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Lindfield Gardens 1978
Coloured screenprint with offset lithography 14/80, signed 'Brett Whiteley' lower right editioned lower left, 84 x 113 cm
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Back
Etching, signed and numbered 32/60 in margin, 60.5 x 44.5 cm
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Songs of the Sun 1983 (From Another Way Of Looking at Vincent Van Gogh 1888-1889)
Etching, signed 'brett whiteley' lower right; inscribed 'A/P' lower left, edition: A/P of 100, 26.5 x 20 cm
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The Back of the Asylum, St Remy 1983 (From Another Way Of Looking at Vincent Van Gogh 1888-1889)
Etching, signed 'brett whiteley' lower right; inscribed 'A/P' lower left, edition: A/P of 100, 20.5 x 37 cm
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Sydney Harbour 1980
Screenprint, edition: 20/100, numbered and signed below image, 89 x 66 cm
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Nude
Etching, signed in pencil, lower right margin, AP, 28 x 30 cm
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Baboon II, 1977
Sugarlift aquatint and drypoint, edition: 52/60 signed and numbered below image, 50.5 x 50 cm
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Hyena (From Regent's Park Zoo Series)
Screenprint, signed Brett Whiteley lower right and numbered 18/70 lower left, 76 x 60 cm
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Kookaburra
Silkscreen with offset lithography, signed brett whiteley lower right and numbered 41/50 lower left, 84.5 x 66 cm
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'Nectar (Addiction) Portrait of Paul Verlaine', 1979
Etching 9/75, original Etchers Workshop label attached verso, 60 x 45 cm
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Self Portrait, One of a Dozen Glimpses
Etching 53/100, rex Irwin Gallery label verso, Art Gallery of New South Wales loan label verso
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Palm Tree 2 (1975)
Silkscreen, signed 'brett whiteley' lower right; inscribed '2/50 BW 2' lower left, 81.5 x 60 cm
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Back 1 (1981)
Lithograph, signed 'brett whiteley' lower right; inscribed '11/35' lower left, 97 x 63 cm
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Henri's Armchair
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The Cat
Lithograph, edition: 15/100, numbered, titled and signed below image, artist stamp lower right, 84.5 x 82 cm
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The Arrival 1988
Offset lithograph, edition: 147/150, numbered, titled and signed below image, 70.5 x 88.5 cm
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Morton Bay Fig 1979
Etching 32/200, signed 'Brett Whiteley' lower left editioned lower right dated verso, 60 x 50 cm
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The Divided Unity
Silkscreen, signed Brett Whiteley entitled dated (19)74 and numbered 12/70 in pencil lower margin, 66.5 x 94 cm
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Study for Sculpture
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Bird on a Branch 1977
Sugarlift aquatint, edition 20/60, numbered lower left, artist's red stamped monogram, lower right, 43 x 75 cm
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Figure on an Ochre Background 1961
Colour screenprint, signed in pencil lower right 'Brett Whiteley' numbered 15/75, 66 x 52 cm
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Anna on a Bed, 1977
Etching, edition: 2/40, signed and numbered below image, 28.5 x 30.5 cm
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Mortan Bay Fig 1979
Etching 32/200, signed 'Brett Whiteley' lower left editioned lower right dated verso, 60 x 50 cm
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Towards Sculpture
Offset print, 82 x 39.5 cm
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Lyrebird
Lithographic print with quality gilt frame
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Nectar (Addiction), Portrait of Paul Verlaine
Etching 9/75, signed lower right, 60.5 x 45.5 cm
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Palm Tree 3
Screenprint 12/50, signed in pencil lower right, 81.5 x 59.5 cm
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Lavender Bay Wharf 1978
Etching, edition: 52/90, numbered and signed below image, 60.5 x 50 cm
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The Lovers 1976
Lithograph 7/10, stamped 'BW' and dated lower right, with edition number inscribed lower left, 19.5 x 18.5 cm
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Villa Through the Window
Lithograph, signed B. Whiteley and numbered 31/75 in pencil lower margin, 73 x 55 cm
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Self Portrait of a Dozen Glimpses (From Another Way Of Looking at Vincent Van Gogh)
Etching and aquatint, signed 'Brett' lower right, No 68/100 lower left, 27 x 21.5 cm
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