Menzies, Prints and Multiples Online, Melbourne, 23 Sep 2021, No. of Lots: 54
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| Lot No. | Details | Hammer | Price incl. Premium |
|
|---|---|---|---|---|
| 1 |  |
Hockney, David
Pool Made with Paper and Blue Ink for Book, 1980Lithograph, edition: 60/1,000, signed and dated lower right: David Hockney 80, numbered lower left: 60/1000. published by Tyler Graphics Ltd, New York (blindstamp lower right), accompanied by an original signed edition (no. 60/1000) of Hockney, D. & Stangos, N., Paper Pools , Thames & Hudson, New York, 1980, 26 x 22 cm |
*** | *** |
| 2 |  |
Whiteley, Brett
The Cat, 1980Offset lithograph, edition: 25/100, signed lower right: brett whiteley, numbered and titled lower left: 25/100 'The Cat', stamped lower right with artist's monogram, 84.5 x 82 cm image |
*** | *** |
| 3 |  |
Arkley/Davila, Howard/Juan
Interior with Built-In Bar, 1992Screenprint (diptych), edition: printer's proof 3/4 (edition of 6 + 4 Artist's Proofs), numbered and signed upper left: PP III/IV Juan Davila, signed with initials and dated within image lower left: H.A. 91., signed and dated within image lower right: Davila 92., signed and dated within image upper left: Roy Davila 92., titled within image upper right: Interior with Built-in Bar, printed by Larry Rawling Fine Art Prints, Melbourne, 169.3 x 216 cm (sheet, overall) |
*** | *** |
| 5 |  |
Haring, Keith
Bad Boys, 1986Screenprint, edition: 25/30, numbered, signed and dated lower right: 25/30 K. Haring 86 +, published by Bebert, Rotterdam, 44 x 58 cm image |
*** | *** |
| 6 |  |
Minjun, Yue
Untitled (Smile-Ism No. 22), 2006Lithograph, edition: 36/45, signed lower right: yueminjun, numbered lower left: 36/45, 109.5 x 89.5 cm sheet |
*** | *** |
| 7 |  |
Hirst, Damien
For the Love of God, Believe, 2007Screenprint with glazes, edition: 84/1,700, signed lower right: Damien Hirst, numbered lower left: 84/1,700, 32.5 x 23.5 cm sheet |
*** | *** |
| 8 |  |
Lichtenstein, Roy
Fish and Sky, from Ten From Leo Castelli, 1967Colour screenprint on gelatin silver print mounted on three-dimensional lenticular offset lithograph, edition: 2/200, signed lower right: R Lichtenstein, numbered lower left: 2/200, published by Tanglewood Press Inc, New York, printed by Maurel Studios, New York, one of ten works in the portfolio Ten from Leo Castelli , commissioned for the tenth anniversary of Leo Castelli Gallery, New York, 28.2 x 35.7 cm sheet |
*** | *** |
| 9 |  |
Gladwell, Shaun
Pataphysical Man (3/4 Back), 2005Inkjet print on photographic paper, edition: Artist's Proof (edition of 7), 31 x 48 cm image |
*** | *** |
| 10 |  |
Henson, Bill
Untitled 1992/93, 1992-93Type C photograph, edition: 3/10, signed lower right below mount: Bill Henson, titled, dated and numbered lower centre below mount: Untitled 1993/94 Edition 3/10, inscribed lower left below mount: Image Number 4th.D. SH.30 N.34A., 93 x 72 cm image |
*** | *** |
| 11 |  |
Henson, Bill
Untitled #117, 2001-02Type C photograph, edition: 1/5, titled, dated and signed lower right: Untitled 2001/02 Bill Henson, inscribed and numbered lower left: CB/JPG SH112 N4 1/5, 103.5 x 155 cm image |
*** | *** |
| 12 |  |
Parr, Martin
