Number of Works: 3,445, Results Page: 8

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Lovers, 1973

Ink and collage on paper, dated lower right 73, signed, dated and inscribed on label attached verso: brett whiteley/ about 1973 or 4/ 'lovers', stamped lower right with artist monogram, 30.5 x 34 cm
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Swinging Monkey 1 1965

Colour screenprint, edition: 59/70, numbered, stamped and signed below image, 76 x 56 cm
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Swinging Monkey 3, 1965

Colour screenprint, edition: 21/70, numbered, stamped and signed below image, 76 x 56 cm
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(The Orange) Fruit Dove in Clark Park, 1980

Colour screenprint, edition: 6/30, numbered, titled and signed below image, artist's stamp lower right, 76 x 53 cm
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The Back, 1977

Etching, edition: 50/60, numbered and signed below image, 60.5 x 45 cm
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The Shower, 1984

Oil on canvas on board, signed lower right Brett Whiteley. dated and inscribed verso: Study For/ 'The Shower' (Blue Tiles)/ 24/2/84/ Preliminary for much/ bigger Pic, 60 x 50 cm
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Gauguin (Also Known as Portrait of Paul Gauguin on the Eve Of His Attempted Suicide, Tahiti), 1968

Oil, acrylic, charcoal, graphite, plastic, glass, wood and printed paper collage construction on panel, signed, dated and inscribed lower right portrait of Paul Gauguin on the eve of his attempted suicide, Tahiti/ Brett Whiteley 1968, N.Y, 152.5 x 264.5 cm (irreg.)
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Tony at 50

Etching, ed. A/P, signed in pencil lower right, 15 x 10 cm
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Towards Sculpture 7, 1977

Lithograph 7.23/50, signed lower right, 86 x 61.5 cm
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Lindfield Gardens

Coloured screenprint, # 62/80, copy signed in the print lower right, 82 x 112 cm
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Bird on Branch

Sugarlift aquatint etching, signed and numbered in margin, 43 x 75 cm
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Igor Stravinsky

Ink and wash drawing, signed, titled and dated 72 verso, 73 x 60 cm
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Lavender Bay in the Rain 1987

Colour screenprint, signed, titled and numbered in margin, 101 x 75 cm
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The Back

Etching, signed and numbered in margin, 60 x 45 cm
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Lavender Bay Wharf, 1978

Etching on paper, edition: AP, numbered and signed below image 'AP, Brett Whiteley', 64 x 52 cm
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Back View, 1976

Etching on paper, edition: AP 2, numbered and signed below image 'AP2, Brett Whiteley', 80 x 62 cm
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Another Way of Looking at Vincent Van Gogh 1888-1889, Self Portrait One Of a Dozen Glimpses, the Back Of The Asylum St Remy, Sons Of The Sun, 1983 (Suite Of 3)

Etchings on paper, edition: A/P, numbered and signed below (image)
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Towards Sculpture 2, 1977

Lithograph on paper, edition: 13/50, title, numbered and signed below image '2, 13/50, Brett Whiteley' stamped lower right corner artist's stamp, 76 x 49 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival 1980

Screenprint, monogrammed initials stamped in image upper right, 76 x 50 cm
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Toward Sculpture 8. 1977

Lithograph 8/50, signed lower right, no. lower left, 86 x 58 cm
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Towards Sculpture 5, 1977

Lithograph, numbered and signed below image: '5.5/50 / Brett Whiteley', 85 x 55 cm
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Sydney Harbour, 1980

Screenprint, numbered and signed below image: '50/100 / Brett Whiteley', 121 x 80.5 cm (sheet size)
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The Blue Bathroom 1963

Oil, tempera and collage on board, signed 'Whiteley' lower centre right, signed, dated and inscribed 'The Blue Bathroom' / Brett Whiteley' verso (label), 188 x 183 cm
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The Orange Table 1977-1978

Synthetic polymer paint, oil, tempera, charcoal and oyster shells on plywood, signed and dated 'brett whiteley / 78' lower right, dated and inscribed 'The Orange Table' (Sketch) / 1977-78' verso, 124 x 205 cm
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Spooked by Egypt 1984

