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Sons of the Sun (from Another way of looking at Vincent Van Gogh 1888 - 1889)
Etching on Japanese paper, ed. A/P (AF), signed lower right, 26.5 x 20 cm
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The Back 1977
Sepia etching, edition: 23/60, signed lower right, 60 x 45 cm
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The Divided Unity 1974
Colour screenprint, edition: 9/70, signed lower right: brett whiteley, numbered, titled and dated lower left: 9/70 'the Divided Unity' 74, stamped lower right with artist's monogram, 76.5 x 105 cm (sheet)
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(The Orange) Fruit Dove in Clark Park 1980
Colour screenprint, edition: Artist's Proof (edition of 30), signed lower right: Brett Whiteley, numbered and inscribed lower left: the fruit dove in Clark Park/ A/P, stamped lower left with artist's monogram, 76 x 53 cm (image); 105.5 x 75.5 cm (sheet)
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Bird On A Branch, 1977
Sugarlift aquatint on paper, signed and numbered below image stamped with studio stamp lower right: Bw, 43 x 75 cm (image) 68.5 x 78.5 cm (sheet)
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Towards sculpture, 1977
Print - cover sheet, signed by the artists and numbered 'AP5/5' verso, 91 x 63.5 cm (sheet)
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Palm tree 3 1975
Screenprint, ed. 1/50, signed lower right: brett whiteley, editioned lower left, monogram stamp lower left, 81 x 59.5 cm
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Another Way of looking at Vincent van Gogh 1888-1889
Etching (3), ed. 14/100, each signed lower right, each editioned lower left
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Francis Bacon 1971
Screenprint with additions in black ink on rice paper, unique state, signed lower right: brett whiteley, 92 x 63 cm
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Sydney Harbour Bridge, 1977
Etching on paper, signed and numbered below image, 60.5 x 45 cm (image)
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Lavender Bay in The Rain, 1987
Colour screenprint, signed and numbered below image, 100.5 x 74.5 cm (image)
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Young Baboon, 1977
Sugarlift aquatint on paper, edition: 2/60, numbered, titled and signed below image '2/60, Young Baboon, Brett Whiteley', 50 x 50 cm
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Kingo (Portrait of Peter Kingston), 1991
Etching on paper, signed lower right corner 'Brett', 20 x 20 cm
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Portraits and Other Emergencies
Offset lithograph, inscribed 'For Kingo Love XX from Brett', 52 x 50 cm
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Torajaland (Celebes), 1974
Screenprint on paper, edition: 38/50, numbered, signed and dated below image '38/50, Brett Whiteley' stamped lower left corner with artist's monogram, 68.5 x 57.5 cm
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Hullo (Cockatoo), 1980
Etching on Japanese paper, edition: 22/80, numbered and signed below image '22/80, Brett Whiteley', 28 x 22.5 cm
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Back View
Etching on paper, edition: 58/60, numbered and signed below image '58/60, Brett Whiteley', 60 x 44 cm
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Platypus: Melbourne Exhibition Poster, 1970
Poster, signed lower right: Brett Whiteley, 76 x 51 cm
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Sydney Harbour Bridge 1977
Etching and aquatint, edition: 43/60, signed lower right: brett whiteley numbered lower left: 43/60, 60.5 x 45 cm (image)
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Lavender Bay in the Rain 1987
Screenprint, edition: 58/75, signed lower right: brett whiteley numbered lower left: 58/75, 100 x 75 cm (image)
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The Cat 1980
Offset lithograph, edition: 83/100, signed indistinctly lower right: brett whiteley numbered and titled indistinctly lower left: 83/100 'the cat' stamped lower right with artist's monogram, 84 x 82 cm (image)
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Reading 1981
Linocut, edition: 4/10, signed lower right: brett whiteley numbered lower left: 4/10 stamped lower right with artist's monogram, 30.5 x 30.5 cm (image)
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Silver Eye 1988
Screenprint, edition: Artist's Proof (edition of 75), signed lower right: brett whiteley numbered and titled lower left: A/P Silver Eye, 76.5 x 72.5 cm (image)
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Flowers on the Table 1977
Lithograph, edition: 9/75, signed lower right: brett whiteley numbered lower left: 9/75, 76 x 57 cm (sheet)
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The Garden in Sanur, Bali 1980
Screenprint with offset lithography, edition: 81/100, signed lower right: brett whiteley numbered lower left: 81/100 titled within image lower right: Garden in Sanur - bali, 60 x 80 cm (image, irreg.)
