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Brett Whiteley Australia, 1939-92
Number of Works: 3,439, Results Page: 2
Reading 1981
Linocut, edition: 4/10, signed lower right: brett whiteley numbered lower left: 4/10 stamped lower right with artist's monogram, 30.5 x 30.5 cm (image)
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Ravello, Italy 1991
Screenprint, edition: 53/60, signed lower right: brett whiteley numbered lower left: 53/60 artist's studio stamp lower right, 40 x 76.5 cm (image)
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Self Portrait, One of a Dozen Glimpses (from Another Way of Looking at Vincent Van Gogh 1888-1889) 1983
Etching and aquatint, edition: 50/100, signed lower right: Brett numbered lower left: 50/100, 26.5 x 20.5 cm (image)
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The Garden in Sanur, Bali 1980
Screenprint with offset lithography, edition: 81/100, signed lower right: brett whiteley numbered lower left: 81/100 titled within image lower right: Garden in Sanur - bali, 60 x 80 cm (image, irreg.)
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Flowers on the Table 1977
Lithograph, edition: 9/75, signed lower right: brett whiteley numbered lower left: 9/75, 76 x 57 cm (sheet)
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Silver Eye 1988
Screenprint, edition: Artist's Proof (edition of 75), signed lower right: brett whiteley numbered and titled lower left: A/P Silver Eye, 76.5 x 72.5 cm (image)
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Lovers, 1975
Screenprint, edition of 70, signed and editioned lower right: 'Brett Whiteley 13/70', 52.5 x 66 cm
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Waterfall (1962-1963)
Oil and collage on canvas, signed 'whiteley' lower left, signed, dated and inscribed 'The Waterfall / 1963 / Brett Whiteley' verso (on paper), 122 x 112.5 cm
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Sketch for Large Flame Tree, Port Vila 1983
Ink, gouache and collage on paper, signed, dated and inscribed 'B / W [artist's monogram] / sketch for large flame tree/ brett whiteley / Port Vila / Vanuatu 83' lower right, 62.5 x 51 cm
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Undressing (1973)
Lithograph on paper, edition 40 of 50, signed and inscribed 'brett whiteley' lower right, 75 x 55 cm (sheet)
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The Arrival 1988
Lithograph on paper, artist's proof 6 of 22, from an edition of 150, plus 22 artist's proofs, inscribed 'A/P 6/22 'the arrival' lower left, signed 'brett whiteley' lower right, 71 x 88.5 cm (image)
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'View of the Garden,' 1977
Lithograph 48/75, 71.5 x 51 cm (sight)
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South Coast After The Rain, 1984
Oil and collage on canvas (with white oil on Perspex surface), signed upper left: brett whiteley dated and inscribed with title lower right: 'the south coast' June 1984 signed, dated and inscribed with title on artist's handwritten label verso: 'The South Coast After Rain' 1984 / 54" x 48" / oil + collage on canvas + Brett Whiteley / 8 Reiby Place / Circular Quay, 137 x 122 cm
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The Olgas, 8AM, Also Known As Olgas III, 1985
Pen, brush and ink on paper, signed, dated and inscribed lower right: the olgas 8 Am.. / 7/april 85 / 55 / (The arab taxi driver swooning at breast mother) / brett whiteley 85, 54 x 74 cm (sheet)
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Undressing 1973
Lithograph, ed. 10/50, signed lower right: Brett Whiteley, monogrammed lower right, editioned lower left, 73.5 x 53.5 cm (reveal)
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Tony at 50 (Portrait of Tony White) 1992
Etching, ed. A/P 2/8, signed lower right: brett whiteley, editioned lower left, titled in plate upper left, 14.5 x 9.5 cm
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Towards Sculpture 8 1977
Lithograph, ed. 44/50, signed lower right: brett whiteley, monogrammed upper right, editioned lower left, 85 x 59 cm (sheet)
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Abstract, Still Life, 1958
Oil on panel, signed and dated lower right Brett Whiteley 58, 15.5 x 37 cm
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The 15 Great Dog Pisses of Paris
Lithograph, edition 49/250, stamped with Artist's Estate Blindstamp, 99 x 84 cm
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Startled (Owl), 1984
Hand coloured sugarlift aquatint, printed in black ink on ivory wove paper, edition: 2/30, signed and numbered below image, 50 x 50 cm (sheet)
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Nude Beside the Basin, 1963
Oil and tempera on panel, signed lower right: Whiteley, 121.9 x 139.7 cm
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Reclining Nude, 1975
Ink on paper, stamped with monogram, signed and dated lower left corner 'BW, Brett Whiteley, 7/12/75', 73 x 101 cm
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Flowers on The Table, 1977
Lithograph on paper, edition: 13/75, numbered and signed below image '13/75, Brett Whiteley', 76.5 x 57.5 cm
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Palm Tree 1, 1975
Screenprint on paper, edition: 46/50, numbered, stamped and signed below image '46/50, Brett Whiteley', 81 x 59.5 cm
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Light Globe, 1981
Linocut on paper, edition: A/P, numbered, signed and stamped with monogram below image 'AP, Brett Whiteley, BW', 30 x 30 cm
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View of the Garden, 1977
Lithograph on paper, edition: 15/75, numbered and signed below the image '15/75, Brett Whiteley', 67 x 46 cm
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Lavender Bay Wharf, 1978
Etching on paper, edition: 32/90, numbered and signed below image '32/90, Brett Whiteley', 64 x 52 cm
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Zoo, 1979
Book with etching, edition: A/P, etching, numbered and signed below image 'A/P, Brett Whiteley', book signed and numbered on title page No. A/P, Brett Whiteley', 29 x 20 cm
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Chimp Taronga Zoo Study, Verso: Untitled (Fig Tree), 1978
Brush and ink on paper, signed lower left: brett whiteley
inscribed with date and title lower right: 'chimp' Taronga Zoo study / 14 / Nov / 78
bears artist's stamp lower right, 57 x 53 cm (sight)
inscribed with date and title lower right: 'chimp' Taronga Zoo study / 14 / Nov / 78
bears artist's stamp lower right, 57 x 53 cm (sight)
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Pelican I, 1983
Painted bronze, edition: 5/9, signed and numbered at base: brett whiteley 5/9.
