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'Seagull. 1984'
Sugarlift aquatint, edition 30/30 numbered lower left, signed lower right, 50 x 50 cm
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Fruit Dove
Linocut, signed and inscribed in margin, 33 x 30 cm
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Poem for a Lover 1988
Screenprint, ed. 36/80, signed lower right below image: brett whiteley, titled and editioned lower left below image, 77.5 x 79.5 cm (image)
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The Lovers, 1975
Screen print, ed. 16/70, signed and edition lower right below plate in pencil, 50 x 63 cm
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'The American Dream,' 1969
Offset lithograph -/500 (unnumbered), 67 x 32 cm
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Figure on Orange Background, 1961
Screenprint 38/75, 68 x 52 cm
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Back View 1975
Etching, edition: 24/60,, signed and numbered below image, Gould Galleries label attached verso, 79.5 x 58.5 cm
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Towards Sculpture 4, 1977
Lithograph, edition: 23/50, numbered and signed below image ’23/50, Brett Whiteley’ artist’s stamp upper right, 90 x 63 cm
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Hullo (Cockatoo), 1980
Etching, edition: Artist's Proof (edition of 80), numbered and signed below image, 24.5 x 20 cm
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Monstera Deliciosa, 1978
Etching, edition: 8/40, numbered and signed below image, 50.5 x 70.5 cm
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Tony at 50 (Portrait of Tony White), 1992
Etching, edition: Artist's Proof 2/8 (edition of 35), numbered and signed below image, 14.5 x 10 cm
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Woman Under the Shower, 1976
Etching, edition: 75/100, numbered and signed below image, 40 x 48.5 cm
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Garden in Rome, 1982
Coloured etching, aquatint and collage, edition: 21/30, signed and numbered below image, artist's studio stamp upper right, 211 x 91.5 cm (sheet)
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Lindfield Gardens, 1978
Colour screenprint with offset lithography, edition: Artist's Proof (edition of 80), numbered and signed below image, artist's studio stamp lower left, 92 x 116 cm (sheet)
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Vincent (An Essay in Opposites), 1982
Coloured etching, screenprint and collage, edition: Artist's Proof V (edition of 30), signed and numbered below image., artist's studio stamp upper right, 211 x 91.5 cm (sheet)
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Self Portrait, One of a Dozen Glimpses (From Another Way Of Looking at Vincent Van Gogh 1888-1889), 1983
Etching and aquatint, edition: Artist's Proof (edition of 100), numbered and signed below image., accompanied by a signed copy of: Capon, E., Another Way of Looking at Vincent Van Gogh 1888 - 1889 by Brett Whiteley 1968-1983 , Richard Griffin Press, Melbourne, 1983, no.87/,500, 26.5 x 20.5 cm
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Poem for a Lover 1988
Screenprint with hand colouring A/P, editioned and signed below image, 76 x 80 cm
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Garden in Rome 1982
Coloured etching, aquatint and collage A/P, editioned and signed below image, 109 x 79 cm
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Fruit Dove (1980)
Linocut on paper, edition 9 of 25 with artist proofs, inscribed '9/25' and stamped with monogram lower left, signed 'brett whiteley' lower right, 30 x 29.7 cm (image), 36.5 x 32.5 cm (sheet)
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Swingin Monkey II (Regent's Park Series) 1965
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A Day at Bondi, 1984
Etching and collage on paper, suite of ten etchings plus title page and collaged flag, each signed and numbered below image, 20 x 18 cm (image, each) 24 x 22 cm (sheet, each)
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Self Portrait, One of a Dozen Glimpses
Etching on paper, edition: 19/100, numbered and signed below image ' 19/100, Brett', 26.5 x 21 cm
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View of the Garden, 1977
Lithograph on paper, edition: 18/75, numbered and signed below the image '18/75, Brett Whiteley', 67 x 46 cm
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Towards Sculpture 1, 1977
Lithograph on paper, edition: 11/50, numbered and signed below image, '11/50, Brett Whiteley', 90 x 63 cm
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Bird on a Branch, 1977
Sugarlift aquatint on paper, edition: A/P, numbered and signed below image 'A/P', Brett Whiteley', 43 x 75 cm
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The Back of the Asylum, St Remy
Etching on paper, edition: 19/100, numbered and signed below image ' 19/100, Brett Whiteley', 20.8 x 36.6 cm
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'Palm Tree 3,' 1975.
Screenprint 47/50, 82.5 x 59.5 cm
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Lindfield Gardens, 1978
Screenprint with offset lithography, ed. A/P, signed lower right, studio stamped and editioned lower left, 82 x 112.5 cm
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Towards Sculpture 5, 1977
Lithograph, edition: 35/50, signed and numbered below image, artist's stamp in image upper right, 90 x 63 cm (sheet)
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Torajaland (Celebes), 1974
Screenprint, edition: 8/50, numbered, stamped, signed and dated below image, 68.5 x 57 cm
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Poem for a Lover
Screenprint, signed, titled and numbered in margin, 77 x 79 cm
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Vincent (An Essay in Opposites) 1982
Etching, screenprint and collage, signed lower right, 211 x 91.5 cm
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Towards Sculpture I
Lithograph, signed lower right, artist stamp upper right, 90 x 63 cm
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Lovers, 1984
Etching on paper, edition: 4/20, numbered and signed below image, '4/20, Brett Whiteley', 17.5 x 20 cm
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Towards Sculpture 1, 1977
Lithograph on paper, edition: 27/50, numbered and signed below image, '27/50, Brett Whiteley', 90 x 63 cm
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Lipstick, 1981
Lithograph in three colours, collage and nail polish, edition: 39/50, signed, inscribed with title and numbered in image, 107 x 75.5 cm
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Silver Eye, 1988
Colour screenprint, edition: 15/75, signed, numbered and inscribed with title below image, 76.5 x 72.5 cm (image)
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10 Rillington Place W11 (Still from a Proposed 16mm Film) 1964
Screenprint 18/70, titled, editioned and signed below image, 59 x 56 cm
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'Swinging Monkey 3,' 1965
Screenprint 45/70, 76 x 56 cm
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Moreton Bay Fig
Etching, signed and inscribed in margin, 60 x 50 cm
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Ex Libris - Pat Corrigan
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The Back, 1977
Etching, edition: 50/60, numbered and signed below image, 60.5 x 45 cm
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(The Orange) Fruit Dove in Clark Park, 1980
Colour screenprint, edition: 6/30, numbered, titled and signed below image, artist's stamp lower right, 76 x 53 cm
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Swinging Monkey 3, 1965
Colour screenprint, edition: 21/70, numbered, stamped and signed below image, 76 x 56 cm
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Swinging Monkey 1 1965
Colour screenprint, edition: 59/70, numbered, stamped and signed below image, 76 x 56 cm
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Tony at 50
Etching, ed. A/P, signed in pencil lower right, 15 x 10 cm
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