Number of Works: 118, Results Page: 1

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Outer Harsow Pt Kembla

Etching, signed lower right 1989, 19.5 x 48.5 cm
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Untitled, 1989 (Angelsea) (diptych)

Mixed media on Arches paper laid on canvas, signed and dated lower right, 37 x 56.5 cm, each
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Wanderers in the Desert of the Real; after John Martin's 'Macbeth', 2008

Ochre, pigment, and oil on linen, signed, dated and titled verso 'Mandy Martin, 2008, Wanderers in the Desert of the Real; after John Martin's 'Macbeth', 100 x 150 cm
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Pilbara 1993, Pilbara Suite Paintings

Mixed media, inscribed in central image, 34.5 x 75 cm
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Outer Harbour, Port Kembla, 1989

Oil on linen, signed, dated and inscribed with title verso: Mandy Martin '89 / 'Outer Harbour, Pt. Kembla'/ Subtitle 'Where the River meets the Sea' / 5, 100 x 243.5 cm
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A.p.m. Rain, Steam & Speed, 1990

Oil on linen, signed, dated and inscribed with title verso: Mandy Martin '90 / 'A.P.M. Rain, Steam and Speed', 100 x 244 cm
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No Voice But the Silence Sank Like Music on My Heart

Lithograph and collagraph, signed, titled and editioned on image: Many Martin No voice but the silence sank like music on my heart 27/75, 56 x 75.5 cm
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'Landscape No. 1, Water on Goolring,' 1995

Watercolour & graphite on stretched watercolour paper, 35.5 x 76 cm
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No Voice But the Silence Sank Like Music on my Heart

Lithograph and collograph, signed, titled and editioned on image: Many Martin No voice but the silence sank like music on my heart 27/75, 56 x 75.5 cm
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Spearhead

Screenprint on paper, edition: 3/10, numbered, titled, signed and dated within image '3/10, Spearhead, Mandy Martin '83', (unframed), 57 x 77 cm
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When Will You Come to End My Night?

Screenprint on paper, edition: 31/60, numbered and signed below image '31/60, Mandy Martin', 75 x 55 cm
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No Voice But the Silence Sank Like Music on my Heart

Lithograph and collograph, signed, titled and editioned on image: Many Martin No voice but the silence sank like music on my heart 27/75, 56 x 75.5 cm
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Strata

Oil on canvas, signed verso 85, 172 x 244 cm
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When Will You Come to End My Night?

Screenprint on paper, edition: 31/60, numbered and signed below image '31/60, Mandy Martin', 75 x 55 cm
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'Beyond Eden,' 1989

Oil on canvas, signed & inscribed verso, 76 x 175 cm
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Reconstructed Narrative; Strzelecki Desert No. 6, 1992

Oil on canvas, signed, dated and titled verso, exhibited Ben Grady Gallery, 90.5 x 243 cm
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The Land of El Dorado, 1999

Oil, ochre and pigment on linen, diptych, signed, dated and titled verso: Mandy Martin 1999 "The Land of El Dorado", 135 x 448 cm (overall)
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'Spearhead', 1983

Acrylic and metallic paint on paper, signed in pencil lower right, 56.5 x 76 cm
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'Romantic Image of Post-Industrial Landscape 7', 1986

Oil and mixed media on paper, label verso for Milburn Galleries, Brisbane. Unsigned, 37.5 x 46.5 cm
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Industrial Building with Sawtooth Roof, 1982

Screenprint 6/30, signed lower right, 57 x 76.5 cm
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'Vivitur Ex Rapto,' 2002

Oil, ochre and pigment on linen, signed & titled verso, 135 x 275 cm
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Sellicks Beach, South Australia

Watercolour and mixed media, unsigned, 56.5 x 75.5 cm
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The Land of El Dorado, 1999

Diptych oil, ochre and pigment on linen, signed, dated and titled verso: Mandy Martin, 'The Land of El Dorado', 135 x 448 cm (overall)
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Sawtooth 5 1981

Oil on canvas, signed, titled and dated verso: Mandy Martin 81/ 'Sawtooth 5', 120 x 180 cm
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Writing the Budget ... Surfers Paradise

Coloured etching 7/8, signed lower right 77, 20 x 15 cm
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Number Two

Lithograph, edition 23/99, signed and dated 92 lower right, Studio One embossed blindstamp, 30 x 40 cm
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Skeletal Landscape 1986

Oil on canvas, artist name, date and title inscribed verso, 61 x 91 cm
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When Will You Come to End My Night?

Coloured lithograph, signed lower right 7/10, 75 x 55 cm
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Poussin, in His Travels Visits White Range Gold

Etching 13/55, numbered, titled and signed below image
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Baroque 1987

Oil on canvas, signed, dated, and titled verso: Mandy Martin 87/ Baroque, 174 x 220 cm
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Curved Sawtooth 1982

Oil on canvas, signed, dated and titled verso, 120 x 183 cm
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Water on Goolring, No. 2, 1996

Titled in work, signed, dated and numbered verso: Mandy Martin '96 / no.2, 90 x 165 cm
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No. 6 Drawing for Break 1988

Enamel and acrylic on paper, bears Roslyn Oxley9 Gallery label verso, 113 x 170 cm
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Maryvale Pulp Paper Plant II 1990

Oil on canvas, signed, titled, and dated verso, 100 x 245 cm
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No. 6 Drawing for Break 1988

Enamel and acrylic on paper, bears Roslyn Oxley9 Gallery label verso, 113 x 170 cm
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Strata

Oil on canvas, signed on reverse, titled 85, 172 x 242 cm
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Oodnadatta Track, 1992

Oil on canvas, signed and dated verso Mandy Martin '92/ 'oodnadatta track', 61 x 137 cm
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'Reservoir 2,' 1989

Oil on canvas, 77 x 175 cm
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Romantic Coastal Landscape

Oil on canvas, signed and dated '86 on verso, 62 x 90 cm
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Rose Gap II

Oil on canvas, signed and dated '89 on verso, 100 x 244 cm
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'Sellides Beach II,' 1985

Pigment and enamel paint on paper, roslyn Oxley 9 label verso, 56 x 76 cm
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'Drawing for Coastal Landscape,' 1985

Pigment and enamel paint on paper, roslyn Oxley 9 label verso, 56 x 76 cm
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'Landscape Prosthesis I,' 1985

Pigment and enamel paint on paper, roslyn Oxley 9 label verso, 56 x 76 cm
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Untitled

Lithograph 43/60, 75 x 55 cm
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Powerhouse 1 1982

Oil on canvas, signed, dated and inscribed verso, Mandy Martin '82 / 'Powerhouse 1', 122 x 183 cm
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Inorula – Gosses Bluff

Oil and pigment on paper, signed lower right, 28 x 73 cm
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A Collection of Prints (Unframed)

Prints, 58 x 89.5 cm
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Two

Screenprints, 74.5 x 54.5 cm
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