Menzies, Australian & International Fine Art & Sculpture, Melbourne, 27 Jun 2019, No. of Lots: 100
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| Lot No. | Details | Hammer | Price incl. Premium |
|
|---|---|---|---|---|
| 1 |  |
Nolan, Sidney Robert
Untitled (Kneeling Kelly), c1946Monotype and enamel on paper, inscribed verso: S685, inscribed on label verso: 120, 30 x 25 cm (sheet) |
*** | *** |
| 2 |  |
Gruner, Elioth
Peaceful Morning at BondiOil on canvas on board, signed lower left Gruner, signed and inscribed on board attached verso: Peaceful Morning [illeg.]/ Bondi, Sydney/ Elioth Gruner, 23 x 30.5 cm |
*** | *** |
| 3 |  |
Rees, Lloyd Frederic
Landscape at Orange, 1957Oil on canvas on board, signed and dated lower left L Rees/ 57, bears inscription on frame verso: Landscape At Orange/ by L Rees, 35 x 50 cm |
*** | *** |
| 4 |  |
Whiteley, Brett
From Circular Quay, 1958Gouache and ink on paper, signed with initials and dated lower left BW / 58, 32.5 x 41 cm |
*** | *** |
| 5 |  |
Whiteley, Brett
The Atlantian Poplars, 1991Charcoal and oil stick on paper, dated and inscribed lower right 16/01/91/ The cypress. The atlantian poplar./ The sacred black flame, the essence/ of provence, the kind of black that excites/ the wheat fields + the vineyards. The tree that/ one thinks of immediately as the renaissance, as much/ the tree of da Vinci as Van Gogh. Pungent and ordered/ chaos plus math., artist's stamp lower right, 76 x 56 cm |
*** | *** |
| 6 |  |
Kelly, John
Head, 1994Oil on canvas, signed and dated lower right Klly 94, signed, dated and inscribed on stretcher verso: john kelly 'Head' 94, 20.5 x 25.5 cm |
*** | *** |
| 7 |  |
Kelly, John
Head Looking Up I, 2002Oil on canvas, signed and dated lower right Klly 2002, dated and inscribed on stretcher verso: 'Head Looking Up' No 1 2002, 35 x 22.5 cm |
*** | *** |
| 8 |  |
Mora, Mirka Madeleine
Dancing Bird, 2013Oil on canvas, signed and dated lower right Mirka 2013, signed, dated and inscribed on stretcher verso: Mirka Mora, Dancing Bird, 2013, oil on canvas 83 x 103 cm, 83 x 103.5 cm |
*** | *** |
| 9 |  |
Mora, Mirka Madeleine
Two Birds in My Pocket, 2014Oil on canvas, signed and dated lower right Mirka/ 2014, signed, dated and inscribed on stretcher verso: Mirka Mora 73 x 93 Two Birds In My Pocket 2014, 72.5 x 93 cm |
*** | *** |
| 10 |  |
Campbell, Cressida
Lavender and Nasturtiums, 2009Unique woodblock print, signed lower left Cressida Campbell, 32.5 x 17.5 cm |
*** | *** |
| 11 |  |
Home, Dean
Our Swimming Spot; the Biggest Splash of The Day, 2012Oil on board, signed and dated lower right D. Home 2012, signed, dated and inscribed verso: 'Our Swimming Spot.'/ (The Biggest Splash Of The Day.)./ Dean Home. 2012./ oil on board./ 90 x 155 cm, accompanied by a copy of the exhibition catalogue, 90 x 155 cm |
*** | *** |
| 12 |  |
Olsen, John Henry
FrogWatercolour and pastel on paper, signed lower right John Olsen, 60.5 x 40.5 cm |
*** | *** |
| 13 |  |
Kelly, John
Cow Up a Tree, 1998Painted and patinated bronze, unique, signed and dated to base: Klly [sic]/ 1998, 44 cm high |
*** | *** |
| 14 |  |
Quilty, Ben
Untitled (Paris), 2001Oil on canvas on board, signed with initials lower right BQ, signed, dated and inscribed verso: Untitled (Paris)/ Ben Quilty 2001, 49 x 53 cm |
