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Spring at Oberon, 1979
Colour screenprint in three colours, collage and hand colouring, ed: 16/40, titled and dated on image 'Spring at Oberon, Sept 1979', signed lower right 'Brett Whiteley' and numbered lower left, 95.5 x 61.5 cm
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Towards Sculpture 8 1977
Lithograph, edition: 30/50, titled, numbered and signed below image, 73 x 45 cm
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Towards Sculpture 5 1977
Lithograph, edition: 30/50, titled, numbered and signed below image, 77 x 46.5 cm
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Swinging Monkey II 1965
Screenprint, edition: 59/70, numbered, titled and signed below image, 76 x 55 cm
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Raindrops 1977
Screenprint, edition: 1/ 10, numbered and signed below image, 106 x 75 cm
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Back View
Etching 28/60, signed lower right:numbered below image lower left, 60 x 45 cm
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A Day at Bondi
Suite of ten etchings and frontispiece ed: 29/30, each signed lower right; numbered lower left, each 20 x 18 cm
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Lovers
Screenprint, 1975, signed in pencil and numbered A/P 3, 50 x 63 cm
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Palm Tree II
Screenprint, 1975, signed in pencil and numbered 45/50, 81.2 x 59.5 cm
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The Arrival
Offset lithograph, 1988, signed, inscribed with title in pencil and numbered 34/150, 70.4 x 87.5 cm
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Garden in Rome
Three colour etching with collage, 1982, signed in pencil and numbered 21/30, 109.5 x 78.5 cm
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Lavender Bay
Etching 36/90, signed Brett Whiteley lower right, 60 x 49 cm
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Baboon II, London Zoo Series
Lithograph A/P, signed Brett Whiteley lower right, 50 x 50 cm
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Poem for a Lover
Screenprint, signed, 77.5 x 80 cm
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Torajaland (Celebes) 1974
Screenprint, edition: Artist's proof, numbered, signed and dated below image, 68.5 x 57 cm
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Flowers on a Table
Lithograph, edition: 53/75, signed and numbered below image, 74.5 x 54.5 cm
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Torajaland (Celebes)
Screenprint, edition: A/P, signed, numbered and inscribed 'For Derek' below image, 73 x 59.5 cm
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Lovers 1975
Colour screenprint, edition: 10/70, signed and numbered below image, 50 x 63 cm
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Towards Sculpture I 1977
Lithograph, edition: 48/50, titled, numbered and signed below image, stamped upper right with artist's monogram, 79.5 x 52 cm
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The Cat c. 1980
Offset lithograph, edition: 85/ 100, numbered, titled and signed below image, 81.5 x 82.5 cm
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Hullo (Cockatoo) 1980
Etching, edition: 2/80, numbered and signed below image, 24.5 x 20 cm
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Sunlight on the Cat c. 1980
Offset lithograph, edition: Artist's proof, numbered, titled and signed below image, 81.5 x 82.5 cm
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Self Portrait, One of a Dozen Glimpses
Etching and aquatint, 1983, signed in pencil and numbered 65/ 100, 26.3 x 20.8 cm
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Lindfield Gardens
Silkscreen with offset lithograph, 1978, signed in felt-tip pen and numbered A/P, 91.5 x 106 cm
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Poem for a Lover
Screenprint 30/80, signed 'Brett Whiteley' lower right, 77 x 79 cm
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Giraffe
Silkscreen numbered 43/70, signed 'Brett Whiteley' lower right, 75.5 x 55.5 cm
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Palm Tree 2, 1975
Screenprint, numbered 49/50, signed 'Brett Whiteley'lower right, 81 x 60 cm
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The Lovers
Etching, numbered 55/75, signed 'Brett Whiteley' in pencil lower right, 50 x 63 cm
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Sydney Harbour by Night
Linocut, signed in pencil and numbered A/P 3, 30 x 30 cm
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Lovers
Screenprint, signed in pencil and numbered 59/75, 50 x 63 cm
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The Owl
Aquatint numbered A/P 1, signed 'Brett Whiteley' lower right, 50 x 50 cm
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Ravello
Screenprint in two colours, 1991, signed in pencil and numbered 16/60, 40 x 76.5 cm
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The Moreton Bay Fig
Etching, 1979, signed in pencil and numbered 53/75, 60 x 50 cm
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Port Vila
Colour etching ed: 44/50, signed lower right; numbered lower left, 50 x 64 cm
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Poem for a Lover
Colour lithograph ed: 12/80, signed lower right; inscribed with title and numbered lower left, 77 x 79.5 cm
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Sydney Harbour
Lithograph ed: 33/100, signed lower right; numbered lower left, 90 x 66 cm
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Moreton Bay Fig
Etching ed: 85/200, signed lower right; numbered lower left, 60 x 49.5 cm
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Towards Sculpture 7
Lithograph artist's proof, signed lower right; numbered ap 2 7/5 lower left; the artist's monogram upper right, 84 x 58 cm
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Lindfield Gardens
Lithograph ed: 68/80, signed lower right and numbered lower left; the artist's studio stamp lower left, 75.5 x 114.5 cm
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Figure on Orange Background
Screenprint ed: 49/75, signed lower right: Brett Whiteley, 67 x 51.5 cm
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Figure on Ochre Background
Screenprint ed: 49/75, signed lower right Brett Whiteley, 65.5 x 50 cm
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Garden in Sanur (Bali) 1980
Screenprint with offset lithography, numbered 22/100, signed 'Brett Whiteley' lower right, 75.5 x 105.5 cm
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Lipstick, 1981
Offset lithograph on paper, ed: 46/50, signed lower right 'Brett Whiteley', inscribed lower left '46/50' and lower centre 'Lipstick', 106.5 x 75.5 cm
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The Cat, 1980
Offset lithograph, ed: 3/100, signed lower right 'Brett Whiteley' with artist stamp 'B. W' and inscribed lower left '3/ 100 'The Cat', 83.5 x 81.5 cm
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The Back of the Asylum, St Remy, 1983
From Another Way of Looking at Vincent van Gogh 1888-1889, etching, ed: 56/100, signed lower right 'Brett Whiteley' and inscribed lower left '56/ 100', 20.5 x 37 cm
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The Arrival, 1988
Offset lithograph, ed: 146/150, signed lower right 'Brett Whiteley' titled lower centre and numbered lower left, 71 x 89 cm
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Palm Tree 4, 1975
Screenprint, ed: 40/50, signed lower right 'Brett Whiteley', numbered '40/50 (BW) 4', Vanessa Wood Fine Art Gallery label verso, 81.5 x 59.5 cm
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The Morton Bay Fig
Etching, inscribed 'A. P.' lower left and signed 'Brett Whiteley' lower right, 60 x 49.5 cm
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Torajaland
Screenprint, signed and dated in pencil and dedicated 'For Derek X.', 68.5 x 57 cm
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Bird and Wave
Three colour silkscreen and lithograph, 1974, signed in pencil and numbered 17/60, 71 x 72 cm
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