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Self Portrait, One of a Dozen Glimpses (from Another Way of Looking at Vincent Van Gogh 1888-1889) 1983
Etching and aquatint, edition: 50/100, signed lower right: Brett numbered lower left: 50/100, 26.5 x 20.5 cm (image)
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Ravello, Italy 1991
Screenprint, edition: 53/60, signed lower right: brett whiteley numbered lower left: 53/60 artist's studio stamp lower right, 40 x 76.5 cm (image)
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Lovers, 1975
Screenprint, edition of 70, signed and editioned lower right: 'Brett Whiteley 13/70', 52.5 x 66 cm
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The Arrival 1988
Lithograph on paper, artist's proof 6 of 22, from an edition of 150, plus 22 artist's proofs, inscribed 'A/P 6/22 'the arrival' lower left, signed 'brett whiteley' lower right, 71 x 88.5 cm (image)
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Undressing (1973)
Lithograph on paper, edition 40 of 50, signed and inscribed 'brett whiteley' lower right, 75 x 55 cm (sheet)
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'View of the Garden,' 1977
Lithograph 48/75, 71.5 x 51 cm (sight)
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Tony at 50 (Portrait of Tony White) 1992
Etching, ed. A/P 2/8, signed lower right: brett whiteley, editioned lower left, titled in plate upper left, 14.5 x 9.5 cm
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Towards Sculpture 8 1977
Lithograph, ed. 44/50, signed lower right: brett whiteley, monogrammed upper right, editioned lower left, 85 x 59 cm (sheet)
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Undressing 1973
Lithograph, ed. 10/50, signed lower right: Brett Whiteley, monogrammed lower right, editioned lower left, 73.5 x 53.5 cm (reveal)
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The 15 Great Dog Pisses of Paris
Lithograph, edition 49/250, stamped with Artist's Estate Blindstamp, 99 x 84 cm
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Startled (Owl), 1984
Hand coloured sugarlift aquatint, printed in black ink on ivory wove paper, edition: 2/30, signed and numbered below image, 50 x 50 cm (sheet)
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Zoo, 1979
Book with etching, edition: A/P, etching, numbered and signed below image 'A/P, Brett Whiteley', book signed and numbered on title page No. A/P, Brett Whiteley', 29 x 20 cm
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Figure on an Orange Background 1961
Screenprint, ed. 74/75, signed lower right: Brett Whiteley, editioned lower left, 66 x 50 cm
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Flowers on the Table 1977
Lithograph, ed. 38/75, signed lower right: Brett Whiteley, editioned lower left, 75.5 x 57 cm (sheet)
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Lavender Bay in the Rain 1987
Lithograph, ed. 8/75, signed lower right: brett whiteley, titled lower left, editioned lower left, 101 x 74.5 cm
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Towards Sculpture 1 1977
Lithograph, ed. 21/50, signed lower right: Brett Whiteley, stamped upper right with artist's monogram, editioned lower left, 58 x 77.5 cm (sheet)
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Self Portrait, One of a Dozen Glimpses 1983. (Another Way of Looking at Vincent Van Gogh 1888 - 1889)
Aquatint etching, ed. 19/100, signed lower right: Brett, editioned lower left, 26 x 20.5 cm
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Magpie 1977
Sugarlift aquatint, ed. 55/60, signed lower right: brett whiteley, editioned lower left, 50 x 50 cm
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Towards Sculpture 4 1977
Lithograph, ed. 13/50, signed lower right: Brett Whiteley, monogrammed upper right, editioned lower left, 56 x 81.5 cm (sheet)
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Lovers, 1975
Screenprint, edition 13 of 70, signed and editioned lower right: 'Brett Whiteley 13/70', 52.5 x 66 cm
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Towards sculpture, 1977
Print, signed by the artists and numbered "AP5/5" verso, 91 x 63.5 cm (sheet)
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The Arrival, 1988
Offset lithograph, edition: 120/150, signed lower right: brett whiteley. numbered and titled lower left: 120/150 'the arrival', signed within image lower left: brett whiteley. commissioned for the cover of Time Australia to mark the Australian Bicentenary in 1988, 71 x 89 cm (image); 79 x 104 cm (sheet)
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Swinging Monkey 1 1965
Colour screenprint. edition: 55/70, signed lower right: brett whiteley. numbered lower left: 55/70, titled within image lower left: Swinging Monkey I, 76 x 56 cm (image)
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Towards Sculpture 6, 1977
Lithograph edition: 43/50, numbered and signed: '6.43/50 brett whiteley', 90 x 63 cm
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The Back, 1977
Etching, edition 3/60, signed lower right under image, 60.5 x 45 cm (plate)
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