Menzies, Important Australian & International Art , Melbourne, 27 Mar 2024, No. of Lots: 125
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| Lot No. | Details | Hammer | Price incl. Premium |
|
|---|---|---|---|---|
| 1 |  |
Outhwaite, Ida Rentoul Sherbourne
The Fairy DanceInk and watercolour on paper, signed lower left Ida S. Rentoul./ Outhwaite, 26 x 34.5 cm |
*** | *** |
| 2 |  |
Streeton, Arthur Ernest
Bright Morning, Venice, 1908Watercolour on paper, signed lower left A Streeton, 33.5 x 52 cm |
*** | *** |
| 3 |  |
Namatjira, Albert
Ellery Creek Big Hole, c1955Watercolour on paper, signed lower right Albert Namatjira, signed and inscribed verso: Albert Namatjira/ Ellery Creek/ £150, 36 x 54 cm |
*** | *** |
| 4 |  |
Meldrum, Duncan Max (Max)
Still Life, 1949Oil on canvas on board, signed lower right Meldrum, signed and dated verso: Max Meldrum/ 1949, 46.5 x 38.5 cm |
*** | *** |
| 5 |  |
Goodsir, Agnes Noyes
Zinnias in Green Bowl, c1925Oil on canvas, signed lower right Agnes Goodsir, Lefebvre-Foinet, Paris, label attached verso, 46.5 x 38 cm |
*** | *** |
| 6 |  |
Fox, Ethel Carrick
Orchard in BloomOil on board, signed lower left Carrick Fox, bears inscription verso: Orchard/ in Bloom/ Ethel Carrick Fox, 26 x 36.5 cm |
*** | *** |
| 7 |  |
Hawkins, Harold Frederick (Weaver)(Raokin)
View Terrace (South of France), 1924Oil on canvas on board, signed with initials and dated lower right Hwh/ 2/ 4, 48.5 x 56 cm |
*** | *** |
| 8 |  |
MacQueen, Kenneth Robertson
ReflectionsWatercolour and pencil on paper, signed lower right Kenneth Macqueen, 33 x 42 cm |
*** | *** |
| 9 |  |
Heysen, Hans
Winson Cotswolds, 1934Watercolour and pencil on paper, signed and dated lower left Hans Heysen 1934, inscribed lower right Winson Cotswolds, bears inscription on backing verso: Hans Heysen/ Cotswold Lanes/ Winson Eng, Kranzki Gallery, Melbourne, stamped verso, 33 x 40.5 cm |
*** | *** |
| 10 |  |
Tucker, Albert Lee
Rocks at Rye, 1983Watercolour and gouache on card, signed lower right Tucker, inscribed verso: Rocks At Rye/ Rock Pool - Rye, 23 x 28.5 cm |
*** | *** |
| 11 |  |
Williams, Frederick (Fred) Ronald
Carp Kite over You Yangs, 1970Gouache on paper, signed lower centre: Fred Williams, bears inscription on label attached verso: Cape Kite over You Yangs./ Painted on site June 20th 1970/ on a picnic with Lynne [sic], the/ Williams children and the/ Chapman Family., Artistry Fine Art Gallery, Melbourne, label attached verso, 50 x 44 cm (irreg.); |
*** | *** |
| 12 |  |
Perceval, John De Burgh
SunflowersOil on canvas, signed lower left Perceval, signed and inscribed verso: Perceval/ Sunflowers, 45.5 x 36 cm |
*** | *** |
| 13 |  |
Boyd, Arthur Merric Bloomfield
Shoalhaven Painting IVOil on board, signed lower right Arthur Boyd, 31 x 22.5 cm |
*** | *** |
| 14 |  |
Whiteley, Brett
Sydney Cove, 1958Watercolour and gouache on paper, signed and dated lower right Brett Whiteley 58, bears inscription on backing verso: Brett Whiteley/ Sydney Cove/ 1958, 10 x 17.5 cm |
*** | *** |
| 15 |  |
Olsen, John Henry
The Yin Yang of the Wimmera, 1970Gouache on paper, signed and dated lower right John Olsen 70, signed, dated and inscribed verso: The Ying [sic] Yang of the Wimmera/ John Olsen/ 70, Tim Olsen Gallery, Sydney, label attached verso, stock no.8738, 59 x 79.5 cm |
*** | *** |
| 16 |  |
Shead, Garry
The Divine DanceOil on canvas, signed lower right Garry Shead, 41 x 30 cm |
*** | *** |
| 17 |  |
Shead, Garry
Three Friends, ThirroulOil on board, signed lower right Garry Shead, 55 x 64.5 cm |
