other two Auckland auction houses also featuring Don Binney paintings as premier lots in their pre-Christmas round of sales it was clear the interest in this work, Manunui Queen Charlotte (Lot 239 ) would be considerable and it was, with bidding starting at $150,000. It rose quickly in $5,000 increments to finally sell to an art consultant on the phone but in the room for $200,000 just over the high estimate of $190,000.

Clearly this work was the highlight of the Fine Art sale by a good country mile, accounting for 60% of the sale's hammer total of $325,000 and of the other 78 lots, 43 were passed in. A number were sold after only receiving a single book bid or with very little bidding activity from the room

There were exceptions. An early abstract work by Geoff Thornley, Painting No.17 (Lot 277 ) near the end of the sale is a good example selling for $8,500

An undated but clearly recent work of Billy Apple entitled Basic Needs (Lot 256 ) sold to a bidder in the room for $17,000 the second highest price on the night

While a small selection of international works attracted mixed results, the most interesting was a ''rare'' print by Freidrich Hundertwasser entitled 1001 Nights (Lot 216 ).

With a presale estimate of $2,000 - $3,000 this heavily embossed uneditioned silkscreen print sold for $4,400

Two works by well-known Chinese artists Yue Minjun (Lot 224 ) and Feng Zhengjie (Lot 225 ) failed to attract bids, but a large brightly coloured offset lithograph by Japanese artist Takashi Murakami (Lot 226 ) sold for $5,000 to a bidder in the room.

The four sales yielded just of $1 million. The new year will see the new Webb's open an on-site cafe and there are other developments planned that have not yet been announced. All we can say at this stage, is watch this space.

 

All prices shown are in $NZ and are hammer unless otherwise stated.

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About The Author

John Perry is known locally as a collector / consultant / curator/ educator and artist and is a former director of the Rotorua Museum of Art and History. For the last 20 years has worked as an antique dealer specializing in ''man made and natural curiosities'' from an old art deco cinema on the outskirts of Auckland. Over the last 16 years he has developed a multi million dollar collection of 19th and 20th century artworks for the Rotorua Energy Charitable Trust. He recently donated 120 artworks from his collection in various media to the East Southland Art Gallery in Gore. A committed ''art o holic'' he continues to develop collections of New Zealand and International fine art / folk art / ceramics and photography for future usage in a private/public ARTMUSEEUM of NEWSEELAND, not to be confused with Te Papa Museum of New Zealand.

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