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Torajaland (Celebes)
Screenprint in two colours, signed, dated and numbered '2/50 brett Whiteley 74' in pencil, 100.5 x 71.5 cm
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Back II 1981
Lithograph, numbered and signed below image, edition: Trial Proof, 96.5 x 63 cm
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Lovers 1975
Screenprint, numbered and signed below image, edition: 58/75, 50 x 63 cm
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Towards Sculpture 6 1977
Lithograph, numbered and signed below image, stamped upper right with artist's monogram, edition: 38/50, 71 x 51 cm
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Sydney Harbour 1980
Screenprint 59/100, signed 'brett whiteley' lower right, with edition number inscribed lower left, 90 x 60.5 cm
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Untitled 1977
Etching A/P, signed 'brett whiteley' lower right, 59.5 x 44.5 cm
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Swinging Monkey II
Screenprint, edition 66/70, numbered and signned below image, 77 x 54 cm
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Sydney Harbour, 1980
Screenprint, signed and numbered below image, edition: 2/100, 90 x 66 cm
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Kookaburra
Screenprint with offset lithography, signed, titled and numbered 49/50 in margin, 105.5 x 75 cm
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Self Portrait, One of a Dozen Glimpses
Etching and aquatint, signed lower right and numbered 68/100 lower left, 26 x 21 cm
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A Day at Bondi Six
Etchings of a suite of ten plus title page, signed Brett W. and numbered 9/30 in pencil lower margin, each 20 x 17.5 cm
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Morton Bay Fig
Etching, signed Brett Whiteley entitled to plate and numbered 68/75, 60 x 50 cm
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'Tony at 50'
Etching A/P, 14.5 x 10 cm
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'Moreton Bay Fig'
Etching 166/200, 67 x 49.5 cm
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Swinging Monkey II
Screenprint, edition 66/70, numbered and signed below image, 77 x 54 cm
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Catherine 1984
Etching, numbered and signed below image, edition: 6/30, 63 x 47 cm
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Hullo (Cockatoo) 1980
Etching, edition: Artist's Proof, editioned and signed below image, 24.5 x 20 cm
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Lovers 1984
Etching, edition 12/20, numbered and signed below image, 18 x 20 cm
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(The Orange) Fruit Dove in Clark Park 1980
Colour screenprint, edition: 6/30, numbered, titled and signed below image, artists stamp lower right, 76 x 53 cm
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Towards Sculpture 7 1977
Lithograph, edition: 47/50, numbered and signed below image, stamped upper right with artist's monogram, 87 x 59.5 cm
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Back II 1981
Lithograph, edition: 13/16, numbered and signed below image, 96.5 x 63 cm
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Sixty Miles Out (From the Native Rose Suite)
Sugar lift aquatint 3/75, signed and numbered below image, 30.5 x 22.5 cm
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Woman Under a Shower, 1976
Etching, signed and numbered under image, edition: 25/100, 40 x 48 cm
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Lovers
Two colour screenprint, ed. 5/70, signed lower right, 49 x 61 cm
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Palm Tree 4
Screenprint, edition 30/50, signed lower right; numbered and stamped with studio stamp lower left, 81.5 x 59.5 cm
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Back I
Lithograph; printers proof, signed lower right, 97 x 63 cm
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Back II
Lithograph; edn 'T.P', signed lower right, 97 x 63 cm
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Moreton Bay Fig
Etching, ed. 166/200, signed lower right; numbered lower left, 60 x 50 cm
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Nude
Lithograph, signed with studio stamp; edn 'SP3', 106 x 75.5 cm
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Garden in Sanur - Bali
Silkscreen with offset lithograp, ed. 12/100, signed lower right; inscribed with title lower right, 66 x 87 cm
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The Fruit Dove in Clark Park 1980
Lithograph, signed 'Brett Whiteley' lower right ed. A/P artist's stamp and title lower left, 78.5 x 57 cm
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Sons of the Sun 1983 (From Another Way of Looking at Vincent Van Gogh 1888 - 1889)
Etching, monogrammed lower right ed. 3/100 in margin lower left, 28.5 x 22 cm
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Seagull 1984 Sugarlift
Aquatint, signed 'Brett Whiteley' in margin lower right ed. A/P 4 in margin lower left (pencil all), 50 x 50 cm
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Self Portrait One of a Dozen Glimpses 1983 (From Another Way of Looking at Vincent Van Gogh 1888 - 1889)
Etching, signed 'Brett' in margin lower right ed. 3/100 lower left (pencil all), 27 x 21.5 cm
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The Willow 1988
Lithograph, signed 'Brett Whiteley' lower right titled and ed. 57/75 lower left, 64 x 54 cm
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Towards Sculpture 5 1977
Lithograph, signed 'Brett Whiteley' lower right, artist's red stamped monogram, upper right, edition: 18/50, 88 x 61.5 cm
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The Arrival 1988
Offset lithograph, edition: 150, numbered 114/150, lower left, titled 'The Arrival', lower left, signed 'Brett Whiteley', lower right, 71 x 89 cm
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Lavender Bay Wharf
Etching 49/60, signed 'Brett Whitely' lower right and inscribed '49/60' lower left, 60 x 50 cm
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Seated Nude
Etching 49/60, signed 'Brett Whitely' lower right and editioned '49/60' lower left, 62 x 45 cm
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Ernest Giles (From the Native Rose Suite)
Etching edition 75, artists stamp lower right, 30.5 x 22 cm
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Sixty Miles Out (From the Native Rose Suite)
Sugar lift aquatint 3/75, signed and numbered below image, 30.5 x 22.5 cm
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Lavender Bay Wharf 1978
Etching, edition: 45/90, numbered and signed below image, 60 x 50 cm
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Figures on an Ochre Background 1961
Colour silkscreen, edition: 53/75, numbered and signed below image, 66 x 50 cm
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Towards Sculpture 8 1977
Lithograph, edition: 9/50, numbered and signed below image, artist's monogram upper right, 90 x 62.5 cm
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Buddha, 1977
Sugar lift aquatint etching, signed, numbered 9/60, 50 x 50 cm
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Silver Eye
Colour screenprint A/P, signed 'Brett Whiteley' lower right, 80 x 76 cm
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Bird and Wave 1974
Hand coloured screenprint 31160, signed 'Brett Whiteley' lower right, 80 x 76 cm
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The Moreton Bay Fig
Etching 43/75, signed 'Brett Whiteley' lower right and titled 'The Morton Bay Fig' lower right, 80 x 60.5 cm
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Sydney Harbour (1980)
Screenprint, inscribed '54/100' lower right; signed 'brett whiteley' lower right, edition: 54/100, 90 x 66 cm
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Lipstic K 1981
Colour lithograph, collage and nailpolish, edition 42/50, signed lower centre, titled and editioned lower left, 107 x 75.5 cm
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