*** | *** |
| 18 |  |
Coburn, John
Territory Blues, 1981Synthetic polymer paint on canvas on board, signed lower right Coburn, signed, dated and inscribed verso: Territory Blues/ John Coburn 1981/ (Acrylic), 45 x 60.5 cm |
*** | *** |
| 19 |  |
Sharp, Martin
Ginger Meggs, 1979Synthetic polymer paint on canvas, signed, dated and inscribed verso: 'The Song of Love'/ Or Tiny Tim/ As/ Mr Ginger Meggs/ As/ Al Jolson/ By/ Martin Sharp/ Sold/ For A Song* (of Songs)/ 18.8.79, $2000, 153 x 152.5 cm |
*** | *** |
| 20 |  |
Maguire, Timothy (Tim)
Light Fall VII, 2011Duratran on lightbox, edition: 3/5, signed, dated and numbered on label attached verso: 3/5 Maguire '11, 182 x 100 cm |
*** | *** |
| 21 |  |
Norrie, Susan Jane
Something in the Future, 2011-20Oil on canvas, signed, dated and inscribed verso: Susan Norrie/ 2011-2020/ something/ in the/ future, 97 x 172 cm |
*** | *** |
| 22 |  |
Owen, Robert George
Spectrum Analysis, 12 (from The Text of Light series), 2004Synthetic polymer paint on linen, signed, dated and inscribed verso: Spectrum Analysis 12/ From The Series The Text of Light/ 122 x 122 cm (48 x 48 in.)/ Robert Owen 2004, 122 x 122 cm |
*** | *** |
| 23 |  |
Larwill, David Scott
Personal Coronation, 2005Oil on canvas, signed with initials and dated lower right D.L./ 05, signed, dated and inscribed verso: personal coronation/ David Larwill/ 2005, 80 x 200 cm |
*** | *** |
| 24 |  |
Kovacs, Ildiko
Green Line, 1999Oil on board, signed, dated and inscribed on stretcher verso: Ildiko Kovacs Oil Paint On Plywood Title: Green Line 1999, 180 x 120 cm |
*** | *** |
| 25 |  |
Hendry, Catherine Jenna (CJ)
Darth Vader, 2016Ink on paper, signed lower right Cj Hendry, accompanied by a certificate and medallion of authenticity from the artist, stock no203880130, 74 x 74 cm |
*** | *** |
| 26 |  |
Storrier, Timothy Austin (Tim)
A Distance Away (Study), 2018Synthetic polymer paint on canvas, signed lower right Storrier, signed, dated and inscribed on stretcher verso: 'A Distance Away' (Study) Storrier. 2018, 54 x 91.5 cm |
*** | *** |
| 27 |  |
Onus, Lin
Gumiring Garkman, 1994Synthetic polymer paint and ink on illustration board, inscribed lower right (below mount): Gumiring Garkman, 49 x 74 cm |
*** | *** |
| 28 |  |
Whiteley, Brett
The Heroin Clock 2 1981Two clocks mounted in a Perspex box, signed dated and inscribed verso: especially reproduced for Clive Evatt, 'The Heroin Clock 2' 1981 brett whiteley/ 24/october 1981/ (19th Century Hands)/ about the authorship of idea of this art object.../ it would aesthetically be wrong to add even a studio signature stamp to the front. even initials./ it should be checked that the red second hands are in exact sinc [sic] all the time or the picture is false./ 'The Heroin Clock 2' is not a moral statement, a discription [sic] of destruction a glimpse of evil or any of that sort of thing./ it is more like a scientific matter of fact - a visual equasion [sic], a comparasion [sic] if you like, of addiction to non-addition [sic]. (But it should be noted that this object should produce a feeling of anxiety.), stamped verso with artist's monogram, 27.5 x 46.5 x 6.5 cm |
*** | *** |
| 29 |  |
Amor, Rick
Study for Afternoon in an Arcade, 1993Oil on canvas, signed and dated lower right Rick Amor 93, dated and inscribed verso: Study For Afternoon/ in An Arcade/ 162 X 101.5/ May June '93, 101.5 x 162 cm |
*** | *** |
| 30 |  |
Hendry, Catherine Jenna (CJ)
Prada It Bag, 2014Ink on paper, signed lower right Cj Hendry, 149 x 231.5 cm |
