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Towards Sculpture 7, 1977
Lithograph 7.23/50, signed lower right, 86 x 61.5 cm
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Lindfield Gardens
Coloured screenprint, # 62/80, copy signed in the print lower right, 82 x 112 cm
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Towards Sculpture 2, 1977
Lithograph on paper, edition: 13/50, title, numbered and signed below image '2, 13/50, Brett Whiteley' stamped lower right corner artist's stamp, 76 x 49 cm
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Lavender Bay Wharf, 1978
Etching on paper, edition: AP, numbered and signed below image 'AP, Brett Whiteley', 64 x 52 cm
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Another Way of Looking at Vincent Van Gogh 1888-1889, Self Portrait One Of a Dozen Glimpses, the Back Of The Asylum St Remy, Sons Of The Sun, 1983 (Suite Of 3)
Etchings on paper, edition: A/P, numbered and signed below (image)
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Back View, 1976
Etching on paper, edition: AP 2, numbered and signed below image 'AP2, Brett Whiteley', 80 x 62 cm
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The Back
Etching, signed and numbered in margin, 60 x 45 cm
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Lavender Bay in the Rain 1987
Colour screenprint, signed, titled and numbered in margin, 101 x 75 cm
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Bird on Branch
Sugarlift aquatint etching, signed and numbered in margin, 43 x 75 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival 1980
Screenprint, monogrammed initials stamped in image upper right, 76 x 50 cm
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Toward Sculpture 8. 1977
Lithograph 8/50, signed lower right, no. lower left, 86 x 58 cm
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Sydney Harbour, 1980
Screenprint, numbered and signed below image: '50/100 / Brett Whiteley', 121 x 80.5 cm (sheet size)
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Towards Sculpture 5, 1977
Lithograph, numbered and signed below image: '5.5/50 / Brett Whiteley', 85 x 55 cm
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Portraits and Other Emergencies'
Offset lithograph, hand signed in pencil, 72.5 x 48.5 cm
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'2nd Hozumi Momota Art Award, and Japanese Australian Festival Oct 6-13 Sydney Square' 1980
Screenprint, hand signed by Brett Whiteley in pencil, 75 x 49.5 cm
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'The American Dream' 1969
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Anna - Woman on a Bed 1977
Etching 10/40, editioned and signed below image, titled on label verso, 28.5 x 30 cm
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Lavender Bay Wharf, 1978
Etching, edition: 10/90, numbered and signed below image, 60 x 50 cm
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The Divided Unity 1974
Screenprint (printed in 3 colours) ed. no. 12/70, signed bottom right, titled lower left, plate size 66.5 x 93 cm
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The Arrival 1988
Colour offset lithograph 14/150, editioned, titled and signed below image, 70 x 88 cm
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Suite 'Regards De Cote
Etching, ed. AP, signed lower right, 14.5 x 19.5 cm
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'The Back,' 1977
Sepia etching 14/60, 60 x 44.5 cm
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Spring at Oberon, 1979
Colour screenprint and collage, edition: 25/40, numbered and signed below image, titled and dated within image, 95.5 x 61.5 cm
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10 Rillington Place W11 (Still from a Proposed 16mm Film) 1964
Screenprint 18/70, titled, numbered and signed below image, 59 x 56 cm
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Ravello 1991
Screenprint 7/60, editioned and signed below image, 39 x 75 cm
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Lavender Bay Wharf 1978
Etching 43/90, editioned and signed below image, 60 x 50 cm
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Recent Nudes, the Artist's Studio, 8 Reiby Place, Circular Quay, Oct 3-Oct 31, 1981
Offset print, hand-signed in pen by Brett Whiteley, 76 x 61 cm
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Anna - Woman on a Bed, 1977
Etching on paper, edition: A/P, numbered and signed below image, ‘A/P, Brett Whiteley’, 29 x 30 cm
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Seagull
Sugarlift aquatint, signed and numbered in margin, 50 x 50 cm
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Fruit Dove
Linocut, signed and numbered in margin, 30 x 30 cm
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The Back of Asylum St. Remy 1983
Etching 89/100, numbered and signed below image, 21 x 31 cm
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Sons of the Sun 1983
Etching 89/100, numbered in pencil lower left stamped with monogram lower right, 27 x 20 cm
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The Back 1977
Etching 26/60, numbered and signed below image, 60 x 45 cm
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Portraits and Other Emergencies
Exhibitionposter, hand Signed Offset Print, 72.5 x 49 cm
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The Cat, 1980
Offset lithograph, edition: 19/100, numbered, titled, signed and stamped below image, 86.5 x 81 cm
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Back View, 1976
Etching, edition: 39/60, numbered and signed below image., 60.5 x 45 cm
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American Dreams Series, 1969
Lithograph edition 541/3000, 68 x 94 cm
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The Arrival 1988
Lithograph on paper, signed and inscribed 'brett whiteley / A/P 12/22 'the arrival' for Bob & Hazel Hawke with thanks for launching this print.' lower left, signed, dated and inscribed 'brett whiteley & Time Australia / Jan 88' lower right, edition of 150, plus 22 artist's proofs
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Mother and Child (1977)
Etching on paper, edition 15 of 60, inscribed '15/60' lower left, signed 'brett whiteley' lower right
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A Day at Bondi 1984 (2)
Etching, From a suite of ten, inscribed 2/30 and signed 'Brett W' lower margin, 20 x 18 cm
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Hullo Cocky
Etching, ed. A?P, signed lower right, 24.5 x 20 cm
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