Number of Works: 4,687, Results Page: 3

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Possibly Toledo, Spain

Watercolour on paper, signed lower right, 27 x 18 cm
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'The Kookaburra'

Wood engraving, signed in plate lower left and in pencil lower left margin, numbered '100' lower right, 14.5 x 10 cm block
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C. Duffy Pawn Broker

Etching, No.32, signed lower left in pencil 'Lionel Lindsay', 15 x 13 cm
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Untitled street scene

Etching, No.21, signed lower left in pencil 'Lionel Lindsay', 15 x 19 cm
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Church of Saint Ferreol, Marseilles

Drypoint etching, 1927, signed and titled in the lower margin, from an edition of 100, 21.5 x 30 cm image
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Old Kiln, Camden

Drypoint etching, 1925, signed, editioned 17/50, and titled in the lower margin, 12 x 13 cm image
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Pottery Shop, Kairouan

Drypoint etching, 1928, from an edition of 100, signed in the plate and in pencil in the lower margin, 17.5 x 25 cm image size
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A Caravanseai Kerouan

Drypoint etching, 1929, signed lower left and titled lower right, 16.5 x 27 cm image size
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Old Antequera

Drypoint etching, 1929, from an edition of 100, signed in the plate and in pencil in the lower margin, 22.5 x 30 cm image size
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The Bassra Guard

Drypoint etching, 1929, from an edition of 100, signed in the plate and in pencil in the lower margin, 19 x 30 cm image size
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Bringing in the turf, Mullaranny

Drypoint etching, 1929, signed and titled in the lower margin, authenticated by Peter Lindsay in pencil verso, 14 x 17.5 cm image
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Autumn (The Peacock)

Woodcut, 1929, from an edition of 100, signed and dated in the plate and signed in pencil in the lower margin, 15.5 x 14.5 cm image size
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The Fruit Basket

Woodcut, 1936, from an edition of 100, signed in the plate and in pencil in the lower margin, 10.5 x 13 cm image size
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White Goats

Woodcut, circa 1933, signed in lower margin 'Printed by Lionel Lindsay. Authenticated by Peter Lindsay.', 15.5 x 15 cm image
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On the Kurrajong - 1st State

Drypoint etching, 1932, signed and titled in the lower margin, 21 x 28 cm image
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Spanish Still Life

Woodcut, 1938, signed and titled in the lower margin, from an edition of 100, 31 x 20 cm image
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The Great Door, Burgos

Drypoint etching, circa 1931, signed in the plate, titled and endorsed in the lower margin 'Printed by Lionel Lindsay' and 'Trial of 2nd State, as published', 30 x 21.5 cm image
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Goat and Rhododendron

Woodcut, 1933, signed in the plate, titled and endorsed in the lower margin 'Printed by Lionel Lindsay', authenticated verso by Peter Lindsay, 17 x 15 cm image
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Prince Albert's Currasow

Woodcut, 1935, from an edition of 100, signed in the plate and signed in pencil in the lower margin, 20 x 12 cm image size
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St. Georgio from Venice - 1st State

Drypoint etching, 1938, signed and titled in the lower margin, 15 x 27.5 cm image
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Lethe's Wharf

Woodcut, 1938, signed in plate and titled in the lower margin, authenticated by Peter Lindsay in pencil verso, 32.5 x 17 cm image
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'Sospel [France]'

Drypoint ed. 75, label verso for Wishart Brown Limited, Glasgow, 21.5 x 30 cm
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'A. Temple Entry, Madura'

Etching ed. 100, 30 x 25 cm (image)
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'Little Market, San Gaetano, Naples,' 1927

Etching ed. 100, inscribed: to my old friend John Young in London, Sept 24 1929. John Young was the founder of Macquarie Galleries, Sydney, 28 x 20.5 cm (image)
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'Old Commissariat Stores,' 1912

Etching 31/50, 14 x 20 cm
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'Arcadia Alley'

Etching 39/50, 19.5 x 11 cm (plate)
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Demolition of the Girls High School, Sydney (Last of the Girls High School), 1924

Etching 12/75, 9 x 20 cm
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Spring

Woodcut on paper, ed: 100, signed lower left 'Lionel Lindsay', 15.2 x 21.7 cm
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'Sunday Camp', 1925

Etching, no. 33, titled and signed ower margin, 12 x 12.5 cm
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'The White Peacock'

Woodcut ed. 100, signed in pencil, 20 x 11.5 cm
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'The Demon'

Woodcut ed. 100, signed in pencil, 13 x 15.5 cm
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Chunder Bear and Dog Being Welcomed Back to Australia

Ink and pencil, signed lower left, 40.5 x 34 cm
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Halt at the Inn- Refreshments for Man and Dog

Ink and pencil (AF), signed lower right, 38 x 26 cm
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Muscovies

Woodblock edition 100, signed tiled and editioned below image, 11.5 x 18 cm
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The Fighting Bull (The Bull)

Woodblock, signed lower left, 5.6 x 7.7 cm
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Untitled (Castle Scene)

Woodblock, signed in pencil lower left, 19 x 17.5 cm
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Pheasant & Magnolia, 1925

Woodcut no. 85/100, signed and titled to lower margin, 19 x 14.5 cm
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Argyle Cut

Facsimile etching, edition: 237/550, copperfield certificate of authenticity attached verso, 26 x 25 cm (image)
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'Cremorne Point'

Etching No. 6, signed lower left and numbered lower right, 12 x 12 cm plate
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The Mill, Bridgewater

Engraving, signed lower left 'Lionel Lindsay', 13 x 16 cm
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(House, Water Tank, Lady)

Engravings, signed lower left 'Lionel Lindsay', 18 x 17 cm
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The Town Hall, Adelaide

Engraving, signed lower left 'Lionel Lindsay', 19 x 12 cm
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Apple Blossom

Wood engraving, signed and titled in the lower margin, 14 x 10 cm
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The Pannikin of Flower

Engraving, signed and titled in pencil in the lower margin, 15 x 15 cm
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Mulateens

Etching, signed lower left 'Lionel Lindsay', 12 x 14 cm
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A Bridge, Estramadura

Drypoint etching, signed lower left; numbered '75' lower right, 18 x 25 cm
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Sunday Morning, the Rocks

Etching proof, 21 x 17 cm (plate)
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Queen's Court

Etching 16/75, 10.5 x 14.5 cm
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