Prints & Graphics, 2005 - Numbers By Medium

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Sydney Harbour Bridge 1977

Line and open bite etching, edition: 36/60, numbered and signed below image, 60.5 x 45 cm
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Towards Scrulpture III

Lithograph, signed, numbered 1/50 and inscribed 3 in margin, monogram lower left, 90 x 63 cm
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The Back

Etching, signed and numbered 6/60 in margin, 60 x 45 cm
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Back View

Etching, signed and inscribed AP 5 in margin, 60 x 45 cm
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The Moreton Bay Fig

Etching, edn 176/200, signed lower right; numbered lower left, 60.5 x 50 cm
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Self Portrait, One of a Dozen Glimpses (From Another Way of Looking at Vincent Van Gogh)

Etching and aquatint edn. 38/100, signed lower right; editioned lower left, 26.5 x 20.5 cm
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Swinging Monkey II

Lithograph, edn 6/70, signed lower right; numbered lower left, 81 x 58.5 cm
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Towards Sculpture I

Lithograph, edn 33/50, signed lower right; numbered lower left; the artist's monogram upper right, 84.5 x 60 cm
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Bird on a Branch

Aquatint edn. 1/60, signed lower right, dated and editioned 1976 lower left, 43 x 75 cm
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The Garden, Sanur

Screenprint with offset lithography, edn 7/100, signed lower right; numbered lower left; inscribed with title in the image lower right, 69 x 85 cm
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Lovers 1984

Etching 16/20, signed Brett Whiteley lower right, 17.5 x 20 cm
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The Willow

Silkscreen, 1988, signed and inscribed with title in pencil and numbered 28/75, 52 x 60 cm
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'Recent Nudes', Brett Whiteley 1981'

Colour poster on board, inscribed t.l. 'Brett Whiteley', 79 x 58.5 cm
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The Cat, 1980

Offset lithograph, ed: 16/100, inscribed lower left 16/100 'The Cat' and lower right 'Brett Whiteley' with artist stamp 'BW', 83.5 x 81.5 cm
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The Arrival, 1988

Offset lithograph, ed: 41/150, inscribed lower left 41/150 'The Arrival', lower right 'Brett Whiteley', 70 x 87 cm
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'Brett Whiteley 1980'

Colour poster on board, inscribed t.r. 'Brett Whiteley', 79 x 58.5 cm
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Swinging Monkey 2 1965

Hand-coloured screenprint, edition: 51/70, numbered, titled and signed below image, 76 x 56 cm
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The Cat c. 1980

Offset lithograph, edition: 11/100, numbered, titled and signed below image, 84.5 x 81 cm
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Sydney Harbour by Night 1981

Linocut, edition: Artist's proof, numbered and signed below image, 30 x 30 cm
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Bird and Wave 1974

Colour screenprint and lithograph, edition: 52/60, numbered and signed below image, artist stamp lower right, 66 x 68 cm
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Magpie 1977

Sugarlift aquatint, edition: 20/60, numbered and signed below image, 50 x 50 cm
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The Back of the Asylum, St Remy, 1983

Etching, signed and numbered below image, 24.5 x 37 cm
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Palm Tree II, 1975

Screenprint 20/50, signed 'Brett Whiteley' lower right, 102 x 76 cm
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Back I, 1981

Lithograph numbered 22/35, signed 'Brett Whiteley' lower right, sight size, 95 x 62 cm
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Swinging Monkey I (From Regent's Park Zoo Series)

Screenprint 23/70, signed 'Brett Whiteley' lower right, 100 x 67 cm
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Towards Sculpture 4, 1977

Lithograph ed: 25/50, titled, numbered and signed below image, 77 x 53 cm
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The Willow

Screenprint, 1988, signed and inscribed with title in pencil and numbered 24/75, 52 x 60 cm
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A Day at Bondi

Suite of 10 etchings, 1984, each signed in pencil and numbered 12/30, 20 x 18 cm each
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Lavender Bay Wharf

Etching, 1978, signed in pencil and numbered 23/90, 60 x 50.5 cm
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Moreton Bay Fig, 1979

Etching 26/200, 60 x 50 cm
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Young Baboon, 1977

Print, signed below image lower left with studio markings, 52 x 67 cm
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Sydney Harbour

Screenprint, ed: 2/100, signed lower right; numbered lower left, 90 x 66 cm
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The Moreton Bay Fig

Etching, ed: 26/200, signed lower right; numbered lower left, 60.5 x 50 cm
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The Cat

Offset lithograph, ed: 4/100, signed and with the artist's studio stamp lower right; inscribed with title and numbered lower left, 83.5 x 81.5 cm
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The Garden, Sanur

Screenprint with offset lithography, ed: 7/100, signed lower right; numbered lower left; inscribed with title in the image lower right, 69 x 85 cm
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Undressing

Lithograph, ed: 24/50, signed lower right; numbered lower left; the artist's studio stamp lower right, 75 x 55 cm
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Garden in Sanur, Bali 1980

Screenprint and offset lithograph, edition: 10/100, numbered, titled and signed below image, 75.5 x 105.5 cm
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Towards Sculpture 4 1977

Lithograph, edition: 25/50, titled, numbered and signed below image, 77 x 53 cm
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Back View 1976

Etching, edition: 28/60, numbered and signed below image, 60 x 45 cm
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10 Rillington Place WII (Still from a Proposed 16mm Film) 1965

Colour screenprint, edition: 49/70, titled, numbered and signed below image, 58.5 x 55.5 cm
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The Back of the Asylum, St. Remy 1983

Etching, edition: 33/100, numbered and signed below image, 21 x 37 cm
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Ravello 1991

Screenprint, edition: Printer's proof 2 (edition of 60), numbered and signed below image, 40 x 76.5 cm
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Woman Under a Shower 1976

Etching, edition: 63/100, numbered and signed below image, 40 x 48 cm
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The Arrival 1988

Offset lithograph, edition: 13/150, numbered, titled and signed below image, 70.5 x 88.5 cm
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Sons of the Sun 1983

Etching, edition: 33/100, numbered below image, artist's stamp lower left: BW, 27 x 20 cm
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Self Portrait, One of a Dozen Glimpses 1983

Etching and aquatint, edition: 33/100, numbered and signed below image, 26.5 x 21 cm
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The Garden in Sanur, Bali, 1980

Screenprint with offset lithography, numbered '32/100' lower left and signed 'Brett Whitelely' lower right in pencil below image, titled in image lower right, 75.5 x 105.5 cm
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Portrait of Arthur Rimbaud

Screenprint, collage and ink, signed, titled, dated and inscribed '1 off screenprint' verso Studio stamp lower left, 67.5 x 55.5 cm
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2nd Hozumi Momota Art Award Poster 1980 (Cropped)

Screenprint, 66 x 51 cm
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The Arrival

Offset lithograph 55/150, Time Australia Special Bicentennial edition, signed 'Brett Whiteley' lower right, 71 x 89 cm
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