*** | *** |
| 31 |  |
Kelly, John
Man Looking into a Zebra, 2000Oil on linen, signed and dated lower right Klly [sic] 2000, 121.5 x 183 cm |
*** | *** |
| 32 |  |
Boyd, Arthur Merric Bloomfield
The Hunter, 1945Oil on canvas, signed and dated lower centre: A Boyd 45, 76 x 92 cm |
*** | *** |
| 33 |  |
Blackman, Charles Raymond
Day Dream, 1958Oil on board, signed and dated upper left Blackman 58/, signed verso: Charles Blackman, bears inscription verso: Daydream?/ Charles Blackman/ 45 Chrystobel Cresc./ Hawthorn/ WA2148/ 1856N5, 122 x 122 cm |
*** | *** |
| 34 |  |
Boyd, Arthur Merric Bloomfield
Shoalhaven River with Black Cockatoo, c1980Oil on canvas, signed lower right Arthur Boyd, 122.5 x 91.5 cm |
*** | *** |
| 35 |  |
Beckett, Clarice Marjoribanks
Bridge over the Yarra (Punt Road Bridge), c1924Oil on board, 28.5 x 33.5 cm |
*** | *** |
| 36 |  |
Rees, Lloyd Frederic
Hills of Bathurst, c1944Oil on canvas, signed lower left L Rees, 46 x 76.5 cm |
*** | *** |
| 37 |  |
Roberts, Thomas (Tom) William
Lake Como, 1913Oil on canvas on board, signed and dated lower left Tom Roberts 13, bears inscription verso: 20, frame: original, Lillie Williamson (the artist's wife), 35 x 45 cm |
*** | *** |
| 38 |  |
Streeton, Arthur Ernest
A Summer Field, c1905Oil on canvas on board, signed with initials lower right As, bears inscription verso: Dated by/ Oliver Streeton/ Early 1900s, label attached verso bears catalogue details, 29 x 44 cm |
*** | *** |
| 39 |  |
Glover, John
Mill on the Tiber (After Claude), c1840Oil on canvas, 76 x 113 cm |
*** | *** |
| 40 |  |
Lindsay, Norman Alfred William
Rosemary Dobson, 1949Oil on canvas, signed upper centre: Norman Lindsay, 75 x 59 cm |
*** | *** |
| 41 |  |
Williams, Frederick (Fred) Ronald
Saplings, 1959Oil on board, signed and dated lower right Fred Williams 59, 52 x 42 cm |
*** | *** |
| 42 |  |
Robinson, William Francis (Bill)
Bright Sea, 2007Oil on linen, signed and dated lower left William Robinson '07, 52 x 77 cm |
*** | *** |
| 43 |  |
Booth, Peter
Winter Landscape with Burning City, 2001Oil on canvas, signed and dated verso: Peter Booth 2001, 76 x 142 cm |
*** | *** |
| 44 |  |
Shead, Garry
Aboriginal, 1992Oil on board, signed and dated lower left Garry Shead 92, bears inscription on stretcher verso: Aboriginal, 91 x 121.5 cm |
*** | *** |
| 45 |  |
Olsen, John Henry
Figure in a Landscape, 2005Oil on linen, signed and dated lower left John Olsen 05, signed and inscribed verso: 'Figure in a Landscape'/ John Olsen, 76 x 91 cm |
*** | *** |
| 46 |  |
Frank, Dale Leonard
Transient Ischemic Attack Painting London 3 (TIAPL3): Sheep get static cling when they rub together, 2005Varnish on linen, twice signed and dated verso: Dale Frank/ 2005/ Dale Frank 2005, 200 x 200 cm |
*** | *** |
| 47 |  |
Maguire, Timothy (Tim)
Untitled 20070406, 2007Oil on canvas, signed, dated and inscribed verso: Maguire '07/ Untitled 20070406, 160 x 148 cm |
*** | *** |
| 48 |  |
Oliver, Bronwyn
Acorn, 2005Copper, 60 x 45 x 45 cm |
*** | *** |
| 49 |  |
Van Dongen, Kees
Deauville, Les Tentes, 1956Oil on canvas, signed lower right van Dongen, signed with initials, dated and inscribed verso: Deauville/ Les Tentes/ 1956. V.D, 54.5 x 66 cm |
*** | *** |
| 50 |  |
Maillol, Aristide Joseph Bonaventure
Baigneuse Debout se Coiffant, le Coude Leve, 1921Bronze, edition: 1/6, signed to base with the artist's monogram, numbered to base: 1/6, foundry stamp to base: Cire Perdue, Fondeur Claude Valsuani, Paris, 29 cm height |
*** | *** |