Juan Davila Australia, 1946-.

Number of Works: 91, Results Page: 2

per page
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I Am Positive and I Am Negative

Silkscreen, signed lower right, 125 x 800 cm
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Love

Oil on canvas, signed and dated 'Davila 93' centre; signed, dated and inscribed 'Love'/Juan Davila 1993' on the reverse, 99.5 x 90.2 cm
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Nothing 1987

Oil on fourteen panels, signed, dated and inscribed verso: Nothing/ Juan Davila 1987, 257 x 242 cm
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My Birth 1988

Oil on canvas, signed, dated and inscribed verso: 'My Birth'/ Juan Davila 1988, 200 x 200 cm
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Collins Street at 5 1pm 1995

Lithograph, edition: 3/10, numbered, titled, signed and dated below image, 152 x 114 cm
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I Am Positive and I Am Negative

Colour lithograph, 1989, signed in pencil, inscribed with title and numbered 3/40, 119.7 x 76.8 cm
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The Field

Colour lithograph ed: 5/30, signed and dated 1988 lower right inscribed with title lower centre, 92 x 64 cm
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Trans Electric? Do You Repair Sculpture

Gouache and watercolour, signed and dated 'Davila 83' lower right, 153 x 174 cm
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The Charm School 1983

Gouache, signed upper left: Davila, 76 x 58 cm
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Portrait of Bungaree 1991

Watercolour and screenprint on paper, edition: 4/6, signed and dated lower right: Juan Davila 1991, numbered lower left: 4/6, 242 x 160 cm overall
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Portrait of Enriqueta Gallardo or Buckley's Return

Oil on canvas, wool, oil and gold leaf on board, signed and dated 'J. Davila 1999' lower left; inscribed 'Ggallardo's/ Buckley's Return' lower centre; twice signed, twice dated and inscribed with title 'Portrait Enriqueta Gallardo/ Juan Davila 1999/ Juan Davila 1999' on the reverse, 238 x 300.5 cm
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Hybrid Painting

Screenprint ed: 8/60, signed and dated 1989 lower right; inscribed with title and numbered lower left, 124 x 80 cm
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Bretonism

Screenprint ed: 5/40, signed and dated 1989 lower right; inscribed with title lower centre and numbered lower left, 124 x 79.5 cm
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Grafting

Screenprint ed: 17/40, signed and dated 1989 lower right; inscribed with title lower centre and numbered lower left, 124 x 80 cm
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Love

Oil on canvas, signed dated 1993 and inscribed with title on the reverse, 99.5 x 90 cm
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Hybrid Venus 1989

Oil on canvas and wood, signed and dated lower right: Davila '89, 67 x 57 cm
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Untitled

Oil on canvas, signed and dated 'Juan Leger 1994' lower right; further signed and dated 'Juan Davila 1994' on the reverse, 101 x 86.4 cm
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Grafting, 1989

Screenprint, etching and ink on paper, ed: 16/40, signed and dated lower right 'Juan Davila 1989' and titled lower centre, 124.5 x 79.5 cm
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[No Title Given]

Screenprint, signed Juan Davila and dated 1989 entitled and numbered 12/60 in pencil to base, 122 x 79 cm
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The Field 1988

Colour lithograph, edition: State Proof, numbered, titled, signed and dated below image, 98 x 67 cm
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Interior with Waterlilies

Oil, timber, handsaw, doll, aluminium and nails on canvas, signed and dated 'Juan Davila 92' lower right, signed, dated and titled 'Interior with Waterlilies/Juan Davila/1992' on the reverse, 225 x 167 x 20 cm
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The Charm School

Watercolour, signed 'Davila' upper left, dated'83 lower centre, 76 x 57 cm
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The Field

Colour lithograph with additional hand colour, signed 'J. D.', dated 1988, inscribed 'The Field' and numbered 'State Proof' in pencil on margin, 92 x 64 cm
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The Charm School

Watercolour on paper, signed 'Davila' upper left, dated and inscribed 'Flanagan, Cucchi The Charm School '83 lower centre, 76 x 57 cm
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The Charm School

Watercolour on paper, signed upper left, dated '83 and inscribed with title and lower centre, 76 x 58 cm
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Daisy 1996

Oil on canvas, inscribed with title lower centre Daisy, signed and dated verso Juan Davila 1996. inscribed with title verso The Painting of the Premier of /Victoria 'A. Mountain Muster'/by Tom Roberts' (Mad Cow)', 170 x 200 cm
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Untitled 1975

Ink, pencil and fumage on paper, signed and dated lower right, 71 x 56.5 cm
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Untitled

Screenprint, signed, 91.5 x 64 cm
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Nothing

Oil on canvas, 241 x 251 cm
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Lindner 66 1983

Watercolour, gouache and collage on paper, signed and dated lower right; inscribed with title lower left, 76.5 x 58 cm
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The Field 1988

Lithograph printed in two colours and extensively hand coloured, state proof (printer Larry Rawlins), signed and dated, inscribed with title and 'state proof' in pencil in lower margin, 92.5 x 64.4 cm
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Commission for the Future 1989

Synthetic polymer on canvas, 137 x 137 cm
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God and Country 1989

Screenprint on paper, ed: 7/20, signed, dated and inscribed with title lower margin, 50 x 96 cm
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Bretonism 1989

Silkscreen, ed: A/P 2/5, signed, dated and inscribed with title lower margin, 124 x 79 cm
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Untitled

Gouache on paper, 58 x 76 cm
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My Birth, 1988

Oil on canvas, signed and inscribed with title on the reverse, 200 x 200 cm
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Hybrid Painting, 1989

Lithograph, numbered 7/60, signed, titled and dated in lower margin, 115 x 73 cm
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Grafting, 1989

Lithograph, numbered 7/40, signed, titled and dated in lower margin, 109.5 x 75 cm
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Pre-Modern Self-Portrait, 1988

Lithograph, numbered 27/30, signed, titled and dated in lower margin, 92 x 64 cm
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The Bush

Oil on canvas, signed lower right 'Davila’ and inscribed 'Tom, Pro Hart and Boyd’, signed, dated and inscribed with ticleon the reverse 'Juan Davila 1983’, 25 x 18 cm
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'Bue You Are’

Oil on canvas, inscribed lower right 'Nick’, inscribed upper left with title, signed, dared and inscribed with title on the reverse 'Juan Davila 1988’,, 60 x 49.5 cm
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The Three Graces

Oil on canvas, inscribed 'Davila’ 'Borofsky’ and 'Adam’, signed dated and inscribed with title on the reverse 'Juan Davila 1984 ', 137.5 x 137.5 cm
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Beauty and the Beast

Oil on canvas, signed, inscribed with title and dated 1982 on the reverse, 136.5 x 136.5 cm
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