Lionel Arthur Lindsay. 1874-1961 Australia

'Courtyard, Castile,' 1926.

Etching ed.100, 14 x 17 cm (plate)

'A. Sicilian Goatherd New Syracuse,' 1927.

Etching ed. 45, 21.5 x 30 cm (plate)

'A. Little Square, Segovia'

Etching ed. 80, 22.5 x 20 cm

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'The Crossing,' 1923.

Etching ed. 75, 15 x 22.5 cm (plate)

'Silver Pheasant,'; & 'Curassow and Oleander,' (2)

Woodcut ed. 100; ed. 100, both signed in pencil by the artist., 20.5 x 14.5 cm; 18 x 12.5 cm)

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'A. Church in Seville'

Etching ed. 100, signed in pencil., 25 x 15 cm

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Land of the Crow

Etching, ed. 10/35, signed lower left, 24 x 30.5 cm

Swan on a Lilypond

Watercolour, signed lower left Lionel Lindsay, 22 x 22 cm

Spanish Courtyard

Etching, signed and editioned on margin: Lionel Lindsay 100, 17.5 x 31.5 cm

In Spain

Etching, signed and editioned on margin: Lionel Lindsay100, 25 x 18 cm

Ashmore House, Old Kent Street

Print # 36, signed in margin lower right, 24 x 31 cm

Fish

Etching, signed in image upper left, 7 x 11 cm

'The Terrace By the Sea'

Etching 9/50, signed lower left, 21 x 16 cm

Peacock

Woodcut, signed lower left, 15.5 x 14.5 cm

Evening Ride at Wahroonga, 1925

Drypoint etching, ed: 14/35, signed lower right, 22.5 x 34 cm

The Arab Palace, N14

Etching, 24.5 x 17.5 cm

The Ride, 1924

Aquatint, signed lower left, inscribed title lower centre, inscribed No. 15 lower right, 14 x 15.5 cm plate

Grosvenor Street, Sydney, 1911

Etching, dry point printed in black ink with plate tone, signed lower left, inscribed lower right No. 17 (from edition of 30), 13.5 x 21.5 cm (plate)

The Drafting Gate

Etching, signed lower left, inscribed title lower centre, numbered 12/35 lower right, 18.5 x 24.5 cm (plate)

Plant Auction, Hunter Street, 1913

Etching and plate tone, signed lower left, inscribed lower right: No. 8, 16 x 18.5 cm (plate)

Milson's Point, 1925

Etching, dry point and foul bite, printed in brown ink with plate tone, signed lower left, inscribed title lower centre, inscribed lower right: No. 46/75, 14.5 x 19.5 cm (plate)

Last of Old Hunter Street, Sydney 1916

Etching ed. No. 17, signed lower left, 15.5 x 14.6 cm plate

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The Fishmarket Clock, Naples 1928

Etching, signed lower left, in plate, 24.6 x 17.2 cm

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Outside the Village Walls, Spain

Watercolour, signed lower right, 34.5 x 24 cm

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Loading Pumpkins

Watercolour, signed lower right, 22 x 27.5 cm

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'Goat and Rhododendron,' 1933

Wood engraving ed. 100, signed in pencil, 17 x 15.5 cm

'Zinnias,' 1924

Wood engraving 45/100, signed in pencil, 10 x 12.5 cm

'The Jester [Self Portrait]' 1923

Wood engraving ed. 100, signed & titled in pencil, 14.5 x 9.5 cm

The Pelican

Woodcut, signed and titled in the lower margin, 14 x 11 cm

I.) Mates; II.) Argyle Cut

Posthumous facsimile etchings

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Killing Time

Pen and ink, signed lower left, 50 x 34.5 cm

Edge of the Plains

Wood engraving, no. 10 (unframed) (AF - adhesive stains to margins), signed lower left, 9.5 x 10.5 cm

Siesta

Wood engraving, no. 93 (mounted, unframed), signed lower left, 14.5 x 10 cm

San Giorgio, Venice 1938

Etching ed. Proof, signed and titled lower margin

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Siesta

Woodcut, signed, inscribed and numbered below image, 14 x 10 cm (image size)

Sheepyard

Etching (AF), signed lower left, 19 x 25 cm

The Great Red Gum

Etching, signed lower left, titled lower middle, no.28 of 50, 27 x 22 cm

A Doorway, Burgos Cathedral

Etching, edition of 75, signed lower left, titled lower middle, 26 x 16 cm

Autumn - the Peacock 1924

Wood engraving, edition of 100, signed lower left, 15 x 14 cm

Quelltaler House c1922 (Adelaide)

Woodcut, signed lower left, 9 x 8 cm

Kurrajong Orchard Windsor Barn (Farmstead) (pair)

Woodcuts

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Blue Wren in a Forest, 1918

Watercolour, signed and dated lower right, 29 x 31 cm

Spanish Scene with Figures

Watercolour, signed lower right, 26 x 20 cm

Blue Wren in a Forest, 1918

Watercolour, signed and dated lower right, 29 x 31 cm

Rooster

Woodblock 100, signed lower left, and numbered lower right, 18 x 15 cm

Spanish Still Life

Woodcut, signed lower left: Lionel Lindsay, titled and inscribed lower right '103', 33 x 21 cm

Bookplate for Robert G. Menzies

Woodcut on adhesive-backed paper, signed in the plate, 11.5 x 9 cm

Milking Time

Pen and ink, signed lower right, published in The Bulletin, 40.5 x 28 cm

Lionel Arthur Lindsay Australia, 1874-1961

'Courtyard, Castile,' 1926.

'A. Sicilian Goatherd New Syracuse,' 1927.

'A. Little Square, Segovia'

'The Crossing,' 1923.

'Silver Pheasant,'; & 'Curassow and Oleander,' (2)

'A. Church in Seville'

Land of the Crow

Swan on a Lilypond

Spanish Courtyard

In Spain

Ashmore House, Old Kent Street

Fish

'The Terrace By the Sea'

Peacock

Evening Ride at Wahroonga, 1925

The Arab Palace, N14

The Ride, 1924

Grosvenor Street, Sydney, 1911

The Drafting Gate

Plant Auction, Hunter Street, 1913

Milson's Point, 1925

Last of Old Hunter Street, Sydney 1916

The Fishmarket Clock, Naples 1928

Outside the Village Walls, Spain

Loading Pumpkins

'Goat and Rhododendron,' 1933

'Zinnias,' 1924

'The Jester [Self Portrait]' 1923

The Pelican

I.) Mates; II.) Argyle Cut

Killing Time

Edge of the Plains

Siesta

San Giorgio, Venice 1938

Siesta

Sheepyard

The Great Red Gum

A Doorway, Burgos Cathedral

Autumn - the Peacock 1924

Quelltaler House c1922 (Adelaide)

Kurrajong Orchard Windsor Barn (Farmstead) (pair)

Blue Wren in a Forest, 1918

Spanish Scene with Figures

Blue Wren in a Forest, 1918

Rooster

Spanish Still Life

Bookplate for Robert G. Menzies

Milking Time

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