Number of Works: 243, Results Page: 4

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Green Painting Hung on Wall

Acrylic varnish on canvas 2001, 260 x 200 cm
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It's a Whole New World That We Live In/ Maintain Muscle Mass/ Nelson Landscape

Acrylic and varnish on canvas, signed and dated 2004, 200 x 200 cm
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View Up to Black's Camp Creek Road and Snake Hill from the Highway Near Tiaro Around 7.00pm

Varnish and acrylic on canvas, signed Dale Frank on reverse and signed and dated Dale Frank 2002 on reverse, 200 x 260 cm
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The View of the Running Swollen Gulley Running Between Jew Hill and One Tree Hill at 6: 30pm Driving Into The Sun Before

Varnish and acrylic on canvas, bears artist's name, title and date on gallery label on reverse, 180 x 180 cm
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(Self Portrait with Secret) With Four Throbbers. the False Eyes and Balls in His Hands - Or - The Breach and Reach of Tr

Enamel on canvas, bears title on stretcher on reverse; bears artist's name, title and date on gallery label on reverse, 201 x 260 cm
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View from New Burnett River Crossing at Wallaville Bypass Towards Perry

Varnish and acrylic on canvas, signed and dated Dale Frank/ 2003 on reverse; bears artist's name and title on gallery label on reverse, 180 x 180 cm
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Flying Solo Dawns Basting the Truth / Milf's & Dilf's Waiting 4 U / Auckland Landscape

Acrylic and varnish on canvas, signed and dated 2004 verso; original Gow Langsford Gallery label affixed verso, 200 x 260 cm
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The Problem in Translating the Loss of Self In Giacometti's Walking Under The Rain When Confronted by Arp's Objects Arra

Enamel and acrylic on canvas 1994/95, 260 x 200 cm
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The Wounded Painting That Tempted to Look Into the Mirror Behind The Artist's Back - Why Women Are Not Artists

Acrylic on canvas, 200 x 178 cm
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Necessity and the Pregnant Current, 1986

Acrylic and mixed media on canvas, rosslyn Oxley 9 Gallery label verso, 137 x 121 cm
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Abandoned

Varnish on linen, signed verso; original Gow Langsford Gallery label affixed verso, 160 x 120 cm
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The Pink Dead Slut Painting - Oliver

Original acrylic and varnish on linen, 1996, signed and dated verso: Dale Frank / 1996. Frank has had solo exhibitions at the Art Gallery Of Nsw and Museum Of Contemporary Art, Sydney and has featured at the Venice Biennale (A rare honour), Sydney Biennale and The Solomon R. Guggenheim Museum In New York, 200 x 200 cm
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Untitled

Oil on canvas with shell mounted frame, 92 x 62 cm
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Powranna, Evendale Western Junction 2006

Varnish on linen, signed and dated verso: Dale Frank/ 2006, 120 x 160 cm
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Burning Mountain Gundy 2007

Varnish on linen, signed, dated and inscribed verso: Dale Frank 2007, 160 x 120 cm
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What Is This Marvelous Thing Called Art and Cake Blue Butterfly?'

Acrylic and mixed media on canvas, 200 x 180 cm
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Monochrome Painting, c. 2000

Synthetic polymer paint and varnish on canvas, 121.5 x 121.5 cm
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Lucas Haas

Synthetic polymer paint and varnish on linen, signed and dated 2000 lower right, 200 x 200 cm
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# - http://www.free-nude-male-celebs.com/ Riverphoenix/ Riverphoenix003.html

Acrylic and varnish on canvas, signed with artist's initials D.F and dated 2001; signed and dated verso, 200 x 200 cm
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# - http://www.free-nude-male-celebs.com/ Riverphoenix/ Riverphoenix003.html

Acrylic and varnish on canvas, signed with artist's initials D.F and dated 2001; signed and dated verso, 200 x 200 cm
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Thus the Buddha Said The Dale Frank Mantra 1992

