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Brett Whiteley Australia, 1939-92
Prints & Graphics, 1999 - Numbers By Medium
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Towards Sculpture 4
Lithograph, signed, 90 x 63 cm
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Towards Sculpture 2
Lithograph, signed, 90 x 63 cm
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Wild Baboon
Lithograph, signed in pencil and numbered 31/60 lower right, 51 x 50 cm
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Towards Sculpture No. 6
Lithograph, signed, 90 x 63 cm
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From 'A. Day at Bondi
Etching, 1984, signed in pencil and numbered 30/30, 20 x 17.5 cm
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Sounds, Paintings, Sculpture
Screenprint, 1970, signed in texta 'For Remy Brett Whiteley/9.9.71' lower right, 44 x 48.5 cm
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The Arrival
Offset lithograph, 1988, signed in pencil, inscribed with title and numbered A/P 14/22, 70.4 x 87.5 cm
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Towards Sculpture I
Lithograph, 1977, signed in pencil and inscribed with number 6/50, 83.2 x 56.5 cm
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Lindfield Garden
Colour screenprint, 1978, signed in felt-tipped pen and inscribed with number 20/80, 82 x 112.5 cm
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A Day at Bondi
A suite of 10 etchings, 1984, each signed in pencil and numbered 25/30, 20 x 18 cm
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Lovers
Screenprint, 1975, signed in pencil and inscribed with number 14/70, 49.5 x 63 cm
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Lindfield Gardens
Colour screenprint, 1978, signed in felt-tipped pen and inscribed with number A/P, 91.5 x 116 cm
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Towards Sculpture 2
Lithograph, 1977, signed in pencil and inscribed with number 45/50, 86.5 x 60.5 cm
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10 Rillington Place WII (Still from a Proposed 16 mm Film)
Colour screenprint, 1962, signed in ink, inscribed with title and numbered 8/70, 59.2 x 55.3 cm
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Back I
Lithograph, 1981, signed in pencil and inscribed with number 23/35, 97 x 63 cm
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10 Rillington Place WII (Still from a Proposed 16mm Film)
Colour screenprint, 1964, signed in ink and inscribed with title and numbered 47/70, 63 x 58 cm
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The Back
Etching, 1977, signed in pencil and inscribed with number 22/60, 60.5 x 45 cm
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Lipstick 1981
Colour lithograph, collage and nailpolish, edition 41/50, signed and inscribed lower centre in pencil, lipstick/brett whiteley, numbered lower left, 41/50, 107 x 75.5 cm
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Divided Unity
Lithograph, signed lower right, numbered 8/70, dated 1974 and inscribed with title lower left, 70 x 97.5 cm
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Silver Eye
Colour screenprint, signed below image lower right, inscribed T. & A/P below image lower left, 78 x 73 cm
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Seagull
Sugar-lift aquatint, signed below image lower right, numbered below image 2/10 lower left, 51 x 49 cm
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'10 Rillington Place'
Screenprint, ed: 5/70, 68 x 57 cm
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Towards Sculpture 2 1977
Lithograph, signed 'Brett Whiteley' and numbered Artist's proof 3 2/5 in pencil on margin, 81.5 x 61 cm
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Fruit Dove (1980)
Linocut, signed 'Brett Whiteley' and numbered 8/25 in pencil on margin, 30 x 29.5 cm
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Title Page from Regent's Park Zoo Series, 1965 Limited Edition of Seventy
Colour screenprint, 98.5 x 68 cm
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The Garden in Sanur - Bali
Screenprint with offset lithography, numbered 62/100 and signed 'Brett Whiteley' in pencil in the margin, 75.5 x 105.5 cm
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Lindfield Gardens 1978
Colour screenprint in two colours with offset lithography, artist's proof, signed 'Brett Whiteley' lower right, 92 x 116 cm
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A Day at Bondi (1984)
Four etchings from a suite of ten framed together, all numbered 30/30 and signed 'Brett W.' in pencil in the margin, each 23 x 21 cm
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Back View 1976
Etching ed: 31/60, signed lower right 'Brett Whiteley', 60.5 x 45 cm
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Palm Tree
Silkscreen ed: A/P 3 in a series of 4, signed lower right 'Brett Whiteley', 82 x 60 cm
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Palm Tree I, 11975
Silkscreen ed: 50/50 2, signed lower right 'Brett Whiteley', 82 x 60 cm
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Palm Tree I, 1975
Silkscreen ed: 48/50 1, signed lower right 'Brett Whiteley', 82 x 60 cm
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Palm Tree 1975
Silkscreen ed: A/P 1, signed lower right 'Brett Whiteley', 82 x 60 cm
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Recent Nudes 1981
Offset print, signed lower right 'Brett Whiteley', 77 x 60 cm
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Moreton Bay Fig 1979
Etching, edition, 24/200, signed lower right in pencil, 'brett whiteley', numbered lower left in pencil, 24/200, 60 x 49.5 cm
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The Back
Etching, 1977, signed in pencil and inscribed with number A/P, 60 x 44.5 cm
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Back View
Etching, 1976, signed in pencil and inscribed with number 30/60, 60 x 45 cm
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The Divided Unity
Silkscreen, 1974, signed in pencil and numbered 64/70, 66.5 x 93.5 cm
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Woman Under the Shower
Etching, 1976, signed in pencil and numbered 13/100, 40 x 48.5 cm
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The Arrival
Offset lithograph, 1988, signed in pencil, inscribed with title and numbered A/P 16/22, 70.4 x 87.5 cm
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Poem for a Lover
Offset lithograph, 1988, signed in pencil, inscribed with title and numbered 10/80, 71 x 89 cm
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Figures on an Ochre Background
Screen print, ed: 69/75, signed lower right, numbered lower left, 67 x 50.5 cm
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Towards Sculpture - 1977
Lithograph, signed 'Brett Whiteley' and numbered API 7/5 in pencil on margin, 79 x 51 cm
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Woman Under the Shower, 1976
Etching, numbered 54/100 and signed in pencil in the margin lower right, 43 x 49 cm
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The Arrival
Lithograph, numbered 82/150, titled and signed in pencil in the margin, 74 x 91 cm
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Towards Sculpture 3 1977
Lithograph, signed 'Brett Whiteley' and numbered 3. 31/50 in pencil on margin, 80 x 54 cm
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Swinging Monkey 2
Photolithograph ed: 2/10, signed lower right 'Brett Whiteley', 76 x 54 cm
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Moreton Bay Fig
Etching, signed, 60 x 50 cm
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Hullo (Cockatoo)
Etching, signed, 27 x 21 cm
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Moreton Bay Fig
Etching, 1979, signed in pencil and numbered 12/200, 60 x 49.5 cm
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