Pencil, texta, wash, and collage on paper, signed, dated and inscribed 'B/W [monogram] / 'Spooked by Egypt.'/ Cats really are'/ infinitely more difficult to / draw than doges as they are 'so / supple. Such mallable [sic.] form. brett whiteley 84' lower right, 70 x 50.2 cm
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'The American Dream' 1969

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'2nd Hozumi Momota Art Award, and Japanese Australian Festival Oct 6-13 Sydney Square' 1980

Screenprint, hand signed by Brett Whiteley in pencil, 75 x 49.5 cm
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Portraits and Other Emergencies'

Offset lithograph, hand signed in pencil, 72.5 x 48.5 cm
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Anna - Woman on a Bed 1977

Etching 10/40, editioned and signed below image, titled on label verso, 28.5 x 30 cm
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Bird on a Branch (1977)

Sugarlift aquatint on paper, edition of 41 of 60, with 8-10 artist's proofs, inscribed '41/60' lower left, signed 'brett whiteley' lower right, 43 x 75 cm (image)
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Wendy Under the Shower 1962

Oil and tempera on board, signed, dated and inscribed 'brett whiteley / 1962 / 'Wendy under the Shower' / London.' verso, 76 x 56 cm
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Lavender Bay Wharf, 1978

Etching, edition: 10/90, numbered and signed below image, 60 x 50 cm
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Girl Half in the Surf and Half on The Beach

Ink on paper, artist's stamp lower right BW. inscribed lower right girl half in the surf/ and half on the beach, 37 x 28 cm
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View from Phillip Street, Sydney, 1957

Oil on board, signed and inscribed verso: Brett/ Whiteley/ JB2009, 30.5 x 23.5 cm
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The Divided Unity 1974

Screenprint (printed in 3 colours) ed. no. 12/70, signed bottom right, titled lower left, plate size 66.5 x 93 cm
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The Arrival 1988

Colour offset lithograph 14/150, editioned, titled and signed below image, 70 x 88 cm
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Blue Painting 1960

Oil, tempera, charcoal, cotton and paper on board, signed and dated 'Brett Whiteley / Brett Whiteley 1960' verso, 64.5 x 65.5 cm
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Untitled White Painting III 1961

Oil, tempera charcoal, linen and collage on paper on cardboard, signed, dated and inscribed 'Untitled White Painting 3' / Brett Whiteley 61' verso, 33.7 x 31.1 cm
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Suite 'Regards De Cote

Etching, ed. AP, signed lower right, 14.5 x 19.5 cm
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'The Back,' 1977

Sepia etching 14/60, 60 x 44.5 cm
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(Nude) (circa 1980)

Ink on paper, signed 'B / W (monogram)' lower left, 22.7 x 17.7 cm
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Still Life with Banana, 1977

Oil on canvas, signed upper centre Whiteley, 75 x 62.5 cm
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From Circular Quay, 1958

Gouache and ink on paper, signed with initials and dated lower left BW / 58, 32.5 x 41 cm
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The Atlantian Poplars, 1991

Charcoal and oil stick on paper, dated and inscribed lower right 16/01/91/ The cypress. The atlantian poplar./ The sacred black flame, the essence/ of provence, the kind of black that excites/ the wheat fields + the vineyards. The tree that/ one thinks of immediately as the renaissance, as much/ the tree of da Vinci as Van Gogh. Pungent and ordered/ chaos plus math., artist's stamp lower right, 76 x 56 cm
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Spring at Oberon, 1979

Colour screenprint and collage, edition: 25/40, numbered and signed below image, titled and dated within image, 95.5 x 61.5 cm
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Ravello 1991

Screenprint 7/60, editioned and signed below image, 39 x 75 cm
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Lavender Bay Wharf 1978

Etching 43/90, editioned and signed below image, 60 x 50 cm
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10 Rillington Place W11 (Still from a Proposed 16mm Film) 1964

Screenprint 18/70, titled, numbered and signed below image, 59 x 56 cm
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