Common Sense 18, 1997Type C photograph, edition: 7/10, signed and numbered on Rocket Gallery label attached verso: Martin Parr/ 7/10, 105.5 x 157.5 cm sheet |
*** | *** |
| 13 |  |
Parr, Martin
Common Sense 9, 1997Type C photograph, edition: 2/4, signed and numbered on Rocket Gallery label attached verso: Martin Parr/ 2/4, 105.5 x 157.5 cm image |
*** | *** |
| 14 |  |
Banksy,
Christ with Shopping Bags, 2004Screenprint, edition: 37/82, signed and dated lower right: Banksy 04, numbered lower left: 37/82, published by Pictures on Walls, London (blindstamp lower left). , accompanied by a certificate of authenticity from Pest Control, 64.1 x 44.1 cm image |
*** | *** |
| 15 |  |
Warhol, Andy
Queen Elizabeth II, from Reigning Queens, 1985Complete set of colour screenprints on Lenox Museum Board (4), edition: Hors Commerce 3/3 (edition of 40), each numbered and signed lower right: HC 3/3 Andy Warhol, printed by Rupert Jasen Smith, New York (each with blindstamp lower left), published by George C. P. Mulder, Amsterdam, 100 x 80 cm (each, sheet) |
*** | *** |
| 16 |  |
Hockney, David
Untitled No. 20, from the Yosemite Suite, 2010IPad drawing printed on paper, edition: 10/25, signed, numbered and dated lower right: David Hockney 10/25 '10, 81 x 60.5 cm image |
*** | *** |
| 17 |  |
Robertson-Swann, Ronald Charles (Ron)
Vault, 1980Painted stainless steel, edition: Artist's Proof (edition of 12 + 2 Artist's Proofs), fabricated in 2012, signed with initials and numbered to base: RS A/P, 30.5 x 74 x 36 cm |
*** | *** |
| 18 |  |
Hirst, Damien
Beautiful, Galactic, Exploding Screenprint (Spin), 2001Screenprint, edition: 180/,500, signed lower right: Damien Hirst, numbered verso: 180/500. published by Eyestorm Gallery, London, 92.1 cm diameter image |
*** | *** |
| 19 |  |
Bacon, Francis
Figure at a Washbasin, from Requiem Pour La Fin Des Temps, 1977-78Etching and aquatint, edition: 13/46, signed lower right: Francis Bacon, numbered lower left: XIII/XLVI, published by Georges Visat, Paris, 1978, 47 x 36 cm image |
*** | *** |
| 20 |  |
Hockney, David
Celia Amused, 1979Lithograph, edition: 33/100, signed lower left: [illeg.], published by Gemini G.E.L., Los Angeles (blindstamp lower right), 102.5 x 75.5 cm sheet |
*** | *** |
| 21 |  |
Hockney, David
Joe with Green Window, 1979Lithograph, edition: 19/54, numbered, signed and dated lower left: 19/54 David Hockney 79, published by Tyler Graphics Ltd, New York, 112 x 76.2 cm sheet |
*** | *** |
| 22 |  |
Whiteley, Brett
Lindfield Gardens, 1978Colour screenprint with offset lithography, edition: Artist's Proof (edition of 80), signed lower right: brett whiteley, numbered lower left: A/P, stamped lower left with artist's monogram, 92 x 116 cm sheet |
*** | *** |
| 23 |  |
Whiteley, Brett
The Garden in Sanur, Bali, 1980Screenprint with offset lithography, edition: 53/100, signed lower right: brett whiteley, numbered lower left: 53/100, titled within image lower right: Garden in Sanur - bali, 75.5 x 105.5 cm sheet |
*** | *** |
| 24 |  |
Whiteley, Brett
Vincent (An Essay in Opposites), 1982Etching, screenprint and collage, edition: Artist's Proof (edition of 30), signed lower right: brett whiteley, numbered lower left: A/P, stamped upper right with artist's monogram, 212 x 91.5 cm sheet |
*** | *** |
| 25 |  |
Picasso, Pablo
