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Port Vila, 1984
Etching with hand colouring, numbered 49/50, titled and signed 'Brett Whiteley' in pencil in the margin, 47.5 x 63.5 cm
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Lipstick 1981
Colour lithograph, artist's proof, numbered II/IV, titled and signed 'Brett Whiteley' in pencil in the margin, 107 x 75.5 cm
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The Arrival 1988
Offset lithograph, edition: 87/150, signed lower right in pencil: Brett Whiteley, numbered and inscribed with title lower left in pencil: 87/150 'the arrival', 70.5 x 88.5 cm
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Garden at Sanur, Bali 1980
Screenprint with offset lithography, edition: 27/100 signed lower right in pencil:brett whiteley, numbered lower left in pencil: 27/100 inscribed with title in image: garden in sanur - bali, 75.5 x 105.5 cm
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Sydney Harbour 1980
Screenprint, edition: 76/100 signed lower right in pencil: brett whiteley, numbered lower left in pencil: 76.100, 89 x 66 cm
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Silver Eye
Screenprint ed: 67/75, signed in pencil below the image lower right; numbered and titled lower left, 76.5 x 73 cm
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Nude
Lithograph; ed: 10/16, signed lower right; numbered lower left, 96 x 63 cm
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The Willow
Screenprint, signed, 52 x 60 cm
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Palm Tree 4
Screenprint, 1975, signed in pencil and numbered 40/50, 82 x 60 cm
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Palm Tree 2
Screenprint, 1975, signed in pencil and numbered 40/50, 82 x 60 cm
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The Garden in Sanur - Bali
Silkscreen with photomechanical colour printing, 1980, signed in pencil, titled and numbered 38/100, 64 x 83 cm
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Moreton Bay Fig
Etchings-1979, signed in pencil and numbered 85/200, 60 x 49.5 cm
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Seagull
Etching and aquatint, 1984, signed in pencil and numbered 4130, 50 x 50 cm
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Young Baboon
Aquatint etching, 1977, signed in pencil and numbered 31/60, 50.5 x 50 cm
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Palm Tree I
Screenprint, 1975, signed in pencil and numbered 40/50, 82 x 60 cm
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Palm Tree 3
Screenprint, 1975, signed in pencil and numbered 40/50, 82 x 60 cm
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Lovers
Screenprint, 1975, signed in pencil and numbered A/P 1, 50 x 63 cm
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The Garden in Sanur (Bali)
Lithograph ed: 96/100, signed lower right: brett whiteley, 105.5 x 75.5 cm
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Moreton Bay Fig 1979
Etching ed: 154/200, signed lower right: brett whiteley, 60 x 50 cm
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Exhibition Poster: Sounds, Paintings Sculpture, Film, Drawings Innuendos and Side Glances. Brett Whiteley 237 Smith St, Collingwood Aug 8-Aug 30. 70
Silkscreen, signed lower right: Brett Whiteley, 76.5 x 51 cm
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Figure on an Ochre Background 1961
Silkscreen ed: 14/75, signed lower right: Brett Whiteley, 68 x 52 cm
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Hyena
Colour silkscreen ed: 47/70, signed lower right: Brett Whiteley, 98 x 68.5 cm
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Moreton Bay Fig, 1979
Etching, signed in pencil below image lower left 80/200 lower right brett whiteley, 60 x 49.5 cm
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'10 Rillington Place WII'
Colour serigraph, signed inpen below image lower left title (Still from a Proposed 16 millimetre film.) lower right 50/70 Brett Whiteley, 59.5 x 56 cm
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Lovers
Screenprint, signed, 50 x 80 cm
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Lipstick
Silk screenprint, cut out paper and applied lipstick, 22/50, signed, 107 x 75.5 cm
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Hullo (Cockatoo) 1980
Etching, numbered 58/80, signed 'Brett Whiteley' in pencil in the margin, 24 x 20 cm
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Buddha 1977
Etching, numbered 41/60 and signed in pencil in the margin, 50 x 49.5 cm
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Monsteria Deliciosa 1978
Drypoint etching, signed lower right: Brett Whiteley, numbered: 36/40, 50 x 70 cm
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The Garden in Sanur
Screenprint with offset lithography 1980, signed in pencil and numbered 16/100, 62.5 x 84 cm
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Moreton Bay Fig
Etching, 1979, signed in pencil and numbered 150/200, 60.2 x 49.7 cm
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The Arrival
Offset lithograph, 1988, signed in pencil and inscribed with title and numbered 31/150, 70.4 x 87.5 cm
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Towards Sculpture 8
Lithograph, 1977, signed in pencil and numbered '6. 35/50', 90 x 63 cm
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The Moreton Bay Fig
Etching, 1979, signed in pencil and numbered 67/75, 60 x 50 cm
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A Day at Bondi
A suite of 12 etchings, 1984, each signed in pencil and numbered 6/30, each 20 x 18 cm
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Towards Sculpture 6
Lithograph, 1977, signed in pencil and numbered '8. 35/50', 90 x 63 cm
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Lovers
Screenprint, 1975, signed in pencil and numbered 62/75, 50 x 78 cm
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Figures on an Ochre Background
Colour screenprint, signed in pencil below the image lower right; numbered 67/75 lower left, 66 x 50 cm
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Anna - Woman on a Bed
Etching, ed: 24/40, signed in pencil below the image lower right; numbered lower left, 29 x 30 cm
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Port Vila
Hand-coloured aquatint, ed: 13/50, signed lower right; numbered lower left, 47.5 x 63.5 cm
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A Day at Bondi
Suite of ten etchings and title page, ed: 13/30, signed lower right; numbered lower left, 20 x 18 cm
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Catherine
Lithograph, ed: 10/30, signed lower right; numbered lower left, 63 x 48 cm
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The Back
Lithograph, ed: 26/60, signed lower right, numbered lower left, 60 x 45 cm
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Young Baboon, 1977
Sugar lift etching, signed in pencil below image lower left 31/60, lower right brett whiteley, 50.5 x 49.9 cm
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Monstera Deliciosa, 1978
Etching, signed in pencil below image lower left 40/40, lower right Brett Whiteley, 49.8 x 70.3 cm
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Back View, 1976
Etching, signed in pencil below image lower left A/P 5, lower right brett whiteley, 60 x 44.6 cm
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Baboon II 1977
Aquatint etching ed: 39/60, signed lower right: Brett Whiteley, 50 x 50 cm
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Lavender Bay Wharf 1978
Etching, numbered 36/90, signed 'Brett Whiteley' lower right, 60 x 49.5 cm
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The Arrival
Lithograph, numbered 66/150, titled and signed in pencil in the margin, 74 x 91 cm
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The Garden at Sanur, Bali
Screenprint with offset lithography, numbered 22/100 and signed in pencil in the margin, 75.5 x 105.5 cm
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