Paintings, 2019 - Numbers By Medium

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(The Bridge at Gardiners Creek) C.1946

Oil on canvas on board, 41.5 x 51.5 cm
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Flounder Fishing on the Sandbanks at Rye 1958

Oil, tempera and enamel paint on composition board, signed and dated 'Perceval / 58' lower right, 70.3 x 112.2 cm
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Evening in the Woods C.1966

Oil on board, signed lower left Perceval, 60 x 90 cm
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Romona Reclining, 1965

Oil on composition board, signed and dated lower right Perceval 65, signed, dated and inscribed with title verso: 'Romona / Reclining' / 1965 / Perceval, bears inscription on frame verso: 'ROMONA RECLINING', 43.5 x 35 cm
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After the Bushfire, 1957

Oil on composition board, signed and dated lower centre Perceval/ 57, 91.5 x 60.5 cm
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The Old Boat at Port Melbourne

Oil on canvas, signed lower left Perceval, signed and inscribed with title verso: The Old Boat / at / Port Melbourne / Perceval, 91.5 x 122 cm
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Sheena in the Garden 1966

Oil on canvas, signed and dated '66 / Perceval' lower left, signed, dated and inscribed 'Perceval / '66 / 'Sheena / in / The garden' / Perceval / '66' verso, 73.4 x 81 cm.
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White Angel (Kathie) 1964-1965

Oil on canvas, signed and dated 'Perceval / '64' lower right, signed, dated and inscribed 'Kathy 1964-5 / 'White Angel' / Perceval' verso, 74 x 81 cm.
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Vase and Flowers, 1983

Oil on canvas, signed lower right Perceval, signed, dated and inscribed verso: Perceval/ vase of/ flowers/ 83, 90 x 60 cm
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Man Thinking in Cane Chair with Flowers, c1954

Oil and tempera on muslin on composition board, signed and dated lower centre Perceval/.48 [sic]. bears inscription verso: Man Thinking in Cane Chair/ with Flowers. bears inscription on frame: 'Portrait of Max Nichols' [sic]/ By John de Burgh Perceval. This painting was executed by John Perceval c1954. In his later years, this and other works from his earlier years were retrieved from storage and signed by the artist. In some cases, as with the present work, these paintings were erroneously dated by the artist. Art historian Traudi Allen notes that this work is a portrait of fellow artist Charles Blackman, and not Perceval's friend Max Nicholson as implied by the inscription on the frame., 74 x 60.5 cm
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Bowl of Flowers, c1985

Oil on canvas, signed lower left Perceval, signed and inscribed verso: Perceval/ Bowl/ of/ Flowers, 29.5 x 25 cm
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Figure Bending 1958

Mixed media on Balzac letterhead, signed and dated lower right Perceval c'58, 26 x 20.5 cm
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Stigmata 1965

Oil on board, signed and dated lower left Perceval 65, 83 x 62 cm
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