Deutscher and Hackett , Important Australian + International Fine Art; The Ken & Joan Plomley Collection of Modernist Art, Sydney, 28 Aug 2019, No. of Lots: 130
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| Lot No. | Details | Hammer | Price incl. Premium |
|
|---|---|---|---|---|
| 1 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Gerberas, 1926Oil on canvas, signed and dated lower left R. de Mestre / 1926, bears inscription verso: 33, 76.5 x 51 cm |
*** | *** |
| 2 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
The Meeting in the Garden, C.1929Oil on canvas, signed lower right R de Mestre, bears inscription verso: 29, 67 x 76.5 cm |
*** | *** |
| 3 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Figure with Guitar, C.1932 – 35Oil on board, signed lower right R. de Maistre, signed and inscribed with title verso: Figure With Guitar … / By / Roy L De Maistre / 13 Eccleston, label attached verso: James Bourlet & Sons, Ltd London, bears inscription on frame verso: 2, 72.5 x 99 cm (oval) |
*** | *** |
| 4 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Paysage Automne (In the Luxembourg Gardens), 1923Oil on canvas on board, signed lower left R de Mestre., signed and inscribed with title verso: 30 2 Paysage Automne / 13 / R de Mestre, bears inscription verso: Mrs McCall, 46 x 38 cm |
*** | *** |
| 5 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Bridge in Spain (Alcántara Bridge, Toledo), 1925Oil on board, signed, dated and inscribed lower right R. de Mestre / Spain 1925, bears inscription verso: … bridge To… / 23, 38 x 46 cm |
*** | *** |
| 6 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Man Reading (Portrait of G. Davis), 1926Oil on plywood on composition board, signed and dated lower right R. de Mestre / 1926, 45.5 x 37 cm |
*** | *** |
| 7 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Interior (Sam Courtauld's Villa, France), 1948Oil on canvas, signed and dated lower left R de Maistre, 48, 61 x 51 cm |
*** | *** |
| 8 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
Still Life with Melon and BellOil on canvas, bears inscription on frame verso: 'Still Life with Melon & Bell' Painting by Roy de Maistre / stamped with the facsimile of his signature by his Executor Doris de M Fischer, artist's studio stamp on frame verso, 46 x 35.5 cm |
*** | *** |
| 9 |  |
Preston, Margaret Rose (MacPherson)
Indoor Still Life, 1913Oil on canvas, signed twice lower right M. R. Macpherson / M. R. Preston, 53.5 x 65.5 cm |
*** | *** |
| 10 |  |
Preston, Margaret Rose (MacPherson)
The Bridge from North Shore, C.1932 (Also Known as 'Sydney Bridge')Hand-coloured woodcut, signed, numbered and inscribed with title below image: 3rd print Bridge from N. Shore Margaret Preston, 19 x 23 cm |
*** | *** |
| 11 |  |
Preston, Margaret Rose (MacPherson)
Mosman Bridge, C.1927Hand-coloured woodcut, signed with initials in image lower right MP, signed below image: Margaret Preston, 25 x 18.5 cm |
*** | *** |
| 12 |  |
Preston, Margaret Rose (MacPherson)
Dry River Crossing, N.t., 1946Colour monotype, signed and inscribed with title below image: Dry River Crossing N.T. Margaret Preston, 20.5 x 25.5 cm |
*** | *** |
| 13 |  |
Preston, Margaret Rose (MacPherson)
Flannel Flowers Etc., C.1928Hand-coloured woodcut, signed with initials in image lower left MP, signed and inscribed with title below image: flannel flowers etc woodcut Margaret Preston, 27.5 x 27.5 cm |
*** | *** |
| 14 |  |
Preston, Margaret Rose (MacPherson)
Black Swans, Wallis Lake, N.S.W., 1923Woodcut, edition of 50, signed with initial in image upper left P, signed and inscribed with title below image: Black Swans Margaret Preston, 19 x 27 cm |
*** | *** |
| 15 |  |
Flight, Claude
Speed, C.1922 Printed 1929Colour linocut, edition: (USA) 14/50, signed, numbered and inscribed in image upper left Claude Flight 14/50 USA, 21.5 x 28 cm |
*** | *** |
| 16 |  |
Power, Cyril L.