*** | *** |
| 15 |  |
MacLeod, Euan
Large Blue Figure, 1994-95Oil on canvas, signed, dated and inscribed verso: 190/ 'Large Blue Figure'/ Euan Macleod/ 94/95, 122 x 183.5 cm |
*** | *** |
| 16 |  |
Dobell, William
Storm Over WangiWatercolour and gouache on paper, signed lower right W Dobell, 12.5 x 17 cm |
*** | *** |
| 17 |  |
Olley, Margaret Hannah
The Queenslander, c1951Watercolour and ink on paper, signed lower right Margaret Olley, 42.5 x 56 cm |
*** | *** |
| 18 |  |
Jackson, James Ranalph
A Harbour Beach, c1917Oil on canvas, signed lower right James R Jackson, 22.5 x 55.5 cm |
*** | *** |
| 19 |  |
Beckett, Clarice Marjoribanks
Fawkner Park, c1927Oil on board, statement of authenticity from the artist's sister, Mrs Hilda Mangan, attached verso, 24 x 34.5 cm |
*** | *** |
| 20 |  |
Lindsay, Perceval (Percy) Charles
Sackville ReachOil on board, accompanied by a statement of authentication signed by the artist's son, Peter Lindsay, 30 x 43 cm |
*** | *** |
| 21 |  |
Boyd, Emma Minnie
Harkaway Landscape, 1879Watercolour on paper, signed with initials and dated lower right EMB/ 25/2/79, 23 x 33.5 cm |
*** | *** |
| 22 |  |
Williams, Frederick (Fred) Ronald
Untitled (Lysterfield Series), 1965Gouache on paper, signed lower right Fred Williams, 54.5 x 74.5 cm |
*** | *** |
| 23 |  |
Roberts, Thomas (Tom) William
Pizzo Dei Piani, 1913Oil on board, signed and dated lower left Tom Roberts '13, dated and inscribed lower left LVCA /13, frame: original, Lillie Williamson (Mrs Tom Roberts), 32.5 x 42.5 cm |
*** | *** |
| 24 |  |
Perceval, John De Burgh
After the Bushfire, 1957Oil on composition board, signed and dated lower centre Perceval/ 57, 91.5 x 60.5 cm |
*** | *** |
| 25 |  |
Boyd, Arthur Merric Bloomfield
Woman Bathing in a Waterfall (Susanna and the Elders), c1997Oil on board, signed lower right Arthur Boyd, 75 x 62 cm |
*** | *** |
| 26 |  |
Blackman, Charles Raymond
The Insect's Garden, 1979Oil on canvas, signed lower right Blackman, 123 x 153.5 cm |
*** | *** |
| 27 |  |
Storrier, Timothy Austin (Tim)
The Blue PlainOil on canvas, signed lower right Storrier, signed, dated and inscribed verso: 'The Blue Plain'/ Storrier/ 2019, 107.5 x 244.5 cm |
*** | *** |
| 28 |  |
Onus, Lin
Fish and Ripple - Dingo Springs I, 1995Synthetic polymer paint on linen, signed lower right Lin Onus, 91.5 x 121.5 cm |
*** | *** |
| 29 |  |
Onus, Lin
Fish and Ripple - Dingo Springs II, 1995Synthetic polymer paint on linen, signed lower left Lin Onus, inscribed verso: Fish & Ripple - Dingo Springs, 91.5 x 121.5 cm |
*** | *** |
| 30 |  |
Whiteley, Brett
Still Life with Banana, 1977Oil on canvas, signed upper centre Whiteley, 75 x 62.5 cm |
*** | *** |
| 31 |  |
Williams, Frederick (Fred) Ronald
Werribee Gorge II, 1978Oil on canvas, signed upper right Fred Williams, label attached verso with artist's name and title, 182.5 x 152 cm |
*** | *** |
| 32 |  |
Arkley, Howard
Deluxe Setting, 1992Synthetic polymer paint on canvas, signed, dated and inscribed verso: Name Howard Arkley/ Title: Deluxe Setting/ Size. 173cm x 135cm/ Medium. Acrylic on Canvas/ Date. 1992, 173 x 135 cm |
*** | *** |
| 33 |  |
Fairweather, Ian
Composition V, 1969Synthetic polymer paint and gouache on cardboard on hardboard, 102.5 x 74.5 cm |