Oil on canvas, 182.5 x 182.5 cm
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Stephen Hawking's Latin Good Looks

Synthetic polymer paint and varnish on canvas, signed and dated 2001 on the reverse, 200 x 260 cm
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The Neccessity and Pregnant Current

Acrylic and mixed media on canvas, 137 x 122 cm
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The Fleshy Islands and Red Tide Self Portrait 1983

Oil on canvas, 119 x 100 cm
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Untitled 2000

Oil and varnish on canvas, initialled and dated lower right, 200 x 200 cm
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Tyson Stable III 2000

Synthetic polymer paint and varnish on linen, signed and dated verso: Dale Frank 2000, 140 x 120.5 cm
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Thus the Buddha Said The Dale Frank Mantra 1992

Oil on canvas, 182.5 x 182.5 cm
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Untitled (Abstract)

Oil and enamel on composition board, 76 x 61 cm
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Untitled c. 1990

Oil on canvas, 239 x 200 cm
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Untitled 2002

Synthetic polymer paint and varnish on linen canvas, signed and dated verso, 110 x 150 cm
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Self Portrait and the Red Tide

Acrylic on canvas, signed with artist's initials and dated 1983 centre left, Sherman Galleries label attached verso, 119 x 100 cm
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Untitled

Acrylic and varnish on canvas, signed with artist's initials D. F and dated 2001; signed and dated 2001 verso, 140 x 110 cm
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(Self Portrait the Secret) with The Four Throbbers. The Flase Eyes and Balls in His Hands - or - The Breach and Reach of

Enamel on canvas, inscribed with titled '(Self Portrait the Secret) With the Four Throbbers' on the reverse, 201 x 260 cm
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Camberwell, 1975

Acrylic on canvas, signed lower left: Dale Franks '75, 61 x 75 cm
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Untitled

Synthetic polymer paint and varnish on linen canvas, signed and dated 2002 twice on the reverse, 110 x 150 cm
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The Painting with Flotation Aids

Synthetic polymer paint on canvas, signed and dated 86 lower right, 200 x 150 cm
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The Pink Dead Slut Painting - Oliver

Acrylic and varnish on linen, signed and dated 'Dale Frank/1996' on the reverse, 200 x 200 cm
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The Immaculate Crucifixion to Forgive All Art Sinners

Synthetic polymer paint on canvas, signed with initial and dated '90 lower right; inscribed '10' on the reverse, 280 x 200.5 cm
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Untitled

Pencil and watercolour on paper, signed with initials 'D.F' lower centre, 180 x 240 cm
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Untitled

Acrylic and resin on canvas, 260 x 200 cm
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Norman Reedus #10

Acrylic and varnish on linen, signed and dated twice 'Dale Frank 2002' on the reverse, 200 x 260 cm
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Mothers and Fathers and the Reel 1986

Synthetic polymer paint and mixed media on canvas, 91 x 76 cm
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Tyson Stable III 2000

Synthetic polymer paint and varnish on linen, signed and dated verso: Dale Frank 2000, 140 x 120.5 cm
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Untitled

Pencil, crayon and collage on paper, signed with initials and dated 'D. F. 84' lower centre, 55 x 36.7 cm
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Untitled

Acrylic and varnish on linen, signed with initials and dated 'D. F. 2000' lower right, signed and dated 'Dale Frank 2000' on the reverse, 199.5 x 199.3 cm
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The Immaculate Crucifixion to Forgive All Art Sinners 1990

Synthetic polymer paint on canvas, signed with initial and dated lower right: F90, inscribed verso: 10, 280.5 x 201 cm
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Why Women Can't Be Artist's (Portrait of a Parking Spot)

Pencil on paper, 182 x 141.5 cm
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Self Portrait with String

Mixed media on paper (acrylic and string), signed and dated lower right: Frank '86, 203 x 162 cm
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