The Tube Station, C.1932Colour linocut, edition: (UK) 23/60, signed, numbered and inscribed with title in image lower right 'The Tube Station' / No. 23/60 Cyril E Power, 26.5 x 29.5 cm |
*** | *** |
| 17 |  |
Spowers, Ethel Louise
The Gust of Wind, 1930-31Colour linocut, edition: 16/50, signed, dated, numbered and inscribed with title below image, 22 x 16.5 cm |
*** | *** |
| 18 |  |
Syme, Eveline W.
Sydney Tramline, 1936Colour linocut, edition: 4/25, signed, numbered and inscribed with title below image, 24.5 x 18 cm |
*** | *** |
| 19 |  |
Black, Dorothea (Dorrit) Foster
Bush Wind Mill, 1927 – 28Colour linocut, edition: 10/50, numbered below image, 26 x 23 cm |
*** | *** |
| 20 |  |
Spowers, Ethel Louise
Melbourne from the River, C.1924Colour woodcut, edition: 6/20, signed, numbered, and inscribed with title below image, 19 x 22.5 cm |
*** | *** |
| 21 |  |
Flight, Claude
Descent from the Bus, C.1927Colour linocut, edition: 8/50, signed and numbered lower right within image: Claude Flight 8/50, 31.5 x 15.5 cm |
*** | *** |
| 22 |  |
Mayo, Eileen Rosemary
Spanish Kitchen, C.1945Colour lithograph, edition: 17/25, signed, numbered and inscribed with title below image, 35 x 28 cm |
*** | *** |
| 23 |  |
Wakelin, Roland Shakespeare
The Painter's Family, Easter, 1927Oil on pulpboard, signed and dated lower right R. Wakelin 1927, 43 x 55.5 cm |
*** | *** |
| 24 |  |
Wakelin, Roland Shakespeare
Portrait of Marjorie Fear, 1931Oil on pulpboard, signed and dated lower right R. Wakelin / 31, bears inscription verso: 2, 76 x 50.5 cm |
*** | *** |
| 25 |  |
Wakelin, Roland Shakespeare
De Mestre's House, 1943Oil on pulpboard, signed and dated lower left R Wakelin '43, bears inscription on label verso: 76 Roland Wakelin, 35.5 x 45.5 cm |
*** | *** |
| 26 |  |
De Maistre, LeRoy Leveson Laurent (Roy)
The Railway Station, Moss Vale, C.1926 (Verso: Portrait of a Woman)Oil on plywood, signed lower left (painted over and indistinct): R d [illegible], 38 x 45.5 cm |
*** | *** |
| 27 |  |
Rees, Lloyd Frederic
Rocky Shore, Sydney Harbour, 1935Pencil on paper, signed and dated lower right L Rees / 1935, 20 x 28 cm |
*** | *** |
| 28 |  |
Smith, Grace Cossington
The River Bank, C.1942 – 44Oil on composition board, signed lower right G. Cossington Smith, 40.5 x 46 cm |
*** | *** |
| 29 |  |
Shore, Arnold Joseph Victor
Flower Piece, 1944Oil on canvas, signed and dated lower right Shore '44, signed verso: Arnold Shore, signed and inscribed with title on frame verso: SHORE / Mt Macedon Vic / Arnold Shore / 'Flower piece' / Arnold Shore Mt Macedon / Vic., 77.5 x 65 cm |
*** | *** |
| 30 |  |
Rehfisch, Alison Baily
Fuschias and Other Flowers, C.1958Oil on hessian, signed lower right Rehfisch, bears inscription verso: c1958, bears inscription on frame verso: ALISON REHFISCH SYDNEY, 51 x 41 cm |
*** | *** |
| 31 |  |
Holmes, Edith Lilla
Mount Direction, Tasmania, 1948Oil on canvas on board, signed lower left Edith Holmes, bears inscription verso: Mount Direction, 36.5 x 59.5 cm |
*** | *** |
| 32 |  |
MacQueen, Kenneth Robertson
The Farmer's Fence, 1928Watercolour and pencil on paper, signed and dated lower left Kenneth MacQueen / 1928, 37.5 x 44 cm |
*** | *** |
| 33 |  |
MacQueen, Kenneth Robertson
Early Morning, 1934Watercolour and pencil on paper, signed and dated lower right Kenneth MacQueen / 1934, inscribed with title verso: 28 Early Morning, 37 x 41.5 cm |
*** | *** |
| 34 |  |
