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Lovers 1984
Etching, edition 10/20, editioned, titled and signed below image '10/20 Lovers Brett Whiteley', 29 x 38 cm
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Drawing About Drawing 1965 (From the Regent's Park Zoo Series)
Screenprint, signed, numbered 55/70 and inscribed in margin, 76 x 56 cm
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'Nectar (Addiction), Portrait of Paul Verlaine,' 1979
Etching 43/75, 60 x 45 cm
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Swinging Monkey 1, 1965
Colour screenprint, numbered, titled and signed below image, edition: 68/70. Reference: Brett Whiteley: The Graphics 1961 - 1992 . Deutscher Fine Art, Melbourne, 1995, p.110, cat.5 (illus. p.16, another example), 89.5 x 67 cm
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Towards Sculpture 2, 1971
Lithograph, numbered and signed below image, artist's stamp lower right, edition: 26/50. Reference: Brett Whiteley: The Graphics 1961-1992 . Deutscher Fine Art, Melbourne, 1995, p.111, cat.29 (illus. p.39, another example), 84.5 x 60 cm
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Garden in Sanur, Bali, 1980
Screenprint and offset lithograph, numbered, titled and signed below image, edition: 76/100, 60 x 81 cm
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Nude Study, 1995
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The Back of the Asylum, St Remy 1983
Etching, signed 'Brett Whiteley' lower right; inscribed '23/100' lower left, 20.5 x 37 cm
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Self Portrait, One of a Dozen Glimpses 1983
Etching and aquatint, signed 'Brett' lower right; inscribed '23/100' lower left, 26.5 x 20.5 cm
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Sydney Harbour 1980
Screenprint edition of 100, signed 'brett whiteley' lower right; inscribed 'A/P' lower left, 90 x 66 cm
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Sons of the Sun 1983
Etching, stamped 'BW' lower right; inscribed '22/100' lower left, 26.5 x 20 cm
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'Back' 1977
Etching, signed lower right, editioned 6/60 lower left, 60.5 x 45 cm
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Lipstick, 1981
Colour lithograph, collage and hand colouring, numbered, titled and signed below image, edition: 44/50, 107 x 75.5 cm
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Swinging Monkeys
Lithograph 60/70, 76 x 56 cm
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The 15 Great Dog Pisses of Paris, 1989 Digital Art Directory
Fine Art reproduction, with Brett Whiteley estate studio stamp lower left, number 46/250 with certificate of authenticity on reverse, approved 27/2/12, 96.8 x 88.2 cm
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Grey Harbour, 1978
Digital Art Directory, Fine Art Reproduction, with Brett Whiteley estate studio stamp lower left, number 46/250 with certificate of authenticity on reverse, approved 27/2/12, 83 x 83 cm
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The Arrival, 1988
Colour lithograph, edition: 88/150, signed, titled and numbered below image, 71 x 89 cm
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Sydney Harbour, 1980
Screenprint, edition: 20/100, numbered and signed below image, 89 x 66 cm
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Moreton Bay Fig, 1979
Etching, edition: 110/200, numbered and signed below image, 60 x 49.5 cm
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Bird on a Branch, 1977
Sugarlift aquatint, edition: 43/60, 43 x 75 cm
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Magpie, 1977
Sugarlift aquatint, edition: Artist's Proof, editioned and signed below image, 50 x 50 cm
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Back I, 1981
Lithograph, edition: 5/35, signed and numbered within image, 97 x 63 cm
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Paris 'Regard De Cote', 1990
Etching on rice paper, edition: 21/75, numbered and signed below image, 20.5 x 24.5 cm
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Nude Study. 1995 Poster from Retrospective Show
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Young Baboon 1977, from the Monkey Series
Sugarlift aquatint, signed lower right, number 37/60, 52 x 52 cm
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Lindfield Gardens 1978
Colour screenprint in 2 colours with offset lithography, signed lower right, numbered 44/80, 79 x 115 cm (image)
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Towards Sculpture 1, 1977
Lithograph 43/50, signed lower right, editioned lower left, 88 x 61.5 cm
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The Morton Bay Fig
Etching edition: 43/75, signed lower right, 60.5 x 50 cm
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'The Arrival'
Offset lithograph 88/150, 70 x 89 cm
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Woman Under the Shower, 1976
Etching, edition: 24/100., numbered and signed below image, 40 x 48 cm
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Catherine, 1984
Etching, edition: 6/30., numbered and signed below image, 63 x 47 cm
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Another Way of Looking at Vincent Van Gogh 1888-1889, 1983
Suite of 3 etchings, edition: 57/100, (i) Self Portrait, One of a Dozen Glimpses, numbered and signed below image . (ii) The Back of the Asylum, St Rémy, numbered and signed below image. (iii) Sons of the Sun, numbered and signed with artist's stamp below image, (i) 26 x 20.5 cm, (ii) 20.5 x 37 cm
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Back
Etching, signed and inscribed in margin, 60 x 44 cm
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Hullo (Cockatoo) 1980
Etching, signed 'brett whiteley' lower right; inscribed 'A.P.' lower right, 24.5 x 20 cm
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Magpie 1977
Etching, signed 'brett whiteley' lower right; inscribed '36/60' lower left, 50 x 50 cm
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Moreton Bay Fig 1979
Etching, signed 'brett whiteley' lower right; inscribed '110/200' lower left, 60 x 50 cm
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A Day at Bondi, 1984
Suite of ten etchings, edition 22/30, each numbered and signed below image. complete with title page, slip and signed slip case, 20 x 17.5 cm each
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Nectar (Addiction) Portrait of Paul Verlaine, 1979
Etching, edition 10/75, numbered and signed below image, 61 x 45.5 cm
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Figures on an Ochre Background, 1961
Colour screenprint, edition 65/75, numbered and signed below image, 66 x 50 cm
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Towards Sculpture 1, 1977
Lithograph, edition 26/50, numbered and signed below image, 84 x 60 cm
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The Arrival, 1988
Colour offset lithograph, signed in image lower left brett whiteley signed, titled and numbered below image, edition: A/P 21/22 aside from an edition of 150, 71 x 89 cm
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Lavender Bay in the Rain, 1987
Colour screenprint, signed and numbered below image, edition: 60/75, 100.5 x 74.5 cm
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Kookaburra, 1983
Screenprint with offset lithography, signed and numbered below image, edition: 24/50, 84.5 x 66 cm
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Bird on a Branch, 1977
Sugarlift aquatint, signed and numbered below image stamped with studio stamp lower left B / W, edition: 22/60, 43 x 75 cm
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Back View 1976
Etching, edition: 48/60, signed and numbered under image '48/60, Brett Whiteley', 60.5 x 45 cm
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Sons of the Sun 1983
Etching, edition: A/P, signed lower right 'Brett Whiteley', 27 x 20 cm
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Sons of the Sun 1983
Etching, signed 'Brett Whiteley' lower right; inscribed 'A/P' lower left, 26.5 x 20 cm
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Back of the Asylum, St Remy 1983
Etching, signed 'brett whiteley' lower right; inscribed 'AP/1' lower left, 20.5 x 37 cm
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Self Portrait: One of a Dozen Glilmpses 1983
Etching and aquatint, signed and inscribed 'for Harry. Brett W.' lower right; inscribed 'A/P.' lower left, 26.5 x 20 cm
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Palms 3, 1975
Screenprint, numbered, signed with monograph and signed below image, edition: 30/50, 81.5 x 59.5 cm
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