bears Meridian Foundry stamp at base, 89 x 93 x 29 cm
bears Meridian Foundry stamp at base, 89 x 93 x 29 cm
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Harbour in The Rain, 1977
Oil on canvas, signed, dated and inscribed with title verso: 'Harbour in The Rain' / brett whiteley 77 / oil, 61 x 76.5 cm
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The Cat (1980)
Offset lithograph on paper, artist's proof from an edition of 100, plus artist's proofs, inscribed 'A/P 'sunlight on the cat' lower left; signed 'brett whiteley B/W' lower right, 84.5 x 82.5 cm (image); 116 x 91.2 (sheet)
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Pinton Freres, Tapissierie D'Aubusson, France (Manufacturer) The River (1976)
Wool and cotton, edition 3 of 6 (of which only 3 were made), signed with woven inscription 'brett whiteley / P/T/F' lower right; woven inscriptions '3/6' verso, 198 x 165 cm
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The Paddock - Early Morning 1979
Oil on canvas, signed and dated 'brett whiteley 79' lower centre, 203 x 153 cm
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Requite 1967
Oil, resin, ink, pencil and paper on board, signed, dated and inscribed 'The above inexplicably depressing / quotation, and the ensuing illustrated nightmare / have been set down here as / recompense. As such it / is dedicated to peace. / Brett Whiteley 3/1/67 / to Francis Bacon. ' lower right, 86 x 122 cm
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Malcolm McLaren (1989)
Pencil on paper, signed 'B/W' (monogram) lower right, 18 x 17.5 cm
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Lavender Bay in the Rain 1987
Lithograph, ed. 8/75, signed lower right: brett whiteley, titled lower left, editioned lower left, 101 x 74.5 cm
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Magpie 1977
Sugarlift aquatint, ed. 55/60, signed lower right: brett whiteley, editioned lower left, 50 x 50 cm
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Towards Sculpture 4 1977
Lithograph, ed. 13/50, signed lower right: Brett Whiteley, monogrammed upper right, editioned lower left, 56 x 81.5 cm (sheet)
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Towards Sculpture 1 1977
Lithograph, ed. 21/50, signed lower right: Brett Whiteley, stamped upper right with artist's monogram, editioned lower left, 58 x 77.5 cm (sheet)
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Self Portrait, One of a Dozen Glimpses 1983. (Another Way of Looking at Vincent Van Gogh 1888 - 1889)
Aquatint etching, ed. 19/100, signed lower right: Brett, editioned lower left, 26 x 20.5 cm
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Flowers on the Table 1977
Lithograph, ed. 38/75, signed lower right: Brett Whiteley, editioned lower left, 75.5 x 57 cm (sheet)
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Figure on an Orange Background 1961
Screenprint, ed. 74/75, signed lower right: Brett Whiteley, editioned lower left, 66 x 50 cm
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Lovers, 1975
Screenprint, edition 13 of 70, signed and editioned lower right: 'Brett Whiteley 13/70', 52.5 x 66 cm
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Max Lake's Vineyard, hunter Valley
Crayon, ink and watercolour on paper, signed, titled and dated '76 at lower right, 50 x 76 cm
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Towards sculpture, 1977
Print, signed by the artists and numbered "AP5/5" verso, 91 x 63.5 cm (sheet)
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View from the Window, Lavender Bay, 1977
Oil on canvas, signed and dated lower right: 10/6/77 whiteley, 30.5 x 25.5 cm
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Swinging Monkey 1 1965
Colour screenprint. edition: 55/70, signed lower right: brett whiteley. numbered lower left: 55/70, titled within image lower left: Swinging Monkey I, 76 x 56 cm (image)
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