MacQueen, Kenneth Robertson
Bodumba Lands, 1927Watercolour and pencil on paper, signed and dated lower right Kenneth MacQueen / 1927, bears inscription verso: Bodomba [sic] Lands, 36.5 x 43.5 cm |
*** | *** |
| 35 |  |
MacQueen, Kenneth Robertson
Amongst the Paperbarks, C.1940Watercolour on paper, signed lower right Kenneth MacQueen, inscribed with title verso: 'In the paperbark scrub' (erased) / 'Amongst the paperbarks', 31.5 x 40.5 cm |
*** | *** |
| 36 |  |
MacQueen, Kenneth Robertson
Sea and ReefWatercolour and pencil on paper on card, signed lower left Kenneth MacQueen, inscribed with title verso: sea and reef, 31.5 x 39 cm |
*** | *** |
| 37 |  |
Miller, Godfrey Clive
Scene Below, Paddington, 1955 – 59Oil, pen and ink on canvas, bears inscription verso: JH 43, 35.5 x 45.5 cm |
*** | *** |
| 38 |  |
Friend, Donald Stuart Leslie
Double Bay, 1956Oil on canvas, signed and dated lower right Donald Friend 56, 77 x 102 cm |
*** | *** |
| 39 |  |
Wakelin, Roland Shakespeare
Hotel Scene, C.1950Oil on canvas, signed and dated indistinctly lower right R. Wakelin / 5 (ind.), 102.5 x 121 cm |
*** | *** |
| 40 |  |
Boyd, Arthur Merric Bloomfield
Berwick Landscape, C.1948Oil on canvas on composition board, signed lower right Arthur Boyd, 51 x 61.5 cm |
*** | *** |
| 41 |  |
Nolan, Sidney Robert
Dust Storm Over Darwin, 1951Oil on composition board, signed and dated lower right Nolan 51, signed and inscribed verso: Air / Nolan, 75 x 106 cm |
*** | *** |
| 42 |  |
Blackman, Charles Raymond
Schoolgirl, 1953Oil on canvas on composition board, signed lower right Blackman, bears inscription verso: 7, 63 x 75 cm |
*** | *** |
| 43 |  |
Blackman, Charles Raymond
Alice Tall, 1956Tempera and oil on composition board, signed lower left Blackman, bears inscription verso: J Gallery / … / 34, 121.5 x 41.5 cm |
*** | *** |
| 44 |  |
Williams, Frederick (Fred) Ronald
Burnt Grass, Lysterfield, 1968Gouache on paper, signed lower right Fred Williams, artist's label attached verso with number, artist's name, medium and size, 56.5 x 76.5 cm |
*** | *** |
| 45 |  |
Williams, Frederick (Fred) Ronald
Silver Landscape, 1968Oil on canvas, signed lower right Fred Williams, artist's label attached verso with title, date, medium, dimensions and artist's name, 88.5 x 106.5 cm |
*** | *** |
| 46 |  |
Fairweather, Ian
Moon in Wells, C.1963 – 64Synthetic polymer paint and gouache on card on composition board, inscribed lower right Moon in Wells, 71 x 95 cm |
*** | *** |
| 47 |  |
Smart, Frank Jeffrey (Jeff) Edson
The Tuscan Farmhouse, 1980Oil and synthetic polymer paint on canvas, signed lower right Jeffrey Smart, bears inscription on frame verso: A.G 10, 71 x 134 cm |
*** | *** |
| 48 |  |
Arkley, Howard
Floriated Address, 1995Synthetic polymer paint on canvas, signed, dated and inscribed verso: Name Howard Arkley / Title: Floriated Address / Date 1995 / Size 203 x 153 cm / Medium Acrylic on Canvas, signed and dated on stretcher bar verso: Howard Arkley 95, 203 x 153 cm |
*** | *** |
| 49 |  |
Quilty, Ben
Crash Painting, 2010Oil on canvas, signed, dated and inscribed with title verso: Ben Quilty / 2010 / Crash / painting, 140 x 190 cm |
*** | *** |
| 50 |  |
Frank, Dale Leonard
When Asked How He Acquired His Fine Collection of French Empire Clocks Etc., 2005Varnish and synthetic polymer paint on canvas, signed and dated twice verso: Dale Frank / 2005, 200 x 200 cm |
*** | *** |