Jeune Homme Faisant Sa Declaration, En Presence Des Autorites (Pl.114 from La Serie 347), 1968Aquatint, edition: Artist's Proof (edition of 50), signed lower right: Picasso, dated within image: 26-05-1968 III, 23.4 x 33 cm image |
*** | *** |
| 26 |  |
Matisse, Henri
Danseuse Endormie Au Divan, from Dix Danseuses, 1925-26Lithograph, edition: 56/130, numbered and signed lower left: 56/130 Henri Matisse, inscribed lower left below mount: #3, published in 1927 by Galerie d'Art Contemporain, Paris, 33 x 50.6 cm sheet |
*** | *** |
| 27 |  |
Kollwitz, Kathe
Mütter Gebt Von Eurem Überfluß!, 1926Lithograph, signed lower right: Kollwitz, inscribed verso: Q81/255/ E 81-46/12, 49 x 37.7 cm sheet |
*** | *** |
| 28 |  |
Chagall, Marc
Le Nuage Aux Amoureux, 1968Etching and aquatint, edition: 2/50, signed lower right: Marc Chagall, numbered lower left: 2/50, 39.5 x 34.7 cm image |
*** | *** |
| 29 |  |
De Goya, Francisco
Esto Es Lo Peor! (That Is the Worst of It!, Pl.74 from Los Desastres De La Guerra), 1808-12Etching and burnisher, inscribed within image upper left: 74, titled within image lower centre: Esto es lo peor!, bears JGO and Palmette watermark, published in 1863 by the Royal Academy of San Fernando, an early printing from the first edition of 500 before the correction of the title on plate 9, 15 x 19 cm image |
*** | *** |
| 30 |  |
De Goya, Francisco
Amarga Presencia (Bitter to Be Present, Pl.13 from Los Desastres De La Guerra), 1808-12Etching, engraving, lavis, drypoint and burnisher, signed within image lower left: Goya, inscribed within image upper left: 13, titled within image lower centre: Amarga presencia, bears JGO and Palmette watermark, published in 1863 by the Royal Academy of San Fernando, an early printing from the first edition of 500 before the correction of the title on plate 9, 12.5 x 15.7 cm image |
*** | *** |
| 31 |  |
Traill, Jessie Constance Alicia
The Evening Star, 1914Etching, edition: 1/25, signed and dated lower right: JCA Traill 1914., titled and numbered lower left: The Evening Star. No 1, 29.8 x 22.9 cm image |
*** | *** |
| 32 |  |
Traill, Jessie Constance Alicia
Floodlit (Edinburgh Castle), 1938Etching and aquatint, edition: 4 (unknown); state: 3/3, titled, numbered, inscribed, signed and dated lower centre: Flood Lit 4 (third state) to Zena [sic] C.S. from JCA Traill 1938/ Dec 1954, 13.6 x 19.9 cm image |
*** | *** |
| 33 |  |
Traill, Jessie Constance Alicia
Blackout, 1940Etching and aquatint, edition: 14 (unknown); state: 2/3, titled, numbered, inscribed, signed and dated lower centre: Blackout 14 (second state) to Zena [sic] C.S. from J.C.A. Traill 1940/ Dec. 1954, 15 x 19.8 cm image |
*** | *** |
| 34 |  |
Dupain, Maxwell Spencer (Max)
Portrait of Boy in Sunlight, 1936Gelatin silver print, printed later, signed and dated lower right: - Max Dupain '38 - titled and dated verso: BOY'S HEAD IN SUNLIGHT '38, 46.5 x 40 cm sheet |
*** | *** |
| 35 |  |
Dupain, Maxwell Spencer (Max)
Spontaneous Composition, 1935Gelatin silver print, printed later, signed and dated lower right: - Max Dupain '30 - titled verso: Spontaneous Composition, 37.5 x 40 cm sheet |
*** | *** |
| 36 |  |
Dupain, Maxwell Spencer (Max)
Stair Rail, 1975Gelatin silver print, signed and dated lower right: - Max Dupain '75 -, 38.3 x 29.5 cm sheet |