*** | *** |
| 34 |  |
Bunny, Rupert Charles Wulsten
On the Landing, c1913Oil on canvas, signed lower left Rupert C. W. Bunny, 72.5 x 60 cm |
*** | *** |
| 35 |  |
Streeton, Arthur Ernest
The Rialto, c1908Oil on canvas, signed lower left A Streeton, frame: John Thallon, Carver & Gilder, Melbourne (label attached verso), 36.5 x 54 cm |
*** | *** |
| 36 |  |
Storrier, Timothy Austin (Tim)
The Grand ImpedimentaBronze, edition: 1/5, signed, numbered and stamped with foundry mark to base, 206 cm high |
*** | *** |
| 37 |  |
King, Inge
Rings of the Sun III, 2004Stainless steel, 200 x 200 x 235 cm |
*** | *** |
| 38 |  |
Oliver, Bronwyn
Shell, 2003Copper on bronze base, 150 cm diameter |
*** | *** |
| 39 |  |
Amor, Rick
Figure in a Landscape, 2007Bronze (4), edition: Artist's Proof (edition of 3), (ii) Signed, dated and numbered to base: Rick Amor '07 A/P, stamped to base with Perrin Sculpture Foundry mark |
*** | *** |
| 40 |  |
Klippel, Robert Edward
Opus 372b, 1981Bronze, edition: 4/6, signed with initials, dated, inscribed and numbered to base: RK 372 '81 4/6, 252 x 56 x 47 cm |
*** | *** |
| 41 |  |
Arp, Jean
Torse FruitBronze, edition: 00/5, stamped with initials: HA, numbered on interior: 0/V, conceived in marble in 1960 and cast in bronze between 1967 and 1976, 75 cm high |
*** | *** |
| 42 |  |
Lipchitz, Jacques
Homme Assis a La Clarinette II, 1971 (Conceived 1919-20)Grey marble, unique, signed to base: J. Lipchitz, Pierre Levai has confirmed the authenticity of this work, 139.5 x 58.5 x 49.5 cm |
*** | *** |
| 43 |  |
Rodin, Auguste Rene Francois
La Femme Accroupie, Grand Modele Avec Une Terrasse Plus HauteBronze, edition: 4/4, conceived in 1881-82, cast in 2010, signed and numbered to base: A. Rodin/ IV/IV, dated and inscribed with foundry mark: Musee Rodin 2010 Fonderie de Coubertin France, 95 x 50 x 59 cm |
*** | *** |
| 44 |  |
Maillol, Aristide Joseph Bonaventure
La Montagne, 1er Etat (Petit Modele), 1936Bronze, edition: 4/6, conceived in 1936-37 and cast by Emile Godard at a later date, numbered and signed with the artist's monogram, inscribed with the foundry mark: E. GODARD. Fondeur Paris, 29 x 13 x 28 cm |
*** | *** |
| 45 |  |
Maillol, Aristide Joseph Bonaventure
Baigneuse Debout Se Coiffant, Le Coude Leve , 1921Bronze, edition: 1/6, signed to base with the artist's monogram, foundry stamp to base: Cire Perdue, Fondeur Claude Valsuani, Paris, 29 cm high |
*** | *** |
| 46 |  |
Boyd, Arthur Merric Bloomfield
Bushland, 1970Oil on canvas, signed lower right Arthur Boyd, 113 x 109 cm |
*** | *** |
| 47 |  |
Blackman, Charles Raymond
The Flower Garden, c1980Oil on canvas, signed lower right Blackman, 120.5 x 181.5 cm |
*** | *** |
| 48 |  |
Maguire, Timothy (Tim)
Untitled 20050901, 2005Oil on canvas, signed, dated and inscribed verso: Maguire '05/ Untitled 20050901, 182 x 404.5 cm (diptych) |
*** | *** |
| 49 |  |
Gascoigne, Rosalie Norah King
Amber, 1992Retroreflective road signs and plywood, signed, dated and inscribed verso: Amber/ Rosalie Gascoigne/ 1992, 62 x 54.5 cm |
*** | *** |
| 50 |  |
Storrier, Timothy Austin (Tim)
Cloud Bank (Over the Night Road)Oil on canvas, signed lower right Storrier, signed and inscribed verso: Cloud Bank/ (over the night road)/ Storrier, 63 x 122 cm |
*** | *** |