Works in the database
20
Works with images
14
Works with multiple sales
1

Past Sales

Jungunpa (Hopping Mouse) 2002
'Marsupial Mouse Dreaming,' 2002
Untitled

Sales by Medium

Paintings
Sold 13 works for
$23,558

Where to buy or sell art works by Polly Watson Napangardi

Auction Houses

Goodmans Auctioneers
Sold 2 works for
$10,465
Lawson~Menzies (now trading as Menzies)
Sold 1 works for
$3,600
Gibson's Auctioneers & Valuers
Sold 1 works for
$2,196

Australian Aboriginal artist Polly Watson Napangardi was born circa 1932 and works in oils and acrylics.

In our database, 20 works by Polly Watson Napangardi are listed as being offered for sale, the earliest in 1995, of which 13 (65%) were sold. The highest price recorded for the artist is $7,015 for Wataki Tjukurrpa sold by Goodmans Auctioneers in September 2000. No works have been offered for sale this year, and the last sale we have recorded for the artist was in 2023.

Polly Watson Napangardi is listed in the following standard biographical references:

  • Johnson, Vivien, Aboriginal Artists of the Western Desert-A Biographical Dictionary. Craftsman House, Sydney, 1994. Page 165

Artists' Resale Royalty

Could the second and subsequent works by this artist sold after June 9, 2010 for over $1,000 be liable for the Artists' Resale Royalty? More info…

Yes, eligible, subject to the artist satisfying the residency test. The artist is alive or has been deceased for less than 70 years. Contact the Copyright Agency for information on the residency test.

The Australian Art Sales Digest is a database of over 610,000 works by more than 12,000 artists who are listed as having either lived or worked in Australia or New Zealand, and an additional 36,000 foreign and other artists, offered for sale by auction in Australia and New Zealand from the early 1970s to the present day.

Access to the database is available on either a monthly or annual subscription. During the subscription period you have unlimited access to the site. If you would like to subscribe, please proceed to our .

.