*** | *** |
| 37 |  |
Dupain, Maxwell Spencer (Max)
The Silos, Morning, 1933Gelatin silver print, printed later, signed and dated lower right: - Max Dupain '33 -, 31.3 x 24.8 cm sheet |
*** | *** |
| 38 |  |
Dupain, Maxwell Spencer (Max)
Silos Through Windscreen, 1935Gelatin silver print, printed later, signed and dated lower right: - Max Dupain 35 -, 24 x 25.7 cm sheet |
*** | *** |
| 39 |  |
McCahon, Colin John
Kauri Tree, 1954Lithograph, edition: 10/55, signed and dated lower left: McCahon 54, numbered lower centre: 10/55, 33.6 x 24.7 cm sheet |
*** | *** |
| 40 |  |
Maestri, Guy
Dingo (Killer), 2015Bronze, edition: 2/6, signed and numbered to base: Maestri 2/6, 17.5 x 27 x 21.5 cm |
*** | *** |
| 41 |  |
Williams, Frederick (Fred) Ronald
Second Variation of You Yangs Landscape Number 1 1965-66Etching and drypoint, edition: 7/21; state: II/II, signed lower right: Fred Williams, numbered lower left: 7-21, 18.7 x 8.5 cm image |
*** | *** |
| 42 |  |
Williams, Frederick (Fred) Ronald
Waterfalls, 1959-61Relief etching, engraving and drypoint, edition: 4/20; state: IV/IV, signed lower right: Fred Williams, numbered lower left: 4-20, 20 x 13.5 cm image |
*** | *** |
| 43 |  |
Klippel, Robert Edward
No. 807, 1989Bronze, edition: 1/6, signed with initials, titled, dated and numbered to base: RK 807 '89. 1/6, stamped with Meridian foundry mark to base, 198 x 44 x 44 cm |
*** | *** |
| 44 |  |
Hanssen-Pigott, Gwyn
Three Dishes, 1999Limoges porcelain, each stamped to base with artist's roundel, 8 x 10.1 x 10.4 cm; 8.2 x 10.4 x 10 cm; 8.5 x 10 x 11 cm |
*** | *** |
| 45 |  |
Hanssen-Pigott, Gwyn
Two Beakers and Small Dish, 2006Limoges porcelain, each stamped to base with artist's roundel |
*** | *** |
| 46 |  |
Hanssen-Pigott, Gwyn
Three Soft Bowls, 2006Translucent porcelain, each stamped to base with artist's roundel, 8 x 16.2 x 13.9 cm; 8.2 x 15.6 x 13.8 cm; 7.8 x 15 x 13.3 cm |
*** | *** |
| 47 |  |
Brack, Cecil John (John)
A Hand with the Etruscans, 1977Lithograph, edition: Workshop Proof (edition of 25 + 4 Artist's Proofs + 4 Workshop Proofs), signed and dated lower right: John Brack 1977, titled lower centre: A Hand with the Etruscans, inscribed lower left: w/shop, 67 x 49.5 cm image |
*** | *** |
| 48 |  |
Brack, Cecil John (John)
Nude in Profile, 1978Lithograph, edition: 182/300, signed and dated lower right: John Brack 78, numbered lower left: 182/300, titled lower centre: Nude in Profile, 64 x 47 cm image |
*** | *** |
| 49 |  |
Baldessin, George Joseph Victor
Personage and Emblems, 1972Etching and aquatint (diptych), edition: Artist's Proof (edition of 10), signed and dated lower right: George Baldessin 72., numbered and titled lower left: A/Proof. 'Personage and Emblems', inscribed lower centre: for John - with thanks, 101.4 x 101.2 cm image |
*** | *** |
| 50 |  |
Smart, Frank Jeffrey (Jeff) Edson
The Cable Coils, 2001Etching and aquatint, edition: 42/80, signed and dated lower right: Jeffrey Smart '01, numbered lower left: 42/80, titled lower centre: The Cable Coils, 40 x 64 cm image |
*** | *** |
| 51 |  |
Larwill, David Scott
Untitled, 1999Giclee print, edition: 2/10, numbered lower left: ED 2/10, signed with initials and dated within image lower centre: DL/ '99, 120 x 92 cm image |
*** | *** |